Skip to main content Accessibility help
×
  • Cited by 9
Publisher:
Cambridge University Press
Online publication date:
October 2015
Print publication year:
2015
Online ISBN:
9781316338759

Book description

This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theatre developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

Adrian, Gregory, The Silence of Memory: Armistice Day 1919–1945 (Oxford: Berg, 1994).
Agnew, Jean-Christophe, Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750 (Cambridge University Press, 1986).
Althusser, Louis, ‘Ideology and ideological state apparatuses [1968]’, in Rivkin, J. and Ryan, M. (eds.), Literary Theory: An Anthology (Oxford: Blackwell, 1998), pp. 294304.
Altman, Joel B., ‘“Vile participation”: The amplification of violence in the theater of Henry V, Shakespeare Quarterly, 42:1 (1991), 132.
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition (London and New York: Verso, 1991).
Anderson, Thomas P., Performing Early Modern Trauma from Shakespeare to Milton (Aldershot: Ashgate, 2006).
Assmann, Aleida, Cultural Memory and Western Civilization: Functions, Media, Archives (Cambridge University Press, 2011).
Assmann, Aleida, ‘Formen des Vergessens’, in Diasio, N. and Wieland, K. (eds.), Die sozio-kulturelle (De-)Konstruktion des Vergessens: Bruch und Kontinuität in den Gedächtnisrahmen um 1945 und 1989 (Bielefeld: Aisthesis Verlag, 2012), pp. 2148.
Assmann, Aleida, ‘The battle of memories in Shakespeare’s histories’, in Assmann, A., Cultural Memory and Western Civilization: Functions, Media, Archives (Cambridge University Press, 2011), pp. 5378.
Assmann, Jan, Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen (München: Beck, 1992).
Bacon, Francis, Of the Advancement and Proficiencies of Learning … (London: 1640).
Baldo, Jonathan, ‘“A rooted sorrow”: Scotland’s unusable past’, in Moschovakis, N. (ed.), Macbeth: New Critical Essays (London and New York: Routledge, 2008), pp. 88103.
Baldo, Jonathan, ‘Exporting oblivion in The Tempest, Modern Language Quarterly, 56:2 (1995), 111–44.
Baldo, Jonathan, ‘Forgetting Elizabeth in Henry VIII, in Hageman, E. and Conway, K. (eds.), Resurrecting Elizabeth I in Seventeenth-Century England (Madison, NJ: Fairleigh Dickinson University Press, 2007), pp. 132–48.
Baldo, Jonathan, Memory in Shakespeare’s Histories: Stages of Forgetting in Early Modern England (New York: Routledge, 2012).
Baldo, Jonathan, ‘Shakespeare’s art of distraction’, Shakespeare, 10:2 (2014), 13857.
Baldo, Jonathan, ‘Wars of memory in Henry V, Shakespeare Quarterly, 47:2 (1996), 132–59.
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom (Princeton University Press, 1959).
Barish, Jonas, ‘Remembering and forgetting in Shakespeare’, in Parker, R. B. and Zitner, S. P. (eds.), Elizabethan Theater (Newark: University of Delaware Press, 1996), pp. 214–12.
Barish, Jonas, The Antitheatrical Prejudice (Berkeley: University of California Press, 1981).
Batman, Stephen, Batman Uppon Bartholome (London: Thomas East, 1582).
Bawcutt, Nancy W., The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623–1672 (Oxford: Clarendon Press, 1996).
Beecher, Donald, ‘Introduction: The crisis of memory’, in Beecher, D. and Williams, G. (eds.), Ars Reminiscendi: Mind and Memory in Renaissance Culture (Toronto: Centre for Reformation and Renaissance Studies, 2009), pp. 1724.
Bevington, David, ‘Introduction’, in Bevington, D. (ed.), King Henry IV, Part One. The Oxford Shakespeare (Oxford University Press, 1987), pp. 1110.
Bliss, Lee, ‘The wheel of fortune and the maiden phoenix in Shakespeare’s King Henry the Eighth, English Literary History, 42 (1975), 125.
Bolzoni, Lina, The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press. Transl. by Parzen, Jeremy (University of Toronto Press, 2001).
Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2001).
Breuilly, John, Nationalism and the State (Manchester University Press, 1993).
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge University Press, 1992).
Cahill, Patricia, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage (Oxford University Press, 2008).
Calhoun, Craig, Nationalism (Minneapolis: University of Minnesota Press, 1997).
Carlson, Marvin, The Haunted Stage: The Theatre as Memory Machine (University of Michigan Press, 2003).
Carroll, William C., ‘“The form of law”: Ritual and succession in Richard III, in Woodbridge, L. (ed.), True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and His Age (Urbana and Chicago: University of Illinois Press, 1992), pp. 203–19.
