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5 - Interactivity and Live Computer Music

Published online by Cambridge University Press:  27 October 2017

By
Sergi Jordà
Edited by
Nick Collins  and
Julio d'Escrivan
Nick Collins
Affiliation:
University of Durham
Julio d'Escrivan
Affiliation:
University of Huddersfield
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Information
The Cambridge Companion to Electronic Music , pp. 86 - 103
Publisher: Cambridge University Press
Print publication year: 2017

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References

Selected discography

Bahn, C. 2000. The Rig: Solo Improvisations for Sensor Bass and Live Electronics. Electronic Music Foundation, EMF CD 030
Behrman, D. 1977. On the Other Ocean; Figure in a Clearing. Lovely Music LO 141Google Scholar
Bischoff, J. and Perkis, T. 1989. Artificial Horizon. Artifact Recordings, AR102
Brown, C. 1996. Duets. Artifact Recordings, AR115
Casserley, L. 1999. Labyrinths. Sargasso SG28030
Chadabe, J. 1981. Rhythms. Lovely Music VR 1301
Fenn, O’Berg 2004. The Return of Fenn O’Berg. Mego 54
FMOL Trio. 2002. The Köln Concert. Hazard Records 028
Fuzzybunny 2000. Fuzzybunny. Sonore
Le Caine, H. 1999. Compositions & Demonstrations 1946–1974. Electronic Music Foundation 15
Lewis, G. 1993. Voyager. Avant 014
M. I. M. E. O. (Music in Movement Electronic Orchestra) 1998. Electric Chair + Table. Grob
Mumma, G. 2002. Live Electronic Music. Tzadik TZ 7074
Pair, A’Dice 2001. Near Vhana. Ninth World Music 15
Parker, E. 1997. Evan Parker’s Electro-Acoustic Ensemble: Toward the Margins. ECM 453514
Ryan, J. 1994. Enfolded Strings Inial Mix. Inial
Scott, R. 2000. Manhattan Research, Inc.: New Plastic Sounds and Electronic Abstractions. Basta 90782
Spiegel, L. 1991. Unseen Worlds. Scarlet
Spiegel, L. 2001. Obsolete Systems. Electronic Music Foundation EM119
The Hub 1989. Computer Network Music. Artifact 1002
, V. A. 2000. Clicks & Cuts. Mille Plateaux 8079

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