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The Status of Women in Athens1

Published online by Cambridge University Press:  05 January 2009

Extract

It is essential for us to question our own views and those of our predecessors on the status of women in ancient Athens. With few exceptions these views display a kernel of prejudice and a pulp of misunderstanding, skinned over with the bloom of evasiveness. It is, indeed, odd to observe how inquirers into the social framework of Greek society have been misled, and how few classical scholars have attempted to give the lie to the extravagances spread abroad concerning the alleged attitude of Athenians to their womenfolk. Temptation to write up a violent contrast between the daily lives of Spartan and Athenian women was great, and in the last century other half-conscious feelings helped a false presentation. Again and again it has been said or implied that Athenian married women lived in an almost oriental seclusion, and that they were looked on with indifference approaching sometimes to contempt. Quite recently it was alleged in a broadcast that the Athenian social system relegated women to the condition of squaws, the matron being little more than a domestic servant. ‘As wives and mothers’, said the speaker, ‘Athenian women were despised.’ Literary passages have in the past been torn from their context as evidence for this, and the inferior legal status of women has been stressed. There are, however, important exceptions among scholars, of especial value being an essay by Professor A. W. Gomme, and a long section in The Greeks by Professor H. D. F. Kitto, whose remarks on truncated quotations from Aristophanes and Xenophon are very illuminating. Anyone interested in the question is advised to read again pages 219–36 in that little volume, as most of what follows simply strengthens what Kitto has written. In a variety of religious festivals women took conspicuous parts, and with the festivals we may put the theatre, because Athenian women formed a part of the audience, as is admitted in the last edition of Haigh's great work.

Type
Research Article
Copyright
Copyright © The Classical Association 1955

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References

page 119 note 2 In Essays in Greek History and Literature (Oxford, 1937).Google Scholar

page 119 note 3 Pelican Books, 1951.

page 119 note 4 The Attic Theatre (third edition produced by Pickard-Cambridge, A. W., Oxford, 1907).Google Scholar

page 122 note 1 See Plato: The Symposium, transl. Hamilton, W. (Penguin Classics, 1951), p. 12.Google Scholar

page 123 note 1 New York, Liveright Publishing Corporation, 1943. The same translations have also been used for the three women-plays in another publication; Oates, W. J. and Junior, Eugene O'Neill, The Complete Greek Drama, vol. ii (New York, Random House, 1938).Google Scholar

page 124 note 1 Cambridge Ancient History, v. 142.Google Scholar

page 124 note 2 My selection has been made from the complete three-volume German edition (Zurich, 1925–8), not from the abridged one-volume English version.

page 124 note 3 Representations of gods, goddesses, heroes and their girls, satyrs and maenads, and Pompeian lupanar paintings have not been counted in.