Carruthers, Mary, The Book of Memory: A Study of Memory in Medieval Culture. 2nd edn. (Cambridge University Press, 2008).
Cavanagh, Dermot, Hampton-Reeves, Stuart and Longstaffe, Stephen (eds.), Shakespeare’s Histories and Counter-Histories (Manchester University Press, 2006).
Chapman, Alison, ‘Whose Saint Crispin’s Day is it? Shoemaking, holiday making, and the politics of memory in early modern England’, Renaissance Quarterly, 54:4 (2001), 1467–94.
Charnes, Linda, Notorious Identity: Materializing the Subject in Shakespeare (Cambridge, MA: Harvard University Press, 1993).
Chartier, Roger, ‘Jack Cade, the skin of a dead lamb, and the hatred for writing’, Shakespeare Studies, 34 (2006), 7789.
Chernaik, Warren, The Cambridge Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007).
Clare, Janet, ‘Art Made Tongue Tied by Authority’: Elizabethan and Jacobean Dramatic Censorship (Manchester University Press, 1990).
Clegg, Cyndia Susan, Press Censorship in Elizabethan England (Cambridge University Press, 1997).
Cohen, Derek, Searching Shakespeare: Studies in Culture and Authority (University of Toronto Press, 2003).
Cohen, Stephen, ‘Between form and culture: New Historicism and the promise of a historical formalism’, in Rasmussen, M. D. (ed. and introd.) and Strier, R. (afterword), Renaissance Literature and Its Formal Engagements (New York, NY: Palgrave, 2002), pp. 1741.
Cohen, Stephen (ed.), Shakespeare and Historical Formalism (Aldershot:Ashgate, 2007).
Collinson, Patrick, ‘William Camden and the anti-myth of Elizabeth: Setting the mould?’, in Doran, S. and Freeman, T. S. (eds.), The Myth of Elizabeth (Basingstoke: Palgrave Macmillan, 2003), pp. 7998.
Connerton, Paul, How Societies Remember (Cambridge University Press,1989).
Connerton, Paul, ‘Seven types of forgetting’, Memory Studies, 1:1 (2008), 5971.
Corbin, Peter and Sedge, Douglas (eds.), The Oldcastle Controversy: Sir John Oldcastle, Part I and The Famous Victories of Henry V (Manchester University Press, 1991).
Craik, T. W., ‘Introduction’, in King Henry V, ed. by Craik, T. W.. Arden Third Series (London and New York: Routledge, 1995), pp. 1111.
Davis, Fred, Yearning for Yesterday: A Sociology of Nostalgia (New York: The Free Press, 1979).
Dawson, Anthony B., ‘The arithmetic of memory: Shakespeare’s theatre and the national past’, Shakespeare Survey, 52 (1999), 5467.
Dawson, Anthony B., ‘The distracted globe’, in Dawson, A. B. and Yachnin, P. (eds.), The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge University Press, 2001), pp. 88107.
Dawson, Anthony B. and Yachnin, Paul, The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge University Press, 2001).
Day, Gillian, ‘“Determinèd to prove a villain”: Theatricality in Richard III, Critical Survey, 3:2 (1991), 149–56.
de Sousa, Geraldo U., ‘The peasants’ revolt and the writing of history in 2 Henry VI, in Bergeron, D. (ed.), Reading and Writing in Shakespeare (Newark: University of Delaware Press, 1996), pp. 178–93.
Debord, Guy, The Society of Spectacle [1967]. Transl. by Nicholson-Smith, Donald (New York: Zone Books, 1994).
Dekker, Thomas, The Whore of Babylon [1607], in The Dramatic Works of Thomas Dekker, vol. II, ed. by Bowers, Fredson (Cambridge: Cambridge University Press, 1955).
Diehl, Huston, Staging Reform, Reforming the Stage: Protestantism and Popular Theatre in Early Modern England (Ithaca, NY: Cornell University Press, 1997).
Dillon, Janette, Shakespeare and the Staging of English History (Oxford University Press, 2012).
Dobson, Michael and Watson, Nicola, England’s Elizabeth: An Afterlife in Fame and Fantasy (Oxford University Press, 2002).
Dobson, R.B., The Peasant’s Revolt of 1381. 2nd edn. (London: Macmillan Press, 1983).
Doran, Susan and Freeman, Thomas S., The Myth of Elizabeth (Houndmills, Basingstoke: Palgrave Macmillan, 2003).
Döring, Tobias, Performances of Mourning in Shakespearean Theatre and Early Modern Culture (Houndmills, Basingstoke: Palgrave Macmillan, 2006).
Döring, Tobias, ‘Shadows to the unseen grief? Rituals of memory and forgetting in the history plays’, paper given at the International Shakespeare Conference, Brisbane, July 2006, Panel Session Cultural Memory in Shakespeare – Shakespeare in Cultural Memory. Unpublished lecture manuscript.
