Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-zzh7m Total loading time: 0 Render date: 2024-04-26T07:55:20.987Z Has data issue: false hasContentIssue false

Popular Music Heritage, Cultural Justice and the Deindustrialising City

Published online by Cambridge University Press:  15 February 2023

Sarah Baker
Affiliation:
Griffith University, Queensland
Zelmarie Cantillon
Affiliation:
University of Western Sydney
Raphaël Nowak
Affiliation:
University of York

Summary

The celebration of popular music can be an important mode of cultural expression and a source of pride for urban communities. This Element analyses the capacity for popular music heritage to enact cultural justice in the deindustrialising cities of Wollongong, Australia; Detroit, USA; and Birmingham, UK. The Element develops a critical approach to cultural justice for examining music and the city in a heritage context and outlines how the quest for cultural justice manifests in three key ways: collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.
Get access
Type
Element
Information
Online ISBN: 9781009067560
Publisher: Cambridge University Press
Print publication: 02 March 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Andres, L. & Chapain, C. (2013). The integration of cultural and creative industries into local and regional development strategies in Birmingham and Marseille: Towards an inclusive and collaborative governance? Regional Studies, 47(2), 161–82.Google Scholar
Australian Bureau of Statistics (2013). New Data from the 2011 Census Reveals South Australia’s Most Advantaged and Disadvantaged Areas. www.abs.gov.au/ausstats/abs@.nsf/Lookup/by%20Subject/2033.0.55.001~2011~Media%20Release~2011%20Census%20(SEIFA)%20for%20Adelaide%20(Media%20Release)~6.Google Scholar
Australian Bureau of Statistics (2017). 2016 Census QuickStats: Wollongong (Urban Centres and Localities). https://quickstats.censusdata.abs.gov.au/census_services/getproduct/census/2016/quickstat/UCL102005?opendocument.Google Scholar
Baird, M. F. (2014). Heritage, human rights, and social justice. Heritage & Society, 7(2), 139–55.Google Scholar
Baker, S. (2018). Community Custodians of Popular Music’s Past: A DIY Approach to Heritage. London: Routledge.Google Scholar
Baker, S. & Cantillon, Z. (2022). Zines as community archive. Archival Science, 22, 539–61.Google Scholar
Baker, S., Cantillon, Z. & Buttigieg, B. (eds.) (2020a). Sounds of Our Town: The Detroit Edition. www.soundsofourtown.com/_files/ugd/8a61d6_1bf1f2c19e4647bf9868354be01dd8f0.pdf.Google Scholar
Baker, S., Cantillon, Z. & Nowak, R. (eds.) (2020b). Sounds of Our Town: The Wollongong Edition. https://acf72f70-710a-40b9-92db-5b7934011262.filesusr.com/ugd/8a61d6_ad6e94c88a4847dd8d003004a36224ae.pdf.Google Scholar
Baker, S. & Collins, J. (2015). Sustaining popular music’s material culture in community archives and museums. International Journal of Heritage Studies, 21(10), 983–96.Google Scholar
Baker, S., Istvandity, L. & Nowak, R. (2019). Curating Pop: Exhibiting Popular Music in the Museum. New York: Bloomsbury.CrossRefGoogle Scholar
Baker, S., Nowak, R., Long, P., Collins, J. & Cantillon, Z. (2020c). Community well-being, post-industrial music cities and the turn to popular music heritage. In Ballico, C. & Watson, A., eds., Music Cities: Evaluating a Global Cultural Policy Concept. Cham: Palgrave Macmillan, pp. 4362.Google Scholar
Ballico, C. & Watson, A. (2020). Introduction. In Ballico, C. & Watson, A., eds., Music Cities: Evaluating a Global Cultural Policy Concept. Cham: Palgrave Macmillan, pp. 118.Google Scholar
Banerjee, D. & Steinberg, S. L. (2015). Exploring spatial and cultural discourses in environmental justice movements. Journal of Rural Studies, 39, 4150.Google Scholar
Banks, M. (2017). Creative Justice: Cultural Industries, Work and Inequality. New York: Rowman & Littlefield.Google Scholar
Barber, A. & Hall, S. (2008). Birmingham: Whose urban renaissance? Regeneration as a response to economic restructuring. Policy Studies, 29(3), 281–92.Google Scholar
