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Catherine M.S, Alexander ,, ed. Shakespeare and Language. New York and Cambridge: Cambridge University Press, 2004. viii + 294 pp. index. $70 (cl), $24.99 (pbk). ISBN: 0-521-83139-3 (cl), 0-521-53900-5 (pbk). Includes: Jonathan Hope, “Shakespeare and Language: An Introduction”; Stephen Booth, “Shakespeare’s Language and the Language of Shakespeare’s Time”; Muriel St Clare Byrne, “The Foundations of Elizabethan Language”; Terence Hawkes, “Shakespeare’s Talking Animals”; Vivan Salmon, “Some Functions of Shakespearian Word-Formation”; Bridget Cusack, “Shakespeare and the Tune of the Time”; Jill L. Levenson, “Shakespeare’s Romeo and Juliet: The Places of Invention”; Robert Hapgood, “Shakespeare’s Thematic Modes of Speech: Richard II to Henry V”; Inga-Stina Ewbank, “Hamlet and the Power of Words”; Robert Wilcher, “The Art of the Comic Duologue in Three Plays by Shakespeare”; Philippa Berry, “Hamlet’s Ear”; Lynne Magnusson, “‘Voice Potential’: Language and Symbolic Capital in Othello”; Albert H. Tricomi, “The Aesthetics of Mutilation in Titus Andronicus”; George Walton Williams, “‘Time for such a word’: Verbal Echoing in Macbeth”; Lisa Hopkins, “Household Words: Macbeth and the Failure of Spectacle”; and Russ McDonald, “Late Shakespeare: Style and the Sexes.”Google Scholar

Catherine M.S., Alexander, ed. Shakespeare and Politics. Cambridge and New York: Cambridge University Press, 2004. viii + 268 pp. index. illus. $70 (cl), $24.99 (pbk). ISBN: 0-521-83623-9 (cl), 0-521-54481-5 (pbk). Includes: John J. Joughin, “Shakespeare and Politics: An Introduction”; Blair Worden, Shakespeare and Politics”; Peter L. Rudnytsky, “Henry VIII and the Deconstruction of History”; Anne Barton, “Livy, Machiavelli, and Shakespeare’s Coriolanus”; S. Schoenbaum, “Richard II and the Realities of Power”; David George, “Plutarch, Insurrection, and Dearth in Coriolanus”; Pierre Sahel, “Some Versions of Coup d’État, Rebellion, and Revolution”; William C. Carroll, “Language, Politics, and Poverty in Shakespearian Drama”; Margot Heinemann, ‘Demystifying the mystery of state’: King Lear and the World Upside Down”; Mark Matheson, “Venetian Culture and the Politics of Othello”; Paul Franssen, “The Bard and Ireland: Shakespeare’s Protestantism as Politics in Disguise”; Günter Walch, “Henry V as Working-House of Ideology”; John Drakakis, “‘Fashion it thus’: Julius Caesar and the Politics of Theatrical Representation”; Terence Hawkes, “Take Me to Your Leda”; E. Pearlman, “Macbeth on Film: Politics”; and Barbara Hodgdon, “William Shakespeare’s Romeo + Juliet: Everything’s Nice in America?”Google Scholar

