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Princely prisons, state exhibitions, and Muslim industrial authority in colonial India

Published online by Cambridge University Press:  17 May 2024

Amanda Lanzillo*
Affiliation:
215 Marie Jahoda Hall, Brunel University London, Uxbridge, UK

Abstract

This article analyses the prison industries and state industrial exhibitions of three Indian princely states in the late nineteenth and early twentieth centuries, tracing how princely elites sought to develop distinct labouring and industrial cultures. Drawing on examples from three Muslim-led princely states, namely Rampur, Bhopal, and Hyderabad, the article argues that state elites distinguished their forms of cultural and religious authority from that of the British Raj by coercing and displaying new industrial practices. They aimed to cultivate an industrial modernity that could compete with colonial projects while also promoting what they characterised as Indian Muslim characteristics and courtly traditions for artisan labourers and their work. The article asks how princely elites worked to conscript their subjects—including marginalised subjects such as convict labourers—into visions of regional industrial authority. Princely visions of Muslim and courtly industrial futures in Rampur, Bhopal, and Hyderabad were rooted in the attempts of state administrators to fashion distinctive regional identities and assert authority in a context of circumscribed, quasi-colonial rulership. Industrial cultures associated with princely prisons and exhibitions ultimately exceeded the bounds of these projects, placing pressure on other state subjects to adopt new material practices and engage with state-defined regional craft traditions.

Type
Article
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of The Royal Asiatic Society

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70 Ibid., p. 72; see also Sultan Jahan Begum, Hayat-i-Shahjehani: Life of Her Highness the Late Nawab Shahjehan Begum of Bhopal, (trans.) B. Ghosal (Bombay, 1926), p. 72.

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75 Ibid., p. 101.

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81 Ibid., pp. 76–77.

82 Āyīnah-yi Angrīzī Sadāgarī (London, 1894), p. 21.

83 Sulṭān Jahān Begum briefly noted and admired ceramic tile-work during her visit to Medina in 1904, pointing to another potential source for the elite embrace of ceramic tile-work in Bhopali residential architecture. See Nawab Sultan Jahan Begum, The Story of a Pilgrimage to the Hijaz (Calcutta, 1909).

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87 Ibid., p. 3; see also Mir Yar Ali ‘Jan Sahib’, The Incomparable Festival, (trans.) Shad Naved, (ed.) Razak Khan (2021).

88 Najm ul-Ghanī Khān, Akhbār al-Ṣanādīd, p. 139.

89 Muḥammad Fayrūz Shāh, Rāmpūr kī namāyish: Taqrīb bīnaẓīr (Agra, 1894), p. 9.

90 On literary patronage at the Rampur exhibition, see Khan, ‘Local pasts’, p. 705, as well as Khan's introduction to Mir Yar Ali, Incomparable Festival, pp. 24–26.

91 Khan, ‘Introduction’, in Mir Yar Ali, Incomparable Festival, p. 9.

92 Shāh, Rāmpūr kī namāyish, p. 12.

93 Ripūrt-i intiẓāmiya riyāsat-i Rāmpūr, p. 91.

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95 Shāh, Rāmpūr kī namāyish, p. 9.

96 Ibid., cover page.

97 Ibid., p. 14.

98 Ibid., p. 14.

99 Ibid., p. 14.

100 Najm ul-Ghanī Khān, Akhbār al-Ṣanādīd, p. 139.

101 Aḥmad ‘Alī Khān, Nīl kī kāsht par lakchar (Moradabad, 1893), cover page.

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111 Ibid., p. 75.

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113 Ibid., p. 89.

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115 See ‘Discontinuance of the Bhopal Fair and holding of the Sehore Fair’, NAI, Bhopal Agency: Vernacular Record, No. 863, pp. 1-2.

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125 See Luard and Ali, Bhopal State Gazetteer, pp. 71, 96.

126 The Bhopal Gazetteer of 1909 characterised the tiles as a ‘specialty’ unique to the jail; see Luard and Ali, Bhopal State Gazetteer, p. 73.

127 See Porter, ‘William De Morgan’, pp. 76–77; and Āyīnah-yi Angrīzī Sadāgarī.

128 Luard and Ali, Bhopal State Gazetteer, p. 73.

129 Examples include Sultan Jahan Begum, Hayat-i-Shahjehani; Najm ul-Ghanī Khān, Akhbār al-Ṣanādīd; Shāh, Rāmpūr kī namāyish; Chiragh Ali, Administration of Hyderabad.