Barnes, K., Waitt, G., Gill, N. & Gibson, C. (2006). Community and nostalgia in urban revitalisation: A critique of urban village and creative class strategies as remedies for social ‘problems’. Australian Geographer, 37(3), 335–54.Google Scholar
Bastian, J. A. & Alexander, B. (2009). Introduction: Communities and archives – a symbiotic relationship. In Bastian, J. A. & Alexander, B., eds., Community Archives: The Shaping of Memory. London: Facet, pp. xxixxiv.Google Scholar
Beer, A., Weller, S., Barnes, T. et al. (2019). The urban and regional impacts of plant closures. Regional Studies, 6(1), 380–94.Google Scholar
Belfiore, E. & Bennett, O. (2010). Beyond the ‘toolkit approach’: Arts impact evaluation research and the realities of cultural policy‐making. Journal for Cultural Research, 14(2), 121–42.Google Scholar
Bell, D. (1999). The Coming of Post-industrial Society. New York: Basic Books.Google Scholar
Birmingham City Council (2012). Destination Birmingham: Birmingham, a Music City – A Report from Overview & Scrutiny. www.birmingham.gov.uk/download/downloads/id/450/destination_birmingham_a_music_city_february_2012.pdf.Google Scholar
Birmingham City Council (2019). Birmingham Update January 2019. www.birmingham.gov.uk/download/downloads/id/4780/birmingham_update_january_2019.pdf.Google Scholar
Birmingham City Council (2021). Mid-2020 Mid-year Population Estimates. https://www.birmingham.gov.uk/download/downloads/id/9854/2020_mid-year_population_estimate.pdfGoogle Scholar
Birmingham Music Archive (n.d.). About Us. www.birminghammusicarchive.com/about-us/.Google Scholar
Bottà, G. (2015). Dead industrial atmosphere: Popular music, cultural heritage and industrial cities. Journal of Urban Cultural Studies, 2(1–2), 107–19.Google Scholar
Briller, S. & Sankar, A. (2013). Engaging opportunities in urban revitalization: Practicing Detroit anthropology. Annals of Anthropological Practice, 37(1), 156–78.Google Scholar
Brook, O., O’Brien, D. & Taylor, M. (2020). Culture Is Bad for You: Inequality in the Cultural and Creative Industries. Manchester: Manchester University Press.Google Scholar
Brookes, N., Kendall, J. & Mitton, L. (2016). Birmingham, priority to economics, social innovation at the margins. In Brandsen, T., Cattacin, S., Evers, A. & Zimmer, A., eds., Social Innovations in the Urban Context. London: Springer Open, pp. 8396.Google Scholar
Browne-Yung, K., Ziersh, A., Baum, F., Friel, S. & Spoehr, J. (2020). General Motor Holden’s closure in Playford, South Australia: Analysis of the policy response and its implications for health. Australian Journal of Public Administration, 79(1), 7692.Google Scholar
Burch-Brown, J. (2020). Should slavery’s statues be preserved? On transitional justice and contested heritage. Journal of Applied Philosophy, 39, 807–24. https://doi.org/10.1111/japp.12485.Google Scholar
Burling, N. (dir.) (2012). The Occy: A Doco. Wollongong: Go Vegan Films.Google Scholar
Buttigieg, B., Cantillon, Z. & Baker, S. (eds.) (2020). Sounds of Our Town: The Birmingham Edition. www.soundsofourtown.com/_files/ugd/8a61d6_004867ff143d471a9daa8df986ac1c44.pdf.Google Scholar
Byrne, D. (2008). Heritage as social action. In Fairclough, J., Harrison, R., Jameson, J. H. & Schofield, J., eds., The Heritage Reader. London: Routledge, pp. 149–73.Google Scholar
Çağlar, A. & Schiller, N. D. (2018). Migrants & City-Making: Dispossession, Displacement, and Urban Regeneration. Durham: Duke University Press.Google Scholar
Cantillon, Z. (2022). Urban reimaging, heritage and the making of a world-class city: The Commonwealth Walkway as mega-event legacy project. Heritage & Society. https://doi.org/10.1080/2159032X.2022.2127177.Google Scholar
Cantillon, Z. & Baker, S. (2020). Serious leisure and the DIY approach to heritage: Considering the costs of career volunteering in community archives and museums. Leisure Studies, 39(2), 266–79.Google Scholar