Downame, John, The Second Part of the Christian Warfare (London: 1611).
Dubrow, Heather, ‘Guess who’s coming to dinner? Reinterpreting formalism and the country house poem’, Modern Language Quarterly, 61:1 (2000), 5977.
Dubrow, Heather. A Happier Eden: The Politics of Marriage in the Stuart Epithalamium (Ithaca: Cornell University Press, 1990).
Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, c. 1400 – c. 1580 (New Haven, CT: Yale University Press, 1992).
Dutton, Richard, Licensing, Censorship and Authorship in Early Modern England (Basingstoke: Palgrave, 2000).
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (London and Basingstoke: Macmillan, 1991).
Eco, Umberto, ‘An ars oblivionalis? Forget it!’, PMLA, 103:3 (1988), 254–61.
Engel, William, Death and Drama in Renaissance England (Oxford University Press, 2002).
Engel, William E., ‘The decay of memory’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 2140.
Engel, William E., Mapping Mortality: The Persistence of Memory and Melancholy in Early Modern England (Amherst: University of Massachusetts Press, 1995).
Engle, Lars, ‘Who pays in the Henriad?’, in Engle, L., Shakespearean Pragmatism: Market of His Time (University of Chicago Press, 1993), pp. 107–28.
Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge University Press, 2003).
Fischer, Sandra K., ‘“He means to pay”: Value and metaphor in the Lancastrian tetralogy’, Shakespeare Quarterly, 40:2 (1989), 149–64.
Fitter, Chris, ‘Historicising Shakespeare’s Richard II: Current events, dating, and the sabotage of Essex’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 11:2 (2005), http://extra.shu.ac.uk/emls/11–2/fittric2.htm, last accessed 13.02.2015, no pagination.
Fitter, Chris, ‘“Your captain is brave and vows reformation”: Jack Cade, the Hacket Rising, and Shakespeare’s vision of popular rebellion in 2 Henry VI’, Shakespeare Studies, 32 (2004), 173219.
Fitzpatrick, Joan, Food in Shakespeare: Early Modern Dietaries and the Plays (Aldershot: Ashgate, 2007).
Foakes, R. A., ‘Review of Wells, Stanley; Taylor, Gary. The Complete Works, original-spelling edition’, Modern Language Review, 84:2 (1989), 438–9.
Fraser, R. Scott, ‘“The king has killed his heart”: The death of Falstaff in Henry V, SEDERI, 20 (2010), 145–57.
Frow, John, Genre. New Critical Idiom Series (New York: Routledge, 2006).
Frow, John, ‘Toute la mémoire du monde: Repetition and forgetting’, in Frow, J., Time and Commodity Culture: Essays in Cultural Theory and Postmodernity (Oxford: Clarendon Press, 1997), pp. 218–46.
Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (New York and London, Methuen: 1987).
Gasper, Julia, The Dragon and the Dove: The Plays of Thomas Dekker (Oxford: Clarendon Press, 1990).
Goldberg, Jonathan, ‘The commodity of names: “Falstaff” and “Oldcastle” in 1 Henry IV, in Crewe, J. (ed.), Reconfiguring the Renaissance: Essays in Critical Materialism (Lewisburg: Bucknell University Press; London and Toronto: Associated University Press, 1992), pp. 7688.
Goldmann, Stefan, ‘Statt Totenklage Gedächtnis: Zur Erfindung der Mnemotechnik durch Simonides von Keos’, Poetica, 21 (1989), 4366.
Goodland, Katherine, Female Mourning in Medieval and Renaissance English Drama (Aldershot: Ashgate, 2005).
Gosson, Stephen, ‘Playes Confuted in Five Actions [1582]’, in Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson, ed. by Kinney, Arthur F. (Salzburg: Institut für Englische Sprache und Literatur, 1974), pp. 138200.
Gosson, Stephen, ‘The School of Abuse [1587]’, in Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson, ed. by Kinney, Arthur F. (Salzburg: Institut für Englische Sprache und Literatur, 1974), pp. 69120.
Grady, Hugh, ‘Falstaff: Subjectivity between the carnival and the aesthetic’, The Modern Language Review, 96 (2001), 609–23.
Grady, Hugh, Shakespeare and Impure Aesthetics (Cambridge University Press, 2009).
Grady, Hugh, Shakespeare, Machiavelli and Montaigne: Power and Subjectivity from Richard II to Hamlet (Oxford University Press, 2002).
Grant, Teresa, ‘Drama queen: Staging Elizabeth in If You Know Not Me You Know Nobody, in Doran, S. and Freeman, T. S. (eds.), The Myth of Elizabeth (Basingstoke: Palgrave Macmillan, 2003), pp. 120–42.
