Hostname: page-component-848d4c4894-nr4z6 Total loading time: 0 Render date: 2024-05-01T15:18:39.924Z Has data issue: false hasContentIssue false

The whisper with a thousand echoes: Tony Gentile’s photograph of Falcone and Borsellino

Published online by Cambridge University Press:  15 November 2016

Eleanor Canright Chiari*
Affiliation:
School of European Cultures and Society, University College London

Abstract

Tony Gentile’s photograph of Giovanni Falcone and Paolo Borsellino is one of the most reprinted Italian photographs of the twentieth century. Deriving a special status from its connection to the lost dead bodies of the judges, Gentile’s photograph is a cultural icon, which makes demands on viewers in the present like an uncanny revenant from 1992. This paper considers examples of ways the photograph has been visually, symbolically and materially manipulated by social agents in the years since the judges’ assassinations, to reflect on the polysemous power of the photograph. Considering visual adaptations of the photograph from anti-mafia demonstrations to monuments, and commemorative stamps; from football stadiums to political cartoons, this paper will show how Gentile’s photograph has become the quintessential visual symbol representing the struggles over the memory and meaning of the war against the mafia in contemporary Italy.

Italian summary

La fotografia di Giovanni Falcone e Paolo Borsellino, scattata nel 1992 da Tony Gentile, è una delle fotografie italiane più famose del ventesimo secolo. La fotografia di Gentile è anche un’icona culturale che trae il proprio potere simbolico dal suo implicito legame con i corpi dei giudici uccisi. Questo articolo considera alcuni usi pubblici della fotografia sia nell’ambito della protesta che delle commemorazioni ufficiali. L’articolo si interessa in particolare alle re-invenzioni e manipolazioni grafiche e plastiche della fotografia originale, per considerare alcune ‘reazioni culturali’ al fenomeno mafioso in Italia nell’ambito della memoria collettiva.

Type
Research Article
Copyright
© 2016 Association for the Study of Modern Italy 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Alajmo, R. 2012. Un lenzuolo contro la mafia. Palermo: Navarra Editore.Google Scholar
Barthes, R. 1981. Camera Lucida: Reflections on Photography. New York: Hill and Wang.Google Scholar
Brink, C. 2000. ‘Secular Icons: Looking at Photographs from Nazi Concentration Camps’. History & Memory 12 (1): 135150.CrossRefGoogle Scholar
Dickie, J. 2012. ‘Falcone and Borsellino: The Story of an Iconic Photo’. Modern Italy 17 (2): 251255.CrossRefGoogle Scholar
Foot, J. 2011. Pedalare! Pedalare!: A History of Italian Cycling. London: Bloomsbury.Google Scholar
Goldberg, V. 1991. The Power of Photography: How Photographs Changed Our Lives. New York: Abbeville Press.Google Scholar
Hagopian, P. 2006. ‘Vietnam War Photography as a Locus of Memory’. In Locating Memory: Photographic Acts, edited by A. Kuhn and K. E. McAllister. New York: Berghahn.Google Scholar
Hariman, R. and Lucaites, J. L.. 2007. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press.Google Scholar
Lester, P. M. 1991. Photojournalism: An Ethical Approach. Hillsdale, New Jersey: L. Erlbaum.Google Scholar
Mirzoeff, N., ed. 2002. The Visual Culture Reader. London: Routledge.Google Scholar
Mussgnug, F. and Antonello, P., eds. 2009. Postmodern Impegno: Ethics and Commitment in Contemporary Italian Culture. Italian Modernities. Oxford: Peter Lang.Google Scholar
Orvell, M. 2003. American Photography. New York: Oxford University Press.Google Scholar
Puccio-Den, D. 2011. ‘Difficult Remembrance: Memorialising Mafia Victims in Palermo’. In Grassroots Memorials: The Politics of Memorializing Traumatic Death, edited by P.J. Margry and C. Sánchez Carretero. New York: Berghahn.Google Scholar
Rigoletto, S. 2014. Masculinity and Italian Cinema: Sexual Politics, Social Conflict and Male Crisis in the 1970s. Edinburgh: Edinburgh University Press.Google Scholar
Verdery, K. 1999. The Political Lives of Dead Bodies: Reburial and Postsocialist Change. New York: Columbia University Press.Google Scholar
Zelizer, B. 2010. About to Die: How News Images Move the Public. New York: Oxford University Press.Google Scholar

Websites

23 maggio 1992, TG1 edizione straordinaria sulla Strage di Capaci http://bit.ly/1QruB6v (visited December 2015).Google Scholar
19 luglio 1992, il TG2 annuncia la strage di via d’Amelio, http://bit.ly/21gfLBq (visited January 2016).Google Scholar
Mauro Biani T-shirts http://bit.ly/1OlVVvq (visited 15 February 2016).Google Scholar
Corriere del Mezzogiorno, Micciché aeroporto Palermo http://bit.ly/1TwESP7 (visited Februrary 2016).Google Scholar
I bolli 10 anniversario morte di falcone http://bit.ly/1RecLRB (visited February 2016).Google Scholar
Cinisello Balsamo ai caduti http://bit.ly/1TwyRC0 (visited February 2016).Google Scholar
Ventesimo anniversario direzione investigativa antimafia http://bit.ly/21506IH (visited February 2016).Google Scholar
Fumetto Vadelfio 18 anni http://bit.ly/1SYm0sC (visited February 2016).Google Scholar
ScaricaBile 33 http://bit.ly/1TsalAO (visited February 2016).Google Scholar
Mauro Biani http://bit.ly/1oSnGaj (visited February 2016).Google Scholar
A vent’anni da capaci http://bit.ly/1ThGPuP (visited April 2016).Google Scholar
Fiat 500 spot http://bit.ly/1OAaGlk (visited April 2016).Google Scholar
Video Rai Tv Falcone e Borsellino http://bit.ly/2010J10 (visited April 2016).Google Scholar
La Repubblica http://bit.ly/1sNnA62 (visited April 2016).Google Scholar