Jean, Balsamo, ed. Les poètes Français de la Renaissance et Pétrarque.. . Geneva: Librairie Droz S. A., 2004. 519 pp. index. illus. bibl. €100. ISBN: 2-600-00947-7. Includes: Jean Paul Barbier-Mueller, “Envoi”; Michel Jeanneret, “Avant-propos”; Jean Balsamo, “‘Nous l’avons tous admiré et imité: non sans cause’: Pétrarque en France à la Renaissance: un livre, un modèle, un mythe”; “François 1er, Marot et les origines du pétrarquisme français”; Richard Cooper and Myra Orth, “Un manuscrit peint des ‘Visions de Pétrarque’ traduites par Marot”; Romana Brovia, “Clément Marot e ‘l’umanesimo cristiano’ del Petrarca”; Paola Cifarelli, “Jean Maynier d’Oppède et Pétrarque”; Marie Madeleine Fontaine, “Débats à la cour de France autour du Canzioniere et de ses imitateurs dans les années 1533-1548: I. Mellin de Saint-Gelais”; “Débats à la cour de France autour du Canzioniere et de ses imitateurs dans les années 1533-1548: II. Antoine Héroët”; Nicole Bingen, “Les éditions lyonnaises de Pétrarque dues à Jean de Tournes et à Guillaume Rouillé”; Cécile Alduy, “Scève et Pétrarque: ‘de mort à vie’”; Daniel Maira, “Les ‘erreurs’ rhétoriques de Pétrarque et de Pontus de Tyard ou la collection éditoriale des Juvenilia”; François Rigolot, “Echos pétrarquiens dans la poésie de Louise Labé: la nouvelle Laure lyonnaise et le paradigme du giovenile errore”; Giovanna Bellati, “La traduction du Canzoniere de Vasquin Philieul”; André Gendre, “Pierre de Ronsard”; Olivier Millet, “Du Bellay et Pétrarque, autour de l’Olive”; Jean Vignes, “Appropriation et restitution de Pétrarque dans la poésie de Jean-Antoine de Baïf”; Emmanuel Buron, “Jodelle et Pétrarque”; Concetta Cavallini, “La Boétie et Pétrarque”; Yves Giraud, “Un singulier pétrar-quisant”; Michèle Clément, “De Grévin à Pétrarque: ‘Non je ne m’en repen’”; François Rouget, “Philippe Desportes, médiateur du pétrarquisme français”; François Lecercle, “Un pétrarquisme épistolaire: les Lettres amoureuses d’Etienne du Tronchet”; Rosanna Gorris Camos, “Guy le Fèvre de la Boderie et Pétrarque”; Daniela Costa, “Les poètes de Henri III et Pétrarque”; Silvia D’Amico, “Les Essais de Jérôme d’Avost”; Gilles Banderier, “Le triomphe des langues: Du Monin et Pétrarque”; Alessandra Preda, “Tra Tasso e Montaigne: il petrarchismo di Claude Expilly”; Véronique Ferrer, “Le Printemps d’Agrippa d’Aubigné ou les épreuves du pétrarquisme”; Nerina Clerici Balmas, “Pétrarque dans l’œuvre de Marc Papillon”; Gilles Banderier, “Un pétrarquisme féminin et dévot: Françoise Pautrard”; Marzia Malinverni, “Bricard e Petrarca”; and Jean Balsamo, “Philippe de Maldeghem ou Pétrarque en Flandre.”Google Scholar

Kathryn Elizabeth, Banks, and, Ford, Philip, eds. Self and Other in Sixteenth-Century France: Proceedings of the Seventh Cambridge French Renaissance Colloquium 7-9 July 2001. . Cambridge: Cambridge Printing, 2004. xiv + 233 pp. index. illus. n.p. ISBN: 0-9511645-8-9 Includes: Mary McKinley, “Parrots and Poets: Writing Alterities in Scève and Lemaire de Belges”; Cathleen M. Bauschatz, “‘Mais quelque fois on me prenoit pour luy’: Narrative Cross-Dressing in Les Angoysses douloureuses, Part II”; Julia Horn, “The ‘Pagan’ in Amadis de Gaule”; Frank Lestringant, “Une altérité venue du froid: démons et merveilles d’Olaus Magnus (1539-1555)”; Cathy Hampton, “Same Difference? The Heterosexual Quest for Oneness in French Neo-Platonic Love Discourses: Passion and its Pitfalls”; Terence Cave, “Comment représenter l’altérité: le myth de Philomèle chez Rabelais, Ronsard et Shakespeare”; Yvonne Roberts, “Jean-Antoine de Baïf: The Abandonment of the Humanist Ideal”; Paul A. Scott, “Edward II and Henri III: Sexual Identity at the End of the Sixteenth Century”; Wes Williams, “Some Monsters: Montaigne, Heliodorus, and Some Others”; George Hoffmann, “In the Name of Atheism”; André Tournon, “‘Soit que je sois autre moy mesme. .’”; and Emily Butterworth, “‘Reprend[re] les vices de chacun’: Correction and Defamation in Le Palais des curieux and Le Moyen de parvenir.”Google Scholar