Grant, Teresa, ‘History in the making: The case of Samuel Rowley’s When You See Me You Know Me (1605/06)’, in Grant, T. and Ravelhofer, B. (eds.), English Historical Drama, 1500–1660: Forms Outside the Canon (Houndmills, Basingstoke: Palgrave Macmillan, 2008), pp. 125–57.
Gratarolus, Gulielmus, The Castel of Memorie. Transl. by Fulwood, William. London: Rouland Hall, 1562.
Greenblatt, Stephen, Hamlet in Purgatory (Princeton, NJ and Oxford: Princeton University Press, 2001).
Greenblatt, Stephen, ‘Murdering peasants: Status, genre, and the representation of rebellion’, Representations, 1 (1983), 129.
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (University of Chicago Press, 1980).
Greene, John [see also I. G.], A Refutation of the Apology for Actors (London: W. White, 1615).
Grene, Nicolas, Shakespeare’s Serial History Plays (Cambridge University Press, 2002).
Gurr, Andrew, ‘Introduction’, in Richard II, ed. by Gurr, A.. The New Cambridge Shakespeare (Cambridge University Press, 2003), pp. 160.
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge University Press, 2004).
Hadfield, Andrew, Literature, Politics and National Identity: Reformation to Renaissance (Cambridge University Press, 1994).
Hageman, Elizabeth H. and Conway, Katherine (eds.), Resurrecting Elizabeth I in Seventeenth-Century England (Madison, NJ: Fairleigh Dickinson University Press, 2007).
Haigh, Christopher, English Reformations: Religion, Society and Politics under the Tudors (Oxford: Clarendon Press, 1992).
Halbwachs, Maurice, Les Cadres Sociaux de la Mémoire (Paris: Libraire Félix Alcan, 1925).
Hall, Edward, The Union of the Two Noble Houses of Lancaster and York (London, 1550).
Hammer, Paul, ‘Shakespeare’s Richard II, the play of 7 February 1601, and the Essex Rising’, Shakespeare Quarterly, 59:1 (2008), 135.
Hampton-Reeves, Stuart, ‘Staring at Clio: artists, histories and counter-histories’, in Cavanagh, D., Hampton-Reeves, S. and Longstaffe, S. (eds.), Shakespeare’s Histories and Counter-Histories (Manchester University Press, 2006), pp. 112.
Harmon, A. G., ‘Shakespeare’s carved saints’, Studies in English Literature, 45:2 (2005), 315–31.
Harris, Jonathan Gil, Untimely Matter in the Time of Shakespeare (Philadelphia: University of Pennsylvania Press, 2008).
Hattaway, Michael, ‘The Shakespearean history play’, in Hattaway, M. (ed.), The Cambridge Companion to Shakespeare’s History Plays (Cambridge University Press, 2002), pp. 324.
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago and London: University of Chicago Press, 1992).
Hertel, Ralf, Staging England in the Elizabethan History Play: Performing National Identity (Farnham: Ashgate, 2014).
Heywood, Thomas, ‘An Apology for Actors [1612]’, English Renaissance Literary Criticism, ed. by Vickers, Brian (Oxford: Clarendon Press, 1999), pp. 474501.
Heywood, Thomas, If You Know Not Me You Know Nobody, Parts I and II [1605]. 2 vols., ed. by Gregg, W. W. (Oxford: The Malone Society Reprints, 1934).
Higden, Ranulf, Polycronycon (Westminster: Printed by William Caxton, 1482).
Hillman, David, ‘Homo clausus at the theatre’, in Reynolds, B. and West, W. N. (eds.), Rematerializing Shakespeare Authority and Representation on the Early Modern English Stage (Basingstoke: Palgrave Macmillan, 2005), pp. 161–85.
Hiscock, Andrew, Reading Memory in Early Modern Literature (Cambridge University Press, 2011).
Hobgood, Allison P. Passionate Playgoing in Early Modern England (Cambridge University Press, 2011).
Höfele, Andreas, ‘Making history memorable: More, Shakespeare and Richard III’, REAL: The Yearbook of Research in English and American Literature, 21 (2005), 187203.
Holderness, Graham, Shakespeare: The Histories (Houndmills, Basingstoke: Palgrave Macmillan, 2000).
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan, 1985).
Holinshed, Raphael, Holinshed’s Chronicles of England, Scotland, and Ireland [1586], ed. by Snow, Vernon F.. 6 vols. (New York: AMS Press, 1976) [= facsimile reprint of the 1807–8 edition printed for J. Johnson, London.]
Holland, Peter, ‘On the gravy train: Shakespeare, memory and forgetting’, in Holland, P. (ed.), Shakespeare, Memory, and Performance (Cambridge University Press, 2006), pp. 207–34.
Howard, Jean E., ‘Shakespeare, geography, and the work of genre’, in Cohen, S. (ed.), Shakespeare and Historical Formalism (Aldershot: Ashgate, 2007), pp. 4967.
Howard, Jean and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (New York: Routledge, 1997).
