Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-04-30T15:37:54.642Z Has data issue: false hasContentIssue false

The invisible war on nature: the Abyssinian war (1935–1936) in newsreels and documentaries in Fascist Italy

Published online by Cambridge University Press:  07 January 2016

Federico Caprotti*
Affiliation:
Department of Geography, King's College, London, UK

Abstract

This contribution to the special issue focuses on newsreels and documentaries that were produced concerning the Second Italo–Ethiopian War (1935–1936), commonly known as the Abyssinian War. It aims to contextualise LUCE's filmic production on the war, so as to create a framework in which the institute can be understood not only as being part of a wider politics of propaganda in Fascist Italy, but as an example of a modern socio-technical organisation that enabled the discursive construction of East African nature as ‘Other’ and therefore helped to justify colonial war as a process of sanitised creative destruction aimed at replacing a previous, negative ‘first nature’ with a positive, Fascist and Italian ‘second nature’. The article draws on archival documents from Mussolini's government cabinet, and on LUCE documentaries and newsreels; these sources are used to create a background against which LUCE's concern with the Second Italo–Ethiopian War can be understood.

Type
Articles
Copyright
Copyright © Association for the study of Modern Italy 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Atkinson, D. 2008. “Constructing Italian Africa: Geography and Geopolitics.” In Italian Colonialism, edited by Ben-Ghiat, R. and Fuller, M., 1526. London: Palgrave Macmillan.Google Scholar
Atkinson, D., and Cosgrove, D. 1998. “Urban Rhetoric and Embodied Identities: City, Nation, and Empire at the Vittorio Emanuele II monument in Rome, 1870–1945.” Annals of the Association of American Geographers 88:2849.Google Scholar
Ben-Ghiat, R. 2004. Fascist Modernities: Italy, 1922–1945. Berkeley, CA: University of California Press.Google Scholar
Ben-Ghiat, R. 2003. “The Italian Colonial Cinema: Agendas and Audiences.” Modern Italy 8:4964.CrossRefGoogle Scholar
Berezin, M. 1997. Making the Fascist Self: The Political Culture of Interwar Italy. Ithaca, NY: Cornell University Press.Google Scholar
Berruti, S., and Mazzei, L. 1911. “Il giornale mi lascia freddo. I film ‘dal vero’ dalla Libia (1911–12) e il pubblico italiano.” Immagine 4(3):51101.Google Scholar
Berruti, S., and Presenti Campagnoni, S. 2011. “Luca Comerio in Libia: documenti non ufficiali di una pagina di storia.” Immagine 4(4):6994.Google Scholar
Bertellini, G. 2002. “Dubbing L'Arte Muta: Poetic Layerings around Italian Cinema's Transition to Sound.” In Re-Viewing Fascism: Italian Cinema, 1922–43, edited by Reich, J. and Garofalo, P., 3082. Bloomington, IN: University of Indiana Press.CrossRefGoogle Scholar
Binde, P. 1999. “Nature Versus City: Landscapes of Italian Fascism.” Environment and Planning D: Society and Space 17:761775.CrossRefGoogle Scholar
Brunetta, G. P. 1979. Storia del cinema italiano, 1895–1945. Rome: Editori Riuniti.Google Scholar
Brunetta, G. P. 2003. “Cattedre e megafoni: il LUCE tra educazione e propaganda. Archivio Storico LUCE.” Accessed September 1, 2013. http://www.archivioluce.com Google Scholar
Caprotti, F. 2006. “Malaria and Technological Networks: Medical Geography in the Pontine Marshes, Italy, in the 1930s.” Geographical Journal 172(2):145155.CrossRefGoogle Scholar
Caprotti, F. 2007. “Destructive Creation: Fascist Urban Planning, Architecture, and New Towns in the Pontine Marshes.” Journal of Historical Geography 33(3):651679.CrossRefGoogle Scholar