Evelyne, Berriot-Salvadore, , Chareyre, Philippe, and, Martin-Ulrich, Claudie, eds. Jeanne d’Albret et sa Cour: Actes du Colloque International de Pau, 17-19 mai 2001. . Paris: Honoré Champion Éditeur, 2004. 542 pp. index. illus. tbls. €52. ISBN: 2-7453-1019-4. Includes: Nathalie Dauvois, “Jeanne d’Albret et les poètes de Marot à Pey de Garros”; Nadine Kuperty-Tsur, “Jeanne d’Albret ou la persuasion par la passion”; Bernard Roussel, “Jeanne d’Albret et ‘ses’ théologiens”; Mariangela Miotti, “André de Rivaudeau: Théâtre et poésie pour la cour de Jeanne d’Albret”; Didier Poton, “Des corsaires bretons au service de la cause Huguenote: les Trimault du Croisic (1569-1570)”; Anne-Marie Cocula, “Été 1568: Jeanne d’Albret et ses deux enfants sur le chemin de la Rochelle”; Jean-Yves Casanova, “Images de l’occitan au XVIe siècle: La pensée linguistique de Pey de Garros dans l’adresse Au Lecteur des Poesias Gasconas de 1567”; Claudie Martin-Ulrich, “Récit de vie, récit de mort: Le Brief discours sur la mort de la royne de Navarre, Jeanne d’Albret”; Philippe Chareyre, “Hasta la muerte: La fermesse de Jeanne d’Albret”; Amanda Eurich, “‘Le pays de Canaan’: L’évolution du pastorat béarnais sous Jeanne d’Albret”; Isabelle Pébay and Paul Mironneau, “Le goût du bel objet: À propos des richesses d’art de Jeanne d’Albret à Pau et à Nérac”; Véronique Duché, “Jeanne d’Albret, un personnage romanesque?”; Cécile Tison, “Les relations lignagères de Jeanne d’Albret d’après sa correspondance”; Daniel Salaün, “Adaptation musicale du psautier Huguenot à la langue béarnaise par Arnaud de Salette (1583)”; Serge Brunet, “Jeanne d’Albret, Pierre d’Albret, évêque de Comminges, et la ‘trahison’ de Blaise de Monluc: aux origines de la Ligue dans le Sud-Ouest de la France”; Dominique Bidot-Germa, “Les officiers de l’État béarnais sous le règne de Jeanne d’Albret (1555-1572): perspectives prosopographiques”; Hubert Bost, “Jeanne d’Albret, amazone de la Réforme: La synthèse historiographique du Dictionnaire de Bayle”; Claude Menges-Mironneau, “L’évolution d’une représentation féminine: Jeanne d’Albret au travers de quelques portraits (XVIe–XIXe s.)”; Véronique Castagnet, “Jeanne d’Albret, les évêques de Lescar et d’Oloron, le pape et le Saint-Office”; Pascal Rambeaud, “Jeanne d’Albret et son entourage à La Rochelle (septembre 1568 - août 1571)”; Christian Desplat, “Jeanne d’Albret, un modèle d’éducation maternelle?”; David Bryson, “Jeanne d’Albret: Questions anciennes; nouvelles réponses?”; and Eugénie Pascal,“Lettres de la Royne de Navarre. .. avec une Ample Declaration d’icelles: autoportrait d’une femme d’exception.”Google Scholar