Hutcheon, Linda, ‘Irony, nostalgia, and the postmodern’ (1998), www. library.utoronto.ca/utel/criticism/hutchinp.html#N26, last accessed 15.02.2015, no pagination.
I[ohn] G[reene], I. G., A Refutation of the Apologie for Actors [1615], ed. by Perkinson, Richard H. (New York: Scholar’s Facsimiles and Prints, 1941).
Ivic, Christopher, ‘Reassuring fratricide in 1 Henry IV, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004), pp. 99109.
Ivic, Christopher and Williams, Grant (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004).
James, I., The Political Works of James I. Introd. by McIlwain, Charles Howard (New York: Russell & Russell, 1965).
Joughin, John J., ‘Shakespeare’s memorial aesthetics’, in Holland, P. (ed.), Shakespeare, Memory and Performance (Cambridge University Press, 2006), pp. 4362.
Joughin, John J. and Malpas, Simon (eds.), The New Aestheticism (Manchester University Press, 2003).
Jowett, John, ‘Introduction’, in The Tragedy of King Richard III, ed. by Jowett, J.. The Oxford Shakespeare (Oxford University Press, 2000), pp. 1132.
Kamps, Ivo, Historiography and Ideology in Stuart Drama (Cambridge University Press, 1996).
Kerrigan, John, Motives of Woe: Shakespeare and ‘Female Complaint’ (Oxford: Clarendon Press, 1991).
Kerrigan, John, Revenge Tragedy (Oxford: Clarendon Press, 1996).
Kewes, Paulina, ‘The Elizabethan history play: A true genre?’, in Dutton, R. and Howard, J. E. (eds.), A Companion to Shakespeare’s Works, vol. II: The Histories (Oxford: Blackwell, 2003), pp. 170–93.
Kewes, Paulina (ed.), The Uses of History in Early Modern England (San Marino, CA: Huntington Library Press, 2006).
Kinney, Daniel, ‘The tyrant being slain: Afterlives of More’s History of King Richard III, in Rhodes, N. (ed.), English Renaissance Prose: History, Language, and Politics (Tempe, AZ: Arizona State University, 1997), pp. 3556.
Knowles, Ronald, ‘Introduction’, in King Henry VI, Part Two, ed. by Knowles, R.. Arden Shakespeare Third Series (London: Cengage, 1999), pp. 1141.
Knowles, Ronald, Shakespeare’s Arguments with History (Houndmills, Basingstoke: Palgrave, 2002).
Krämer, Sybille, ‘Das Vergessen nicht vergessen! oder: Ist das Vergessen ein defizienter Modus von Erinnerung?’, Paragrana, 9:2 (2000), 251–75.
Lachmann, Renate, ‘Kultursemiotischer Prospekt’, in Haverkamp, A. and Lachmann, R. (eds.), Memoria: Vergessen und Erinnern (München: Fink, 1993), pp. xviixxvii.
Laroque, François, ‘Shakepeare’s “Battle of Carnival and Lent”: The Falstaff scenes reconsidered’, in Knowles, R. (ed.), Shakespeare and Carnival: After Bakhtin (New York: Macmillan, 1998), pp. 8396.
Leahy, William, ‘“All would be royal”: The effacement of disunity in Shakespeare’s Henry V, Shakespeare-Jahrbuch, 138 (2002), 8998.
Lees-Jeffries, Hester, Shakespeare and Memory. Oxford Shakespeare Topics (Oxford University Press, 2013).
Leggatt, Alexander, ‘Killing the hero: Tamburlaine and Falstaff’, in Budra, P. and Schellenberg, B. (eds.), Part Two: Reflections on the Sequel (University of Toronto Press, 1998), pp. 5367.
Leggatt, Alexander, Shakespeare’s Political Drama: The History Plays and the Roman Plays (London and New York: Routledge, 1988).
Levy, Fritz J., Tudor Historical Thought (San Marino, CA: Huntington Library Press, 1967).
Liebler, Naomi C., ‘The mockery King of Snow: Richard II and the sacrifice of ritual’, in Woodbridge, L. and Berry, E. (eds.), True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and His Age (Urbana and Chicago: University of Illinois Press, 1992), pp. 220–39.
Linton, David, ‘Shakespeare as media critic: Communication theory and historiography’, Mosaic, 29:2 (1996), 121.
Long, Zachariah, ‘“Unless you could teach me to forget”: Spectatorship, self-forgetting, and subversion in antitheatrical literature and As You Like It, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004), pp. 151–64.
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge University Press, 2003).
Low, Jennifer A. and Myhill, Nova, Imagining the Audience in Early Modern Drama, 1558–1642 (Houndmills, Basingstoke: Palgrave Macmillan, 2011).
Lowenthal, David, ‘Nostalgia tells it like it wasn’t’, in Shaw, C. and Chase, M. (eds.), The Imagined Past (Manchester University Press, 1989), pp.1832.