Cantillon, Z., Baker, S. & Buttigieg, B. (2017). Queering the community music archive. Australian Feminist Studies, 32(91–92), 4157.Google Scholar
Cantillon, Z., Baker, S. & Nowak, R. (2021a). A cultural justice approach to popular music heritage in deindustrialising cities. International Journal of Heritage Studies, 27(1), 7389.Google Scholar
Cantillon, Z., Baker, S. & Nowak, R. (2021b). Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, Australia. In Maloney, L. & Schofield, J., eds., Music and Heritage: New Perspectives on Place-Making and Sonic Identity. London: Routledge, pp. 103–13.Google Scholar
Capsule (2019a). Hippy flower power. Black Sabbath – 50 Years exhibition. Birmingham: Birmingham Museum & Art Gallery, 12 September.Google Scholar
Capsule (2019b). Humble beginnings. Black Sabbath – 50 Years exhibition. Birmingham: Birmingham Museum & Art Gallery, 12 September.Google Scholar
Capsule (2019c). Iommi’s missing finger. Black Sabbath – 50 Years exhibition. Birmingham: Birmingham Museum & Art Gallery, 12 September.Google Scholar
Capsule (2019d). The press hated us. Black Sabbath – 50 Years exhibition. Birmingham: Birmingham Museum & Art Gallery, 12 September.Google Scholar
Cele, S. (2021). Communicating back: Reflections on IBZM as participatory dissemination – commentary on Valli. Fennia, 199(1), 136–8.Google Scholar
Che, D. (2007). Connecting the dots to urban revitalization with the Heidelberg project. Material Culture, 39(1), 3349.Google Scholar
Che, D. (2008). Sports, music, entertainment and the destination branding of post-Fordist Detroit. Tourism Recreation Research, 33(2), 195206.Google Scholar
Che, D. (2009). Techno: Music and entrepreneurship in post-Fordist Detroit. In Johansson, O. & Bell, T., eds., Sound, Society and the Geography of Popular Music. Burlington: Ashgate, pp. 261–7.Google Scholar
Chynoweth, A., Lynch, B., Peterson, K. & Smed, S. (eds.) (2021). Museums and Social Change. London: Routledge.Google Scholar
City of Detroit (2019). Final Report: Proposed Blue Bird Inn Historic District, 5021 Tireman Street. Detroit: Historic Designation Advisory Board. https://detroitmi.gov/sites/detroitmi.localhost/files/2020-12/Blue%20Bird%20Inn%20HD%20final%20report.pdf.Google Scholar
Clark, A. (2020). Reviving Detroit’s historic Blue Bird Inn. Belt Magazine, 22 May. https://beltmag.com/detroit-blue-bird-inn-revival-restoration-jazz/.Google Scholar
Collins, J. (2015). Doing-it-together: Public history making and activist archivism in online popular music archives. In Baker, S., ed., Preserving Popular Music Heritage. New York: Routledge, pp. 7790.Google Scholar
Collins, J. (2020a). Collecting, preserving and storying Birmingham’s popular music heritage. In Buttigieg, B., Cantillon, Z. & Baker, S., eds., Sounds of Our Town: The Birmingham Edition. Parramatta, NSW: Sounds of Our Town, pp. 521. https://acf72f70-710a-40b9-92db-5b7934011262.filesusr.com/ugd/8a61d6_004867ff143d471a9daa8df986ac1c44.pdf.Google Scholar
Collins, J. (2020b). Jez Collins’ potted history of Birmingham, its music and the Birmingham Music Archive’s connection to Steel City Sound. In Baker, S., Cantillon, Z. & Nowak, R., eds., Sounds of Our Town: The Wollongong Edition. Parramatta, NSW: Sounds of Our Town, pp. 4850. https://acf72f70-710a-40b9-92db-5b7934011262.filesusr.com/ugd/8a61d6_ad6e94c88a4847dd8d003004a36224ae.pdf.Google Scholar
Collins, J. & Shannon, R. (dir.) (2010). Made in Birmingham: Reggae Punk Bhangra. Birmingham: Swish Film Production.Google Scholar
Cvetkovich, A. (2003). An Archive of Feelings: Trauma, Sexuality and Lesbian Public Cultures. Durham: Duke University Press.Google Scholar
Cwiek, S. (2019). Detroit’s historic United Sound Systems studio spared from demolition. Michigan Radio, 11 January. www.michiganradio.org/arts-culture/2019-01-11/detroits-historic-united-sound-systems-studio-spared-from-demolition.Google Scholar
Denning, M. (2004). Culture in the Age of Three Worlds. London: Verso.Google Scholar