Matthias, Bloch, and, Mojsisch, Burkhard, eds. Potentiale des menschlichen Geistes: Freiheit und Kreativität: Praktische Aspekte der Philosophie, Marsilio Ficinos (1433-1499). Stuttgart: Franz Steiner Verlag, 2003. 274 pp. index. €68. ISBN: 3-515-08096-1. Includes: Burkhard Mojsisch and Matthias Bloch, “Einleitung”; Jörg Hardy, “Die Unsterbliche, Erkenntnisfähige Seele bei Platon und Ficino”; Udo Reinhold Jeck, “Die Bedeutung von Leiblichkeit und Gehirn in Ficinos Auseinandersetzung mit Averroes und den Averroisten”; Hubert Benz, “Ethische Praxis und Selbstbezug des Geistes als Wege zur Unsterblichkeit der Seele (Platon, Plotin, Marsilio Ficino)”; Achim Wurm, “Kontexte des Eros bei Platon und Ficino”; Detlef Thiel, “Theuth-Merkur-Saturn: Marsilio Ficinos Rezeption der Platonischen Schriftkritik”; Orrin F. Summerell, “Aller Sachen Mass der Mensch? Protagoras in der ethischen Perspektive Marsilio Ficinos”; Matthias Bloch, “Zur Artifizialität des Guten Lebens: Ficinos Rezeption des Platonischen Philebos”; Alexander F. Lohner, “Ficinos Psychologie der individuellen Unsterblichkeit: Aktuelle Aspekte für die Fundamentalethik”; and Burkhard Mojsisch, “Pomponazzis Theorie der prakti-schen Vernunft: Eine Kritik an Ficinos spekulativem Intellektualismus.”Google Scholar

Brian, Boyd, ed. Words That Count: Essays on Early Modern Authorship in Honor of MacDonald P. Jackson. Newark, DE: University of Delaware Press/AUP, 2004. 292 pp. index. illus. tbls. bibl. $45. ISBN: 0-87413-868-X. Includes: John Kerrigan, “‘A Green Bay-Tree’: Tribute to MacDonald P. Jackson”; Brian Boyd, “Words That Count: Introduction”; Andrew Gurr, “The Great Divide of 1594”; Brian Boyd, “Kind and Unkindness: Aaron in Titus Andronicus”; Brian Vickers, “The Troublesome Raigne, George Peele, and the Date of King John”; Ward Elliott and Robert J. Valenza, “Did Shakespeare Write A Lover’s Complaint? The Jackson Ascription Revisited”; Marina Tarlinskaja, “The Verse of A Lover’s Complaint: Not Shakespeare”; Michael Neill, “‘Servile Ministers’: Othello, King Lear, and the Sacralization of Service”; John Jowett, “The Pattern of Collaboration in Timon of Athens”; David Gunby, “‘Strong commanding Art’: The Structure of The White Devil, The Duchess of Malfi, and The Devil’s Law-Case”; David Carnegie, “Mutinous Soldiers and Shouts [Within]: Stage Directions and Early Modern Dramaturgy”; Gary Taylor, “Thomas Middleton, The Spanish Gypsy, and Collaborative Authorship”; and Brian Boyd, “MacDonald P. Jackson: A Bibliography.”Google Scholar