Lowenthal, David, The Past is a Foreign Country (Cambridge University Press, 1985).
Lowenthal, David, ‘Preface’, in Forty, A. and Küchler, S. (eds.), The Art of Forgetting (Oxford and New York: Berg Publishers, 1999), pp. xixiii.
Machiavelli, Niccolò, The Prince, ed. by Bull, G. (London: Penguin, 2003).
Marche, Stephen, ‘Mocking dead bones: Historical memory and the theater of the dead in Richard III, Comparative Drama, 37:1 (2003), 3757.
Marshall, Peter, Beliefs and the Dead in Reformation England (Oxford University Press, 2002).
Mason, Pamela, Henry V: “the quick forge and working house of thought”’, in Hattaway, M. (ed.), The Cambridge Companion to Shakespeare’s History Plays (Cambridge University Press, 2002), pp. 177–93.
Maus, Katharine Eisaman, Inwardness and Theater in the English Renaissance (University of Chicago Press, 1995).
Mazzola, Elizabeth, The Pathology of the English Renaissance: Sacred Remains and Holy Ghosts (Leiden: Brill, 1998).
McMullan, Gordon, ‘Introduction’, in King Henry VIII, ed. by McMullan, G.. Arden Shakespeare Third Series (London: Cengage, 2000), pp. 1199.
Meek, Richard, Rickard, Jane and Wilson, Richard (eds.), Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008).
Melchiori, Giorgio, ‘Dying of a sweat: Falstaff and Oldcastle’, Notes and Queries, 34 (1987), 210–11.
Melchiori, Giorgio (ed.), ‘Introduction’, in The Second Part of King Henry IV. New Cambridge Shakespeare (Cambridge University Press, 1989), pp. 173.
Montrose, Louis, The Subject of Elizabeth: Authority, Gender and Representation (University of Chicago Press, 2006).
More, Thomas, The Complete Works of St. Thomas More. ed. by Sylvester, Richard S. (New Haven, CT: Yale University Press, 1963).
Muir, Edward, Ritual in Early Modern Europe (Cambridge University Press, 1997).
Mullaney, Steven, The Place of the Stage: License, Power and Play in Renaissance England (University of Chicago Press, 1988).
Muro, Diego, ‘Nationalism and nostalgia’, Nations and Nationalism, 11:4 (2005), 571–89.
Murphy, Andrew (ed.), A Concise Companion to Shakespeare and the Text (Oxford: Blackwell, 2007).
Nashe, Thomas, Pierce Pennilesse, his Supplication to the Divell, ed. by Harrison, G. B. (Edinburgh University Press, 1966).
Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997).
Northbrooke, John, A Treatise wherein Dicing, Dauncing, Vaine Playes or Enterluds … are Reproved (London: H. Bynneman for George Byshop, 1577).
Orgel, Stephen, ‘The play of conscience’, in Sedgwick, E. Kosofsky and Parker, A. (eds.), Performativity and Performance (New York: Routledge, 1995), pp. 133–51.
Panofsky, Erwin, Renaissance and Renascences in Western Art (New York: Harper & Row, 1972).
Passerini, Luisa, ‘Memories between silence and oblivion’, in Hodgkin, K. and Radstone, S. (eds.), Memory, History, Nation: Contested Pasts (New Brunswick, NJ and London: Transaction Publishers, 2006), pp. 238–54.
Paster, Gail Kern, ‘Melancholy cats, lugged bears, and early modern cosmology: Reading Shakespeare’s psychological materialism across the species barrier’, in Paster, G. K., Rowe, K. and Floyd-Wilson, M. (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2004), pp. 113–29.
Patterson, Annabel, Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England (Madison: University of Wisconsin Press, 1994).
Patterson, Annabel, ‘Sir John Oldcastle as symbol of Reformation historiography’, in Hamilton, D. B. and Strier, R. (eds.), Religion, Literature and Politics in Post-Reformation England, 1540–1688 (Cambridge University Press, 1996), pp. 626.
Pendleton, Thomas A., ‘“This is not the man”: On calling Falstaff Falstaff’, Analytical and Enumerative Bibliography, 4 (1990), 5971.
Perry, Curtis, ‘The citizen politics of nostalgia: Queen Elizabeth in early Jacobean London’, Journal of Medieval and Renaissance Studies, 23.1 (1993), 89111.
Pfister, Manfred, Das Drama, utb 580 (München: Fink, 1977).
Pfister, Manfred, ‘Shakespeare’s memory: Texts – images – monuments – performances’, in Kamm, J. and Lenz, B. (eds.), Shakespearean Culture – Cultural Shakespeare (Passau: Stutz, 2009), pp. 217–40.
Philippy, Patricia, Women, Death and Literature in Post-Reformation England (Cambridge University Press, 2002).
