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Beauty along the Color Line: Lynching, Aesthetics, and the Crisis

Published online by Cambridge University Press:  23 October 2020

Russ Castronovo
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Abstract

“What have we who are slaves and blacks to do with Art?” asked DuBois in his 1926 essay “Criteria of Negro Art.” In an era of lynching, art hardly seemed appropriate for political struggle. Nevertheless, DuBois and his colleagues at the Crisis risked making connections between lynching and art by putting aesthetics to democratic use even as the theatricality of ritualized violence gave lynching an aesthetic dimension. Starting with DuBois's manifesto and reading in reverse chronological order every issue of the Crisis to its first issue in 1910, this article re-creates a critical narrative that traces the development of aesthetic theory among African American writers associated with the NAACP's national magazine. Contextualizing DuBois's work in the Crisis with fiction by Jessie Fauset and Walter White, I examine an alternative aesthetics that relies on propaganda to assail the ugliness of race relations. (RC)

Type
Research Article
Information
PMLA , Volume 121 , Issue 5 , October 2006 , pp. 1443 - 1459
Copyright
Copyright © Modern Language Association of America, 2006

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