Graham, Bradshaw, , Bishop, Tom, and, Turner, Mark, eds. The Shakespearean International Yearbook. Vol. 4, Shakespeare Studies Today. Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xviii + 366 pp. index. illus. $99.95. ISBN: 0-7546-4006-X. Includes: Mary Thomas Crane, “The Physics of King Lear: Cognition in a Void”; Eve Sweetser, “‘The suburbs of your good pleasure’: Cognition, Culture and the Bases of Metaphoric Structure”; Donald C. Freeman, “Othello and the ‘Ocular Proof’”; Mark Turner, “The Ghost of Anyone’s Father”; Graham Bradshaw, “Precious Nonsense and the CONDUIT Metaphor”; Per Aage Brandt, “Metaphors and Meaning in Shakespeare’s Sonnet 73”; Bernice W. Kliman, “A Plan for www.hamletworks.org: An Offshoot of the New Variorum Hamlet Project”; Alexander Leggatt, “Urban Poetry in the Almereyda Hamlet”; John Bell, “Hamlet: A Rehearsal Diary”; Tom Bishop, “‘Companions notable and most known’: Shakspeare and the General Reader”; Susan Viguers, “King Lear as a Book: A Visual/Verbal Production”; Harry Berger, Jr., “Three’s a Company: The Spectre of Contaminated Intimacy in Othello”; Lars Engle, “Shakespearean Normativity in All’s Well That Ends Well”; Atsuhiko Hirota, “Forms of Empires: Rome and its Peripheries in Cymbeline”; Robin Headlam Wells, “Value Pluralism in The Merchant of Venice”; John Lee, “Twins and Doubles as an Aspect of Shakespeare’s Pluralism”; and Katherine Eisaman Maus, “Five Recent Books on Renaissance Subjectivity.”Google Scholar

Stephen J., Campbell, and, Milner, Stephen J., eds. Artistic Exchange and Cultural Translation in the Italian Renaissance City. Cambridge and New York: Cambridge University Press, 2004. xiv + 372 pp. index. illus. bibl. $95. ISBN: 0-521-82688-8. Includes: Stephen J. Campbell and Stephen J. Milner, “Art, Identity, and Cultural Translation in Renaissance Italy”; Michelle O’Malley, “Subject Matters: Contracts, Designs, and the Exchange of Ideas between Painters and Clients in Renaissance Italy”; Megan Holmes, “Copying Practices and Marketing Strategies in a Fifteenth-Century Florentine Painter’s Workshop”; Shelley E. Zuraw, “Mina da Fiesole’s Forteguerri Tomb: A ‘Florentine’ Monument in Rome”; Luke Syson, “Bertoldo di Giovanni, Republican Court Artist”; Stephen J. Campbell, “‘Our eagles always held fast to your lilies’: The Este, the Medici, and the Negotiation of Cultural Identity”; Georgia Clarke, “Giovanni II Bentivoglio and the Uses of Chivalry: Towards the Creation of a ‘Republican Court’ in Fifteenth-Century Bologna”; Bruce L. Edelstein, “‘Acqua viva e corrente’: Private Display and Public Distribution of Fresh Water at the Neapolitan Villa of Poggioreale as a Hydraulic Model for Sixteenth-Century Medici Gardens”; Stephen J. Milner, “The Politics of Patronage: Verrocchio, Pollaiuolo, and the Forteguerri Monument”; Deborah L. Krohn, “Between Legend, History, and Politics: The Santa Fina Chapel in San Gimignano”; Christopher S. Celenza, “From Center to Periphery in the Florentine Intellectual Field: Orthodoxy Reconsidered”; Brian A. Curran, “The Sphinx in the City: Egyptian Memories and Urban Spaces in Renaissance Rome (and Viterbo)”; and Morten Steen Hansen, “Immigrants and Church Patronage in Sixteenth-Century Ancona.”Google Scholar

Patrick G., Cheney, ed. The Cambridge Companion to Christopher Marlowe. . Cambridge and New York: Cambridge University Press, 2004. xx + 312 pp. index. illus. chron. bibl. $65 (cl), $23.99 (pbk). ISBN: 0-521-82034-0 (cl), 0-521-52734-1 (pbk). Includes: Patrick Cheney, “Introduction: Marlowe in the Twenty-First Century”; David Riggs, “Marlowe’s Life”; Laurie E. Maguire, “Marlovian Texts and Authorship”; Russ McDonald, “Marlowe and Style”; Paul Whitfield White, “Marlowe and the Politics of Religion”; James P. Bednarz, “Marlowe and the English Literary Scene”; Georgia E. Brown, “Marlowe’s Poems and Classicism”; Mark Thornton Burnett, “Tamburlaine the Great, Parts One and Two”; Julia Reinhard Lupton, “The Jew of Malta”; Thomas Cartelli, “Edward II”; Thomas Healy, “Doctor Faustus”; Sara Munson Deats, “Dido, Queen of Carthage and The Massacre at Paris”; Richard Wilson, “Tragedy, Patronage, and Power”; Garrett A. Sullivan, Jr., “Geography and Identity in Marlowe”; Kate Chedgzoy, “Marlowe’s Men and Women: Gender and Sexuality”; Lois Potter, “Marlowe in Theatre and Film”; and Lisa Hopkins, “Marlowe’s Reception and Influence.”Google Scholar