Plato, , Collected Dialogues, ed. by Hamilton, E. and Cairns, H. (Princeton University Press, 1961).
Platter, Thomas, Travels in England [1599], ed. by Williams, C. (London: n.pub., 1937).
Pollard, A. F., ‘The making of Sir Thomas More’s Richard III, in Sylvester, R. S. and Marc’hadour, G. P. (eds.), Essential Articles for the Study of Thomas More (Hamden, CT: Archon Books, 1977), pp. 421–33.
Poole, Adrian, ‘Laughter, forgetting and Shakespeare’, in Cordner, M., Holland, P. and Kerrigan, J. (eds.), English Comedy (Cambridge University Press, 1994), pp. 8599.
Poole, Kristen, ‘Saints Alive! Falstaff, Martin Marprelate, and the staging of Puritanism’, Shakespeare Quarterly, 46:1 (1995), 4775.
Pugliatti, Paola, ‘“More than history can pattern”: The Jack Cade rebellion in Shakespeare’s Henry VI, 2, Journal of Medieval and Renaissance Studies, 22:3 (1992), 451–71.
Pugliatti, Paola, Shakespeare the Historian (New York: St. Martin’s Press, 1996).
Rabkin, Norman B., Shakespeare and the Problem of Meaning (University of Chicago Press, 1981).
Rackin, Phyllis, Stages of History: Shakespeare’s English Chronicles (London and New York: Routledge, 1990).
Ralegh, Walter, The Works of Sir Walter Ralegh. Vols. II–VII: The History of the World [1614] (New York: Burt Franklin, 1965) [= reprint of the facsimile edition of the 1829 Works, Oxford University Press].
Rankins, William, A Mirrour of Monsters (London: I.C. for T.H., 1587).
Rasmussen, Mark David (ed. and introd.) and Strier, Richard (afterword), Renaissance Literature and Its Formal Engagements (New York: Palgrave, 2002).
Renan, Ernest, ‘What is a nation? [1882]’, in Bhabha, H. (ed.), Nation and Narration (London and New York: Routledge, 1990), pp. 822.
Richards, Michael, A Time of Silence: Civil War and the Culture of Repression in Franco’s Spain, 1936–1945 (Cambridge University Press, 1999).
Rowley, Samuel, When You See Me You Know Me [1605], ed. by Wilson, F.P. (Oxford: The Malone Society Reprints, 1952).
Rudnytsky, Peter L., Henry VIII and the deconstruction of history’, Shakespeare Survey, 43 (1991), 4358.
Ruiter, David, Shakespeare’s Festive History: Feasting, Festivity, Fasting and Lent in the Second Henriad (Aldershot: Ashgate, 2003).
Schmidt, Gabriela, ‘“To set some colour vpon ye matter”: Thomas More’s History of King Richard the Third zwischen humanistischer Vergangenheitskonstruktion und autoreflexiver Skepsis’, in Bezner, F. and Mahlke, K. (eds.), Zwischen Wissen und Politik: Archäologie und Genealogie frühneuzeitlicher Vergangenheitskonstruktionen (Heidelberg: Winter, 2011), pp. 161–82.
Schneider, Manfred, ‘Liturgien der Erinnerung, Techniken des Vergessens’, Merkur, 41:2 (1987), 676–86.
Schoenfeldt, Michael C., Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999).
Schwyzer, Philip, Literature, Nationalism, and Memory in Early Modern England and Wales (Cambridge University Press, 2004).
Schwyzer, Philip, ‘Shakespeare’s art of reenactment: Henry at Blackfriars, Richard at Rougemont’, in Gordon, A. and Rist, T. (eds.), The Arts of Remembrance in Early Modern England: Memorial Cultures of the Post Reformation (Aldershot: Ashgate, 2013), pp. 179–94.
Shakespeare, William, The Norton Shakespeare, ed by Greenblatt, Stephen et al. (New York: W.W. Norton & Co, 1997).
Sharpe, Kevin, Reading Revolutions: The Politics of Reading in Early Modern England (New Haven, CT: Yale University Press, 2000).
Shaw, Christopher and Chase, Malcolm (eds.), The Imagined Past: History and Nostalgia (Manchester University Press, 1989).
Sidney, Sir Philip, The Major Works, ed. by Duncan-Jones, Katherine. Oxford World’s Classics (Oxford University Press, 1989).
Simpson, James, Under the Hammer: Iconoclasm in the Anglo-American Tradition (Oxford University Press, 2011).
Smith, Anthony D., Nationalism: Theory, Ideology, History (Cambridge: Polity Press, 2001).
Smith, Helen, ‘“A man in print?” Shakespeare and the representation of the press’, in Meek, R., Rickard, J. and Wilson, R. (eds.), Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008), pp. 5978.
Starobinski, Jean, ‘The idea of nostalgia’, Diogenes, 54 (1966), 84103.