DeNora, T. (2000). Music in Everyday Life. Cambridge: Cambridge University Press.Google Scholar
Detroit Sound Conservancy (2019). Preserving and Archiving Detroit’s Black History: Discussion. http://detroitsound.org/artifact/preserving-black-history/.Google Scholar
Detroit Sound Conservancy (2020a). Blue Bird Stage. http://detroitsound.org/blue-bird-stage/.Google Scholar
Detroit Sound Conservancy (2020b). Club Heaven Sound System. http://detroitsound.org/heaven/.Google Scholar
Detroit Sound Conservancy (2020c). United Sound Systems. http://detroitsound.org/unitedsound/.Google Scholar
Detroit Sound Conservancy (2020d). Who We Are. http://detroitsound.org/about/who-we-are/.Google Scholar
Detroit Sound Conservancy (2021a). The Legendary Blue Bird Inn: Placekeeping a Community Resource on Tireman Avenue. http://detroitsound.org/5021tireman/.Google Scholar
Detroit Sound Conservancy (2021b). Vision, Mission and Goals. http://detroitsound.org/mission/.Google Scholar
Detroit Sound Conservancy (2022). Grant Announcement: DSC Awarded KIP:D+ $150,000 for Blue Bird Inn Rehabilitation. http://detroitsound.org/grant-announcement-dsc-awarded-kipd-150000-for-blue-bird-inn-rehabilitation/5021-tireman/2022/.Google Scholar
Doucet, B. (2020). Deconstructing dominant narratives of urban failure and gentrification in a racially unjust city: The case of Detroit. Tijdschrift voor economische en sociale geografie, 111(4), 634–51.Google Scholar
Doucet, B. & Smit, E. (2016). Building an urban ‘renaissance’: Fragmented services and the production of inequality in Greater Downtown Detroit. Journal of Housing and the Built Environment, 31, 635–57.Google Scholar
Drury, C. (2021). A city on the brink? Birmingham facing ‘disaster’ as unemployment hits levels not seen since Eighties. The Independent, 21 March. www.independent.co.uk/news/uk/home-news/a-city-on-the-brink-birmingham-facing-disaster-as-unemployment-hits-levels-not-seen-since-eighties-b1818927.html.Google Scholar
Duff, W. M., Flinn, A., Suurtamm, K. E. & Wallace, D. A. (2013). Social justice impact of archives: A preliminary investigation. Archival Science, 13(4), 317–48.Google Scholar
Eisinger, P. (2014). Is Detroit dead? Journal of Urban Affairs, 36(1), 112.Google Scholar
Exhibit 3000 (2020). Exhibit 3000: Detroit Techno Museum. https://exhibit3000.com.Google Scholar
Fairchild, C. (2021). Musician in the Museum: Display and Power in Neoliberal Popular Culture. New York: Bloomsbury.Google Scholar
Feeley, D. (2016). Detroit: Realities of destructive accumulation. Alternate Routes: A Journal of Critical Social Research, 27, 300–12.Google Scholar
Filippucci, P. (2009). Heritage and methodology: A view from social anthropology. In Sørensen, M. L. S. & Carman, J., eds., Heritage Studies: Methods and Approaches. London: Routledge, pp. 319–25.Google Scholar
Flinn, A. (2007). Community histories, community archives: Some opportunities and challenges. Journal of the Society of Archivists, 28(2), 151–76.Google Scholar
Flinn, A. (2011). Archival activism: Independent and community-led archives, radical public history and the heritage professions. InterActions: UCLA Journal of Education and Information Studies, 7(2), 120.Google Scholar
Flinn, A. & Sexton, A. (2019). Activist participatory communities in archival contexts: Theoretical perspectives. In Benoit, E. III & Eveleigh, A., eds., Participatory Archives: Theory and Practice. London: Facet, pp. 173–90.Google Scholar
Flinn, A. & Stevens, M. (2009). ‘It is noh mistri, wi mekin histri’. Telling our own story: Independent and community archives in the UK, challenging and subverting the mainstream. In Bastian, J. A. & Alexander, B., eds., Community Archives: The Shaping of Memory. London: Facet, pp. 328.Google Scholar
Florida, R. (2002). The Rise of the Creative Class. New York: Basic Books.Google Scholar
Florida, R. & Adler, P. (2018). The patchwork metropolis: The morphology of the divided postindustrial city. Journal of Urban Affairs, 40(5), 609–24.Google Scholar
