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Tables
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- Perceptions of State
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- 27 June 2024, pp vii-viii
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Part II - Gender and Land
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- Quest for Identity
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- 26 July 2023
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- 27 June 2024, pp 35-36
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Index
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- World of the Right
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- 27 June 2024, pp 208-211
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7 - Verbal Interaction
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- Human-Robot Interaction
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- 27 June 2024, pp 112-133
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About the Contributors
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- How Secular Is Art?
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- 21 February 2023
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- 27 June 2024, pp 409-414
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Contents
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- Concept Formation in the Wild
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- 27 June 2024, pp vii-vii
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Contents
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- Constructing Religious Martyrdom
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- 27 June 2024, pp vii-viii
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Index
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- Algebraic Varieties: Minimal Models and Finite Generation
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- 27 June 2024, pp 245-252
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Chapter 4 - Functional Concepts in Organized Productive Activities
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- Concept Formation in the Wild
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- 27 June 2024, pp 33-77
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Chapter 1 - Rhetoric in Athens
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- Democracy, Theatre and Performance
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- 17 May 2024
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- 27 June 2024, pp 19-38
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Part 3 - Art and Its Gods
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- How Secular Is Art?
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- 21 February 2023
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- 27 June 2024, pp 225-226
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Chapter 7 - Constructing Virgil and His Biography
- from Part II - Lives and Afterlives
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- Writing Literary History in the Greek and Roman World
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- 27 June 2024, pp 144-166
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5 - Crisis, Collapse, and Resurgence
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- Fuel and Power
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- 27 June 2024, pp 162-202
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Contents
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- Pahlavi Iran's Relations with Africa
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- 27 June 2024, pp v-vi
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10 - A Historian among the Goddesses of Modern India
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- How Secular Is Art?
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- 21 February 2023
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- 27 June 2024, pp 297-330
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Images
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- How Secular Is Art?
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- 21 February 2023
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- 27 June 2024, pp vii-xiv
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Part I - Establishing Relations (c. 1957–1970)
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- Pahlavi Iran's Relations with Africa
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- 27 June 2024, pp 17-116
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General Editors’ Preface
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- Correspondence Primarily on <i>Pamela</i> and <i>Clarissa</i> (1732–1749)
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- 27 June 2024, pp ix-xxii
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Contents
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- How Secular Is Art?
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- 21 February 2023
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- 27 June 2024, pp v-vi
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Conclusion - A Final Bitch
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- Bitch
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- 27 June 2024, pp 162-168
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