Frederick A., de Armas, ed. Writing for the Eyes in the Spanish Golden Age. Lewisburg, PA: Bucknell University Press, 2004. 310 pp. index. illus. bibl. $55. ISBN: 0-8387-5571-2. Includes: Frederick A. de Armas, “(Mis)placing the Muse: Ekphrasis in Cervantes’ La Galatea”; E.C. Graf, “The Pomegranate of Don Quixote 1.9”; Christopher B. Weimer, “The Quixotic Art: Cervantes, Vasari, and Michelangelo”; María Cristina Quintero, “Mirroring Desire in Early Modern Spanish Poetry: Some Lessons from Painting”; Mary E. Barnard, “Inscribing Transgression, Siting Identity: Arguijo’s Phaëthon and Ganymede in Painting and Text”; Steven Wagschal, “Writing on the Fractured ‘I’: Góngora’s Iconographic Evocations of Vulcan, Venus, and Mars”; Emilie L. Bergmann, “Optics and Vocabularies of the Visual in Luis de Góngora and Sor Juana Inés de la Cruz”; Timothy Ambrose, “Lope de Vega and Titian: The Goddess as Emblem of Sacred and Profane Love”; Laura Bass, “To Possess Her in Paint: (Pro)creative Failure and Crisis in El pintor de su deshonra”; Lisa Voigt, “Visual and Oral Art(ifice) in María de Zayas’s Desengaños amorosos”; John T. Cull, “The Baroque at Play: Homiletic and Pedagogical Emblems in Francisco Garau and Other Spanish Golden Age Preachers”; Julio Vélez-Sainz, “Quevedo Resting on His Laurels: A (Topo)graphical Topos in El Parnasso español”; and Lía Schwartz, “Linguistic and Pictorial Conceits in the Baroque: Velázquez Between Quevedo and Gracián.”Google Scholar

Donald R., Dickson, and, Nelson, Holly Faith, eds. Of Paradise and Light: Essays on Henry Vaughan and John Milton in Honor of Alan Rudrum. Newark, DE: University of Delaware Press/AUP, 2004. 393 pp. index. illus. bibl. $60. ISBN: 0-87413-876-0. Includes: Holly Faith Nelson and Donald R. Dickson, “Introduction”; Jonathan F.S. Post, “Civil War Cleavage: More Force than Fashion in Vaughan’s Silex Scintillans”; Robert Wilcher, “The ‘true, practic piety’ of ‘holy writing’: Henry Vaughan, Richard Crashaw, Christopher Harvey, and The Temple”; John Leonard, “Milton’s Jarring Allusions”; Nigel Smith, “Milton and the Index”; Karen L. Edwards, “Raphael, Diodati”; N.H. Keeble, “Wilderness Exercises: Adversity, Temptation, and Trial in Paradise Regained”; Holly Faith Nelson, “Biblical Structures in Silex Scintillans: The Poetics and Politics of Intertextuality”; Jonathan Nauman, “Boethius and Henry Vaughan: The Consolatio Translations of Olor Iscanus”; Donald R. Dickson, “The Mount of Olives: Vaughan’s Book of Private Prayer”; Peter Thomas, “Henry Vaughan, Orpheus, and The Empowerment of Poetry”; Glyn Pursglove, “‘Winged and free’: Henry Vaughan’s Birds”; Diane Kelsey McColley, “Water, Wood, and Stone: The Living Earth in Poems of Vaughan and Milton”; Matthias Bauer, “Time and the Word: A Reading of Henry Vaughan’s ‘The Search’”; Alan Rudrum, “Henry Vaughan’s Poems of Mourning”; and June Sturrock, “Lark, Wild Thyme, Crowing Cock, and Waterfall: The Natural, the Moral, and the Political in Blake’s Milton and Vaughan’s Silex Scintillans.”Google Scholar

