This article maps out a network of cinematic collaboration established between Yugoslavia and the non-aligned countries in Africa, primarily via the institution of the Yugoslav Newsreels (Filmske novosti). Yugoslav newsreel activities developed to accompany the performative diplomacy of President Tito’s “Voyages of Peace,” playing a role both in cementing his image internationally and his political status at home. By the late 1950s, cinema would become one of the central instruments of Yugoslav information activities abroad, capitalizing on an expanding diplomatic network. In this context, Filmske novosti became the bearers of Yugoslav technical aid in the domain of cinema. Building on a trope of shared revolutionary struggles, they boosted Yugoslavia’s international reputation through the filming of the Algerian Liberation Movement. The unique nature of the cinematic aid provided by Filmske novosti to liberation movements such as the ALN and FRELIMO was continued, with assistance in setting up of national film centers in countries such as Mali and Tanzania. Throughout, Yugoslavia maintained a praxis of non-conditional and non-credited transnational ciné-kinship, which is one of the reasons this remains an unknown chapter in the history of Third Cinema and militant ciné-geographies.