Stern, Tiffany, Making Shakespeare: From Stage to Page (London and New York: Routledge, 2004).
Stewart, Frank (ed.), Silence to Light: Japan and the Shadows of War (Honolulu: University of Hawai’i Press, 2001).
Stow, John, The Annales; or, General Chronicle of England … (London, 1615).
Stow, John, A Survey of London [1603], ed. by Kingsford, Charles Lethbridge, 2 vols. (Oxford: Clarendon Press, 1908).
Strohm, Paul, England’s Empty Throne: Usurpation and the Language of Legitimation, 1399–1422 (New Haven, CT and London: Yale University Press, 1998).
Sullivan, Garrett A. Jr., ‘Lethargic corporeality on and off the early modern stage’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 4152.
Sullivan, Garrett A. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (Cambridge University Press, 2005).
Summit, Jennifer, ‘Reading reformed: Spenser and the problem of the English library’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 165–78.
Sylvester, Richard S., ‘Introduction’, in The Complete Works of Sir Thomas More, vol. II, ed. by Sylvester, Richard S. (New Haven, CT and London: Yale University Press, 1963), pp. 1151.
Takada, Shigeki, ‘The first and second parts of Henry IV: Some thoughts on the origins of Shakespearean gentleness’, in Takahashi, Y. (ed.), Hot Questrists After the English Renaissance (New York: AMS Press, 2000), pp. 183–96.
Taylor, Gary, ‘The fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85100.
Taylor, Gary (ed. and introd.), Henry V (Oxford University Press, 1982).
Tillyard, E. M. W., Shakespeare’s History Plays [1944]. Revised edition (London: Chatto and Windus, 1969).
Tribble, Evelyn, Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre (Houndmills, Basingstoke: Palgrave Macmillan, 2011).
Walch, Günter, Henry V as working-house of ideology’, Shakespeare Survey, 40 (1987), 63–8.
Walker, Julia, The Elizabeth Icon: 1603–2003 (Houndmills, Basingstoke: Palgrave Macmillan, 2004).
Walsh, Brian, Shakespeare, the Queen’s Men and the Elizabethan Performance of History (Cambridge University Press, 2009).
Warren-Heys, Rebecca, ‘“[R]emember, with advantages”: Creating memory in Shakespeare’s Henry V, Journal of the Northern Renaissance, 2:1 (2010), 111–27.
Weimann, Robert, ‘Performance, game, and representation in Richard III, in Weimann, R. and Bruster, D. (eds.), Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge University Press, 2008), pp. 4256.
Weimann, Robert, Shakespeare und die Tradition des Volkstheaters (Berlin: Henschel Verlag, 1967).
Weinrich, Harald, Lethe: Kunst und Kritik des Vergessens (Munich: Beck, 1997).
West, William N., ‘Intertheatricality’, in Turner, H. S. (ed.), Early Modern Theatricality (Oxford University Press, 2013), pp. 151–72.
Whitehead, Anne, Memory. Routledge New Critical Idiom (New York: Routledge, 2010).
Whitney, Charles, ‘Versions of Sir John’, in Whitney, C., Early Responses to Renaissance Drama (Cambridge University Press, 2006), pp. 73122.
Wilder, Lina Perkins, Shakespeare’s Memory Theatre: Recollection, Properties, and Character (Cambridge University Press, 2010).
Wiles, David, Shakespeare’s Clown (Cambridge University Press, 1987).
Williams, Raymond, Marxism and Literature (Oxford University Press, 1977).
Willis, John, Mnemonica; Or, the Art of Memory, Drained out of the Pure Fountains of Art & Nature [Lat. 1618] (London, 1661).
Womack, Peter, ‘Imagining communities: Theatres and the English nation in the sixteenth century’, in Aers, D. (ed.), Culture and History, 1350–1600: Essays on English Communities, Identities and Writing (Detroit, MI: Wayne State University Press, 1992), pp. 91145.
Womack, Peter, Henry IV and epic theatre’, in Wood, N. (ed.), Henry IV, Parts One and Two (Buckingham: Open University Press, 1995), pp. 126–61.
Womersley, David, ‘Why is Falstaff fat?’, Review of English Studies, 47 (1996), 122.
Woodward, Jennifer, The Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England, 1570–1625 (Woodbridge: Boydell, 1997).
Woolf, Daniel, The Social Circulation of the Past: English Historical Culture, 1500–1730 (Oxford University Press, 2003).
Wotton, Henry, The Life and Letters of Sir Henry Wotton, ed. by Smith, Logan Pearsall. 2 vols. (Oxford: Clarendon Press, 1970).
Yachnin, Paul, ‘The powerless theater’, English Literary Renaissance, 21 (1991), 4974.
Yates, Frances, The Art of Memory [1966] (London: Pimlico, 1996).

Metrics

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.