“All wars are fought twice, the first time on the battlefield, the second time in memory” (Nothing Ever Dies, 4). Viet Thanh Nguyen, the Pulitzer Prize-winning author, begins his 2016 treatise on war and memory with these words. In the deftly named Nothing Ever Dies, Nguyen identifies the excesses of war in general and most notably the excess of the war named the Vietnam War in the US and the American War in Vietnam. There was excessive violence on the battlefields, which ranged throughout Southeast Asia, exceeding the national borders identified by the naming of the war. The experience of war and the meaning of war also exceeded the official dates of the war, chronologized differently by different historical actors but nevertheless used to conveniently bound war in time. Disregarding these official dates, the perpetrators, survivors, and witnesses of war (Nguyen points out that one can belong to more than one of these categories simultaneously) carry with them the memories and violence of war. They relive and reinterpret the war, fighting it again a second time through memory and memorialization.