Fraser, N. (1995). From redistribution to recognition? Dilemmas of justice in a ‘post-socialist’ age. New Left Review, 212, 6893.Google Scholar
Fraser, E. (2018). Unbecoming place: Urban imaginaries in transition in Detroit. Cultural Geographies, 25(3), 441–58.Google Scholar
Gentry, K. & Smith, L. (2019). Critical heritage studies and the legacies of the late-twentieth century heritage canon. International Journal of Heritage Studies, 25(11), 1148–68.Google Scholar
Ghaddar, J. J. & Caswell, M. (2019). ‘To go beyond’: Towards a decolonial archival praxis. Archival Science, 19, 7185.Google Scholar
Gholz, C. (2011). ‘Where the mix is perfect’: Voices from the post-Motown soundscape. Unpublished PhD Thesis, University of Pittsburgh. http://d-scholarship.pitt.edu/7337/1/GholzDissMay2011.pdf.Google Scholar
Gholz, C. (2019). Magic, liberation, and architecture: Placekeeping musical space in Detroit. Paprika!, 5(2). https://yalepaprika.com/folds/the-architectural-gaze-goes-clubbing/magic-liberation-and-architecture-placekeeping-musical-space-in-detroit.Google Scholar
Gholz, C. (2020). From Waawiiyatanong to Mt. Keira: Popular music impressions from #SoundsOfOurTown. In Baker, S., Cantillon, Z. & Nowak, R., eds., Sounds of Our Town: The Wollongong Edition. Parramatta, NSW: Sounds of Our Town, pp. 5157. https://acf72f70-710a-40b9-92db-5b7934011262.filesusr.com/ugd/8a61d6_ad6e94c88a4847dd8d003004a36224ae.pdf.Google Scholar
Gibson, C. (2013). Welcome to Bogan-ville: Reframing class and place through humour. Journal of Australian Studies, 37(1), 6275.Google Scholar
Gibson, C., Brennan-Horley, C., Laurenson, B. et al. (2012). Cool places, creative places? Community perceptions of cultural vitality in the suburbs. International Journal of Cultural Studies, 15(3), 287302.Google Scholar
Goldberg-Miller, S. B. D. (2019). Creative city strategies on the municipal agenda in New York. City, Culture and Society, 17, 2637.Google Scholar
Gonda, J. D. (2015). Unjust Deeds: The Restrictive Covenant Cases and the Making of the Civil Rights Movement. Chapel Hill: University of North Carolina Press.Google Scholar
Greater Birmingham Chambers of Commerce (2018a). Birmingham Economic Review 2018 – Chapter 2: People. www.birmingham.ac.uk/Documents/college-social-sciences/business/research/city-redi/birmingham-economic-review-2018/ber-2018-ch-2-people.pdf.Google Scholar
Greater Birmingham Chambers of Commerce (2018b). Birmingham Economic Review 2018 – Summary. www.sportbirmingham.org/uploads/chamber-economic-review-2018.pdf.Google Scholar
Grodach, C., Foster, N. & Murdoch, J. (2018). Gentrification, displacement and the arts: Untangling the relationship between arts industries and place change. Urban Studies, 55(4), 807–25.Google Scholar
Hagan, J. (2002). Epilogue, 1980–2001. In Hagan, J. & Lee, H., eds., A History of Work and Community in Wollongong. Rushcutters Bay: Halstead Press, pp. 163–79.Google Scholar
Hagan, J. & Lee, H. (2002). Part I: The making of community, 1880–1940: Introduction. In Hagan, J. & Lee, H., eds., A History of Work and Community in Wollongong. Rushcutters Bay: Halstead Press, pp. 37.Google Scholar
Harrison, L. M. (2010). Factory music: How the industrial geography and working-class environment of post-war Birmingham fostered the birth of heavy metal. Journal of Social History, 44(1), 145–58.Google Scholar
Hennion, A. (2007). Those things that hold us together: Taste and sociology. Cultural Sociology, 1(1), 97114.Google Scholar
Herstad, K. (2017). ‘Reclaiming’ Detroit: Demolition and deconstruction in the Motor City. The Public Historian, 39(4), 85113.Google Scholar
Herstad, K. (2019). ‘The eternal drabness of DeHoCo’: Documenting and memorializing built heritage through urban exploration in Detroit. In Jameson, J. & Musteaţă, S., eds., Transforming Heritage Practice in the 21st Century: Contributions from Community Archaeology. Cham: Springer, pp. 369–85.Google Scholar
Hesmondhalgh, D. (2008). Towards a critical understanding of music, emotion and self‐identity. Consumption Markets & Culture, 11(4), 329–43.Google Scholar