Konrad, Eisenbichler, ed. The Cultural World of Eleonora di Toledo: Duchess of Florence and Siena. Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xiv + 280 pp. index. illus. $84.95. ISBN: 0-7546-3774-3. Includes: Mary A. Watt, “Veni, sponsa. Love and Politics at the Wedding of Eleonora di Toleda”; Gabrielle Langdon, “A ‘Laura’ for Cosimo: Bronzino’s Eleonora di Toledo with her Son Giovanni”; Bruce L. Edelstein, “La fecundissima Signora Duchessa: The Courtly Persona of Eleonora di Toledo and the Iconography of Abundance”; Ilaria Hoppe, “A Duchess’ Place at Court: The Quartiere di Eleonora in the Palazzo della Signoria in Florence”; Paola Tinagli, “Eleonora and Her ‘Famous Sisters’: The Tradition of ‘Illustrious Women’ in Paintings for the Domestic Interior”; Pamela J. Benson, “Eleonora di Toledo among the Famous Women: Iconographic Innovation after the Conquest of Siena”; Robert W. Gaston, “Eleonora di Toledo’s Chapel: Lineage, Salvation and the War against the Turks”; Chiara Franceschini, “Los scholares son cosa de su excelentia, como lo es toda la Compañia: Eleonora di Toledo and the Jesuits”; Mary Westerman Bullgarella, “The Burial Attire of Eleonora di Toledo”; and Janet Cox-Rearick, “La Ill.ma Sig.ra Duchessa felice memoria: The Posthumous Eleonora di Toledo.”Google Scholar

Gisela, Engel, and , Karafyllis, Nicole C., eds. Technik in der frühen Neuzeit: Technik Schrittmacher der europäischen Moderne. . Frankfurt: Vittorio Klostermann, 2004. 484 pp. illus. €16. ISBN: 3-465-03341-8 (pbk). Includes: Gisela Engel and Nicole C. Karafyllis, “Einleitung: Technik und Moderne”; Petra Schaper-Rinkel, “Technik, Wissen und Macht in Utopien und Zukunftsvorstellungen der Frühen Neuzeit”; Martin Disselkamp, “Technik, römische Große und antiquarische Gelehrsamkeit. Über Funktion und Begründung des Technischen in Justus Lipsius’ Schriften zum antiken Rom”; Ralf Haekel, “Theatertechnik im 17. Jahrhundert und ihr Verhältnis zum Großen Welttheater”; Nicole C. Karafyllis, “Bewegtes Leben in der Frühen Neuzeit. Automaten und ihre Antriebe als Medien des Lebens zwischen den Technikauffassungen von Aristoteles und Descartes”; Marcus Popplow, “Neu, nützlich und erfindungsreich. Die Ingenieure der Renaissance als Schrittmacher der modernen Deutung von Technik”; Daniela Lamberini, “Patents for Machines in Grand Ducal Tuscany and the Diffusion of Knowledge in Europe c. 1564-1640”; Christian Mathieu, “Fiat experientia!” Zur Wahrnehmung von Technikfolgen und ihren Auswirkungen auf das venezianische Patentverfahren in der Frühen Neuzeit”; Matteo Burioni, “Die Architektur: Kunst, Handwerk oder Technik? Giorgio Vasari, Vincenzo Borghini und die Ordnung der Künste an der Accademia del Disegno im frühabsolutistischen Herzogtum Florenz”; Romano Nanni, “Machinae ad maiestate imperii e macchine della manifattura tessile”; Torsten Meyer, “Die ‘Anleitung zur Technologie’ (1777) von Johann Beckmann und ihr historischer Kontext. Technologische Bildung in modernisierender Absicht?”; and Norman Fuchsloch, “Die Entstehung der Geologie im 18. Jahrhundert und ihr Beitrag zur europäischen Modernisierung.”Google Scholar