Caprotti, F. 2009. Scipio Africanus: Film, Internal Colonization, and Empire.” Cultural Geographies 16:381401.Google Scholar
Caprotti, F. 2011a. “Visuality, Hybridity and Colonialism: Imagining Ethiopia through Colonial Aviation, 1935–1940.” Annals of the Association of American Geographers 101(2):380403.Google Scholar
Caprotti, F. 2011b. “Overcoming Distance and Space through Technology: Connecting Fascist Italy with South America.” Space and Culture 14(3):330348.Google Scholar
Caprotti, F. 2011c. “Profitability, Practicality, and Ideology: Fascist Civil Aviation and the Short Life of Ala Littoria, 1934–1943.” Journal of Transport History 32(1):1738.CrossRefGoogle Scholar
Caprotti, F., and Kaïka, M. 2008. “Producing the Ideal Fascist Landscape: The Materiality and Cinematic Representation of Land Reclamation in the Pontine Marshes.” Social and Cultural Geography 9(6):613634.CrossRefGoogle Scholar
Carta, S. 2013a. “The ethno-Orientalism of the Sardinian ‘Culture’.” Interventions: International Journal of Post-Colonial Studies. DOI:10.1080/1369801X.2013.858973.Google Scholar
Carta, S. 2013b. “Sardinia in Fascist Documentary Films (1922–1945).” Journal of Italian Cinema & Media Studies 1(2):171187.Google Scholar
Cole, T. 1938. “The Italian Ministry of Popular Culture.” Public Opinion Quarterly 2(1938):425434.Google Scholar
Cronon, W. 1992. Nature's Metropolis: Chicago and the Great West. New York: W.W. Norton.Google Scholar
Davis, J. S. 2007. “Scales of Eden: Conservation and Pristine Devastation on Bikini Atoll.” Environment and Planning D: Society and Space 25:213235.Google Scholar
De Felice, R. 1995. Mussolini il fascista. La conquista del potere, 1921–1925. Turin: Einaudi.Google Scholar
De Grazia, V., and Luzzato, S., eds. 2002. Dizionario del fascismo. Turin: Einaudi.Google Scholar
Del Boca, A. 1986. Gli italiani in Africa orientale: La conquista dell'impero. Rome–Bari: Laterza.Google Scholar
Del Boca, A. 1996. I gas di Mussolini. Rome: Editori Riuniti.Google Scholar
Del Boca, A. 2005. Italiani, brava gente? Un mito duro a morire. Milan: Colibri.Google Scholar
Del Boca, A., and Labanca, N. 2002. L'impero africano del fascismo nelle fotografie dell'Istituto Luce. Rome: Editori Riuniti.Google Scholar
Elwin, W. 1934. Fascism at Work. London: Martin Hopkinson.Google Scholar
Ellwood, D. W. 1982. “Showing the World what it owed to Britain: Foreign Policy and ‘Cultural Propaganda’, 1935–45.” In Propaganda, Politics and Film, 1918–45, edited by Pronay, N. and Spring, D. W., 5073. London: Macmillan.Google Scholar
Falasca-Zamponi, S. 1997. Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy. Berkeley: University of California Press.CrossRefGoogle Scholar
Fuller, M. 1996. “Wherever you go, there you are: Fascist Plans for the Colonial City of Addis Ababa and the Colonizing Suburb of EUR '42.” Journal of Contemporary History 31:397418.Google Scholar
Fuller, M. 2007. Moderns Abroad: Architecture, Cities and Italian Imperialism. London: Routledge.Google Scholar
Ghirardo, D. 1989. Building New Communities: New Deal America and Fascist Italy. Princeton, NJ: Princeton University Press.Google Scholar
Ghirardo, D., and Forster, K. 1985. “I modelli delle città di fondazione in epoca Fascista.” In Insediamenti e territorio, edited by De Seta, C., 627675. Turin: Einaudi.Google Scholar
Giornale LUCE B0883, May 13, 1936. Accessed December 1, 2013. http://senato.archivioluce.it/senato-luce/scheda/video/IL5000023984/2/Roma.html Google Scholar
Harvey, D. 1996. Justice, Nature and the Geography of Difference. Oxford: Oxford University Press.Google Scholar
