Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-05-14T18:31:44.982Z Has data issue: false hasContentIssue false
  • English
  • Français

Characterisation of 20th Century Metallic Paint in Works of Art

Published online by Cambridge University Press:  27 August 2014

R. Wuhrer ,
P. Dredge ,
M. Sawicki ,
L. Allen  and
D. Fania
R. Wuhrer
Affiliation:
Advanced Materials Characterisation Facility, University of Western Sydney, NSW, Australia
P. Dredge
Affiliation:
Art Gallery of New South Wales, Art Gallery Rd, Sydney, NSW, 2000, Australia
M. Sawicki
Affiliation:
Art Gallery of New South Wales, Art Gallery Rd, Sydney, NSW, 2000, Australia
L. Allen
Affiliation:
Art Gallery of New South Wales, Art Gallery Rd, Sydney, NSW, 2000, Australia
D. Fania
Affiliation:
School of Science and Health, University of Western Sydney, NSW, Australia

Abstract

An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Abstract
Information
Microscopy and Microanalysis , Volume 20 , Supplement S3: Proceedings of Microscopy & Microanalysis 2014 , August 2014 , pp. 2018 - 2019
Copyright
Copyright © Microscopy Society of America 2014 

References

1. Gold, Renate. 1998. Reconstruction and Analysis of Bismuth Painting. In: Dorge, Valerie and Howlett, F.Carey, Painted Wood: History and Conservation. Proceedings of a Symposium organised by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works and the Foundation of the AIC, held at the Colonial Williamsburg Foundation, Williamsburg, Virginia, 11-14 November 1994, The Getty Conservation Institute, Los Angeles, 166-178.Google Scholar
2. Hiorns, AH (1892 Metal-colouring and bronzing, Macmillan and Co. London and New York.Google Scholar
3. Thornton, J (2000 ‘All that glitters is not gold: other surfaces that appear to be gilded’, in Gilded metals: history, technology and conservation, Drayman-Weisser, T (eds), Archetype Publications in association with the American Institute for Conservation of Historic and Artistic Works, London, pp. 307-317.Google Scholar