Hubbard, P. (1995). Urban design and local economic development: A case study in Birmingham. Cities, 12(4), 243–51.Google Scholar
Humphries, G. (2018). Friday Night at the Oxford. Woonona: Last Day of School.Google Scholar
Janes, R. R. & Sandell, R. (2019). Posterity has arrived: The necessary emergence of museum activism. In Janes, R. R. & Sandell, R., eds., Museum Activism. New York: Routledge, pp. 121.Google Scholar
Johnston, R. & Marwood, K. (2017). Action heritage: Research, communities, social justice. International Journal of Heritage Studies, 23(9), 816–31.Google Scholar
Jordan, J. (2021). Detroit’s historic Blue Bird Inn won’t be demolished after all. Detroit Metro Times, 8 January. www.metrotimes.com/city-slang/archives/2021/01/08/detroits-historic-blue-bird-inn-wont-be-demolished-after-all.Google Scholar
Joy, C. (2020). Heritage Justice. Cambridge: Cambridge University Press.Google Scholar
Kerr, G., Dombkins, K. & Jelley, S. (2012). ‘We love the Gong’: A marketing perspective. Journal of Place Management and Development, 5(3), 272–9.Google Scholar
Kickstarter (2018). The Club Heaven Sound System: Restoring a Detroit Legend. www.kickstarter.com/projects/detroitsound/the-club-heaven-sound-system-restoring-a-detroit-l.Google Scholar
Kinkead, D. (2016). Detroit case study. In Carter, D. K., ed., Remaking Post-industrial Cities: Lessons from North America and Europe. New York: Routledge, pp. 4665.Google Scholar
Klamer, A., Mignosa, A. & Petrova, L. (2013). Cultural heritage policies: A comparative perspective. In Rizzo, I. & Mignosa, A., eds., Handbook on the Economics of Cultural Heritage. Cheltenham: Edward Elgar, pp. 3786.Google Scholar
Kozlowski, K. (2021). Detroit’s 70-year population decline continues; Duggan says city was undercounted. The Detroit News, 12 August. www.detroitnews.com/story/news/local/detroit-city/2021/08/12/census-detroit-population-decline-u-s-census-bureau/5567639001/.Google Scholar
Lawson, C. (2020). Making sense of the ruins: The historiography of deindustrialisation and its continued relevance in neoliberal times. History Compass, 18(8), 114.Google Scholar
Leonard, M. (2007). Constructing histories through material culture: Popular music, museums and collecting. Popular Music History, 2(2), 147–67.Google Scholar
Leonard, M. (2015). The shaping of heritage: Collaborations between independent popular music practitioners and the museum sector. In Baker, S., ed., Preserving Popular Music Heritage. London: Routledge, pp. 1930.Google Scholar
Linkon, S. L. & Russo, J. (2002). Steeltown USA: Work and Memory in Youngstown. Lawrence: University Press of Kansas.Google Scholar
Loftman, P. & Nevin, B. (1994). Prestige project developments: Economic renaissance or economic myth? A case study of Birmingham. Local Economy, 8(4), 307–25.Google Scholar
Logan, W. (2012). Cultural diversity, cultural heritage and human rights: Towards heritage management as human rights-based cultural practice. International Journal of Heritage Studies, 18(3), 231–44.Google Scholar
Long, P., Baker, S., Cantillon, Z., Collins, J. & Nowak, R. (2019). Popular music, community archives and public history online: Cultural justice and the DIY approach to heritage. In Bastian, J. A. & Flinn, A., eds., Community Archives, Community Spaces: Heritage, Memory and Identity. London: Facet, pp. 97112.Google Scholar
Long, P., Baker, S., Istvandity, L. & Collins, J. (2017). A labour of love: The affective archives of popular music culture. Archives and Records, 38(1), 6179.Google Scholar
Macdonald, S. (2009). Difficult Heritage: Negotiating the Nazi Past in Nuremberg and Beyond. London: Routledge.Google Scholar
Macías, A. (2010). ‘Detroit was heavy’: Modern jazz, bebop, and African American expressive culture. The Journal of African American History, 95(1), 4470.Google Scholar
Martin, S. (1995). From workshop to meeting place? The Birmingham economy in transition. In Turner, R. L., ed., From the Old to the New: The UK Economy in Transition. London: Routledge, pp. 199217.Google Scholar
