In this article I consider the temporality of postapocalyptic narrative and use a contemporary postapocalyptic novel, Plop (2004), by the Argentine author Rafael Pinedo, to open up new considerations of Domingo Faustino Sarmiento's classic Facundo: Civilización y barbarie (1845). Following the method proposed by Jorge Luis Borges (1966) in “Kafka and His Precursors,” it is my position that Pinedos novel invents a new, postapocalyptic Facundo, thus converting Sarmiento into one of the American continent's first postapocalyptic authors. Furthermore, Pinedos novel reframes the “civilization or barbarism” debate under the contemporary sign of ecological catastrophe, allowing the reader to arrive at new and startling conclusions about language, the environment, and disaster.