Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-20T16:48:54.738Z Has data issue: false hasContentIssue false

Crisis of Humanity. Various Faces of the Other in the Novel Do Androids Dream of Electric Sheep? by Philip K. Dick

Published online by Cambridge University Press:  16 July 2022

Get access

Summary

Abstract: The essay discusses the crisis of humanity in Do Androids Dream of Electric Sheep? by Philip K. Dick. It examines elements of the world presented in the novel, symbolising this crisis, such as devastated Earth, artificial animals, and androids. Subsequently, it addresses the question concerning what makes us human, which is implied in the very title of the book. The Voight-Kampff Test is described, as well as its role in the novel and the way in which it establishes the difference between humans and nonhumans. A very important point in the essay is the description of the main protagonist, Rick Deckard, and the analysis of his view on the world around him. Therefore his moral dilemmas concerning androids are examined and situated within the larger framework of the period succeeding the human.

Introduction

Every culture and every period in history have their own characteristic ways of portraying the other and a different attitude toward otherness. The other has a tendency to appear when the crisis of various values occurs, to embody fears of the particular epoch. In this work, the main focus is on the most prominent icons of otherness: the monster, especially in connection with the crisis of humanity, as represented in Philip K. Dick's novel Do Androids Dream of Electric Sheep?

The Figure of the Monster as the Other

The other can be defined, according to Zygmunt Bauman, as someone (or something) that does not “fit the cognitive, moral, or aesthetic map of the world” and “by [its] presence [makes] obscure what ought to be transparent” (1997: 18). The figure of the other may be perceived as something known and unknown at the same time or as something that should be familiar but is perceived as something unfamiliar. This statement corresponds with Sigmund Freud's definition of the “uncanny”. Freud claims that the “uncanny” does not simply mean something terrifying. According to Freud, the feel of terror is connected to the fact that the “uncanny” was “once very familiar” but has “become … frightening” (1925: 220). Therefore, the other can embody ontological uncertainty, especially in the event of identity crisis.

Type
Chapter
Information
Faces of Crisis in 20th- and 21st-Century Prose
An Anthology of Criticism
, pp. 141 - 152
Publisher: Jagiellonian University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×