Hyam, R. 1990. Empire and Sexuality: The British Experience. Manchester: Manchester University Press.Google Scholar
Kaika, M. 2006. “Dams as Symbols of Modernization: The Urbanization of Nature between Geographical Imagination and Materiality.” Annals of the Association of American Geographers 96(2):276301.Google Scholar
Kargon, R. H., and Molella, A. P. 2008. Invented Edens: Techno-Cities of the Twentieth Century. Cambridge, MA: MIT Press.Google Scholar
Lasi, G. 2011. “Viva Tripoli italiana! Viva l'Italia! La propaganda bellica nei film a soggetto realizzati in Italia durante il conflitto italo–turco (1911–12).” Immagine 4(3):102117.Google Scholar
Latour, B. 1993. We Have Never Been Modern. Cambridge, MA: Harvard University Press.Google Scholar
LUCE documentary. 1936. La marcha de la civilización: el surgir de un Imperio, 1935–1936. Rome: LUCE. Accessed December 1, 2013. http://senato.archivioluce.it/senato-luce/scheda/video/IL3000051188/1/La-marcha-de-la-civilizacion-Il-surgir-de-un-imperio.html Google Scholar
LUCE documentary. 1936. L'avanzata delle truppe Italiane. Rome: LUCE. Accessed December 1, 2013. http://senato.archivioluce.it/senato-luce/scheda/video/IL3000089841/1/Lavanzata-delle-truppe-italiane.html Google Scholar
McClintock, A. 1995. Imperial Leather: Race, Gender and Sexuality in the Imperial Context. London: Routledge.Google Scholar
Mignemi, A., ed. 1982. Si e no padroni del Mondo. Etiopia 1935–36: Immagine e consenso per un impero. Novara: Comune di Novara.Google Scholar
Mussolini, V. 1936. Voli sulle Ambe. Florence: Sansoni.Google Scholar
Nowell-Smith, G. 1986. “The Italian Cinema under Fascism.” In Rethinking Italian Fascism: Capitalism, Populism and Culture, edited by Forgacs, D., 142161. London: Lawrence & Wishart.Google Scholar
Phillips, W. 1999. Film: An Introduction. Boston, MA: Bedford/St Martin's.Google Scholar
Reeves, N. 1999. The Power of Film Propaganda: Myth or Reality? London: Cassell.Google Scholar
Renes, H., and Piastra, S. 2011. “Polders and Politics: New Agricultural Landscapes in Italian and Dutch Wetlands, 1920s to 1950s.” Landscapes 12(1):2441.Google Scholar
Ricci, S. 2008. Cinema and Fascism: Italian Film and Society, 1922–1943. Berkeley: University of California Press.Google Scholar
Rochat, G. 2000. Ufficiali e soldati: l'esercito italiano dalla prima alla seconda guerra mondiale. Udine: Gaspari.Google Scholar
Rodgers, N. 1984. “The Abyssinian Expedition of 1867–1868: Disraeli's Imperialism or James Murray's War?” Historical Journal 27:129149.CrossRefGoogle Scholar
Rose, G. 2001. Visual Methodologies. London: Sage Publications.Google Scholar
Schein, R. 2009. “Belonging through Land/scape.” Environment and Planning A 41:811826.Google Scholar
Sorlin, P. 1996. Italian National Cinema, 1896–1996. London: Routledge.Google Scholar
Stefani, G. 2007. Colonia per maschi. Italiani in Africa orientale: una storia di genere. Verona: Ombre Corte.Google Scholar
Swyngedouw, E. 1999. “Modernity and Hybridity: Nature, Regeracionismo, and the Production of the Spanish Waterscape, 1890–1930.” Annals of the Association of American Geographers 89:443465.Google Scholar
Tancredi, E. 1999. “Salutate e andate in Abissinia.” Storia In Network, April 1999. Accessed September 1, 2013. http://www.storiain.net Google Scholar
Thompson, D. 1991. State Control in Fascist Italy: Culture and Conformity, 1925–43. Manchester: Manchester University Press.Google Scholar
Williams, M. 2006. Mussolini's Propaganda Abroad: Subversion in the Mediterranean and the Middle East, 1935–1940. London: Routledge.Google Scholar
Woolbert, R. G. 1934. “Italy in Abyssinia.” Foreign Affairs 1934:505.Google Scholar