McEwan, C., Pollard, J. S. & Henry, N. D. (2008). The non-global city of Birmingham UK: A gateway through time. In Price, M. & Benton-Short, L., eds., Migrants to the Metropolis: The Rise of Immigrant Gateway Cities. Syracuse: University of Syracuse Press, pp. 128–49.Google Scholar
National Park Service (2019). Detroit Sound Conservancy Reconnaissance Survey. http://npshistory.com/publications/srs/detroit-sound-conservancy-rs-2019.pdf.Google Scholar
Pedroni, T. C. (2011). Urban shrinkage as a performance of whiteness: Neoliberal urban restructuring, education, and racial containment in the post-industrial, global niche city. Discourse: Studies in the Cultural Politics of Education, 32(2), 203–15.Google Scholar
Pennington, A., Jones, R., Bagnall, A. A., South, J. & Corcoran, R. (2019). Heritage and Wellbeing: The Impact of Historic Places and Assets on Community Wellbeing – A Scoping Review. https://whatworkswellbeing.org/wp-content/uploads/2020/01/Heritage-scoping-review-March-2019-1.pdf.Google Scholar
Playford Library (2019). Let’s rock. Facebook, 29 November. www.facebook.com/104506516625/posts/10156386405346626/?d=n.Google Scholar
Punzalan, R. L. & Caswell, M. (2016). Critical directions for archival approaches to social justice. Library Quarterly, 86(1), 2542.Google Scholar
Reitsamer, R. (2018). Gendered narratives of popular music history and heritage. In Baker, S., Strong, C., Istvandity, L. & Cantillon, Z., eds., The Routledge Companion to Popular Music History and Heritage. London: Routledge, pp. 2635.Google Scholar
Roberts, L. & Cohen, S. (2014). Unauthorising popular music heritage: Outline of a critical framework. International Journal of Heritage Studies, 20(3), 241–61.Google Scholar
Roberts, L. & Cohen, S. (2015). Unveiling memory: Blue plaques as in/tangible markers of popular music heritage. In Cohen, S., Knifton, R., Leonard, M. & Roberts, L., eds., Sites of Popular Music Heritage: Memories, Histories, Places. London: Routledge, pp. 221–38.Google Scholar
Rose, G. (1997). Situating knowledges: Positionality, reflexivities and other tactics. Progress in Human Geography, 21(3), 305–20.Google Scholar
Ross, A. (1998). Real Love: In Pursuit of Cultural Justice. London: Routledge.Google Scholar
Roued-Cunliffe, H. & Copeland, A. (2017). Introduction: What is participatory heritage? In Roued-Cunliffe, H. & Copeland, A., eds., Participatory Heritage. London: Facet, pp. xvxxi.Google Scholar
Rugh, J. S. & Massey, D. S. (2010). Racial segregation and the American foreclosure crisis. American Sociological Review, 75(5), 629–51.Google Scholar
Ryzewski, K. (2017). Making music in Detroit: Archaeology, popular music, and post-industrial heritage. In McAtackney, L. & Ryzewski, K., eds., Contemporary Archaeology and the City: Creativity, Ruination, and Political Action. Oxford: Oxford University Press, pp. 6990.Google Scholar
Ryzewski, K. (2019). Detroit 139: Archaeology and the future-making of a post-industrial city. Journal of Contemporary Archaeology, 6(1), 85100.Google Scholar
Ryzewski, K. (2021). Detroit Remains: Archaeology and Community Histories of Six Legendary Places. Tuscaloosa: University of Alabama Press.Google Scholar
Safransky, S. (2018). Land justice as a historical diagnostic: Thinking with Detroit. Annals of the American Association of Geographers, 108(2), 499512.Google Scholar
Schofield, J. & Wright, R. (2021). Sonic heritage, identity and music-making in Sheffield, ‘Steel City’. Heritage & Society, 13(3), 198222.Google Scholar
Schultz, J. (1985). Steel City Blues. Ringwood: Penguin Books.Google Scholar
Shaw, D. V. (2000). The post-industrial city. In Paddison, R., ed., Handbook of Urban Studies. London: Sage, pp. 284–95.Google Scholar
Shaw, K. & Porter, L. (2009). Introduction. In Porter, L. & Shaw, K., eds., Whose Urban Renaissance? An International Comparison of Urban Regeneration Strategies. New York: Routledge, pp. 17.Google Scholar
