Hostname: page-component-848d4c4894-p2v8j Total loading time: 0 Render date: 2024-06-11T21:55:56.776Z Has data issue: false hasContentIssue false
  • English
  • Français

The Diverse Voices of Contemporary Ethnomusicology

Published online by Cambridge University Press:  01 January 2020

Abigail Wood
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Article
Information
Journal of the Royal Musical Association , Volume 134 , Issue 2 , 2009 , pp. 349 - 364
Copyright
Copyright © The Royal Musical Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Reginald Byron, ‘The Ethnomusicology of John Blacking’, John Blacking, Music, Culture, and Experience: Selected Papers of John Blacking, ed. Byron (Chicago, IL, 1995), 1–28 (pp. 17–18).

2 Joseph Kerman, Contemplating Music: Challenges to Musicology (Cambridge, MA, 1985), 167, quoted by Sweers, p. 171.

3 Bruno Nettl, The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (Urbana, IL, 1983), ix–x.