Simpson, M. (2009). Museums and restorative justice: Heritage, repatriation and cultural education. Museum International, 61(1–2), 121–9.Google Scholar
Slager, E. J. (2020). Ruin tours: Performing and consuming decay in Detroit. Urban Geography, 41(1), 124–42.Google Scholar
Smith, L. (2006). Uses of Heritage. London: Routledge.Google Scholar
Sugrue, T. J. (1996). The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit. Princeton: Princeton University Press.Google Scholar
Taçon, P. S. C. & Baker, S. (2019). New and emerging challenges to heritage and well-being: A critical review. Heritage, 2(2), 1300–15.Google Scholar
Thibodeau, I. & Noble, B. (2018). Most Detroiters in a decade worked in September. The Detroit News, 8 November. www.detroitnews.com/story/business/2018/11/08/labor-statistics-unemployment-rate-detroit-lower/1932604002/.Google Scholar
United States Bureau of Labor Statistics (2021). Detroit Area Economic Summary. www.bls.gov/regions/midwest/summary/blssummary_detroit.pdf.Google Scholar
United States Census Bureau (2021). QuickFacts: Detroit City, Michigan. www.census.gov/quickfacts/detroitcitymichigan.Google Scholar
van der Hoeven, A. & Brandellero, A. (2015). Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives. Poetics, 51(1), 3753.Google Scholar
Vawda, S. (2019). Museums and the epistemology of injustice: From colonialism to decoloniality. Museum International, 71(1–2), 72–9.Google Scholar
Vecchiola, C. (2006). Detroit’s rhythmic resistance: Electronic music and community pride. Unpublished PhD Thesis, University of Michigan. https://deepblue.lib.umich.edu/handle/2027.42/125916.Google Scholar
Vecchiola, C. (2011). Submerge in Detroit: Techno’s creative response to urban crisis. Journal of American Studies, 45(1), 95111.Google Scholar
Waitt, G. & Gibson, C. (2009). Creative small cities: Rethinking the creative economy in place. Urban Studies, 46(5/6), 1223–46.Google Scholar
Watson, S. (1991). Gilding the smokestacks: The new symbolic representations of deindustrialised regions. Environment and Planning D: Society and Space, 9(1), 5970.Google Scholar
Wayne State University (2021). SIS Alumna Is on a Mission to Preserve Music History in Detroit. https://sis.wayne.edu/news/sis-alumna-is-on-a-mission-to-preserve-music-history-in-detroit-42613.Google Scholar
Wheeler, W. (2010). Steel City Sound. https://steelcitysound.wordpress.com.Google Scholar
Wheeler, W. (2013b). Wollongong city gallery exhibition (Dec 2014–Feb 2015). Steel City Sound, 6 June. https://web.archive.org/web/20181117093802/http://www.steelcitysound.net/2013/06/wollongong-city-gallery-exhibition-dec.html.Google Scholar
Wilson, C. A. (1992). Restructuring and the growth of concentrated poverty in Detroit. Urban Affairs Quarterly, 28(2), 187205.Google Scholar
Witcomb, A. & Buckley, K. (2013). Engaging with the future of ‘critical heritage studies’: Looking back in order to look forward. International Journal of Heritage Studies, 19(6), 562–78.Google Scholar
Gallery, Wollongong Art (2014). Steel City Sound: 50 Years of Rock ‘N Roll in Wollongong, exhibition catalogue. www.wollongongartgallery.com/exhibitions/Documents/Steel%20City%20Sound%20Exhibition%20Catalogue.pdf.Google Scholar
Zion, L. (1987). The impact of the Beatles on pop music in Australia: 1963–1966. Popular Music, 6(3), 291311.Google Scholar
Zlatopolsky, A. (2017). How Detroit Sound Conservancy helps restore Motor City music history. Detroit Free Press. https://eu.freep.com/story/entertainment/music/2017/04/19/detroit-sound-conservancy-music-preservation/100459438/.Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Popular Music Heritage, Cultural Justice and the Deindustrialising City
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Popular Music Heritage, Cultural Justice and the Deindustrialising City
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Popular Music Heritage, Cultural Justice and the Deindustrialising City
Available formats
×