Paula, Findlen, ed. Athanasius Kircher: The Last Man Who Knew Everything. New York and London: Routledge, 2004. xii + 466 pp. index. append. illus. bibl. $29.95. ISBN: 0-415-94016-8. Includes: Paula Findlen, “Introduction: The Last Man Who Knew Everything. .. or Did He?: Athanasius Kircher, S.J. (1602-80) and His World”; Eugenio Lo Sardo, “Kircher’s Rome”; Martha Baldwin, “Reverie in Time of Plague: Athanasius Kircher and the Plague Epidemic of 1656”; Harald Siebert, “Kircher and His Critics: Censorial Practice and Pragmatic Disregard in the Society of Jesus”; Angela Mayer-Deutsch, “‘Quasi-Optical Palingenesis’: The Circulation of Portraits and the Image of Kircher”; Peter N. Miller, “Copts and Scholars: Athanasius Kircher in Peiresc’s Republic of Letters”; Daniel Stolzenberg, “Four Trees, Some Amulets, and the Seventy-two Names of God: Kircher Reveals the Kabbalah”; Anthony Grafton, “Kircher’s Chronology”; Ingrid D. Rowland, “Athanasius Kircher, Giordano Bruno, and the Panspermia of the Infinite Universe”; Stephen Jay Gould, “Father Athanasius on the Isthmus of a Middle State: Understanding Kircher’s Paleontology”; Michael John Gorman, “The Angel and the Compass: Athanasius Kircher’s Magnetic Geography”; Haun Saussy, “Magnetic Language: Athanasius Kircher and Communication”; Nick Wilding, “Publishing the Polygraphy: Manuscript, Instrument, and Print in the Work of Athanasius Kircher”; Noel Malcolm, “Private and Public Knowledge: Kircher, Esotericism, and the Republic of Letters”; Carlos Ziller Camenietzki, “Baroque Science between the Old and the New World: Father Kircher and His Colleague Valentin Stansel (1621-1705)”; Paula Findlen, “A Jesuit’s Books in the New World: Athanasius Kircher and His American Readers”; J. Michelle Molina, “True Lies: Athanasius Kircher’s China illustrata and the Life Story of a Mexican Mystic”; Florence Hsia, “Athanasius Kircher’s China illustrata (1667): An Apologia Pro Vita Sua”; and Antonella Romano, “Epilogue: Understanding Kircher in Context.”Google Scholar

Margaret A., Gallucci, and, Rossi, Paolo L., eds. Benvenuto Cellini: Sculptor, Goldsmith, Writer. Cambridge and New York: Cambridge University Press, 2004. xvi + 240 pp. index. append. illus. bibl. $80. ISBN: 0-521-81661-0. Includes: Margaret A. Gallucci and Paolo L. Rossi, “Introduction”; Jane Tylus, “Cellini, Michelangelo, and the Myth of Inimitability”; Patricia L. Reilly, “Drawing the Line: Benvenuto Cellini’s On the Principles and Method of Learning the Art of Drawing and the Question of Amateur Drawing Education”; Michael Cole, “University, Professionalism, and the Workshop: Cellini in Florence, 1545-1562”; Marina Belozerskaya, “Cellini’s Saliera: The Salt of the Earth at the Table of the King”; Philip Attwood, “Cellini’s Coins and Medals”; Gwendolyn Trottein, “Cellini as Iconographer”; Victoria C. Gardner Coates, “Cellini’s Bust of Cosimo I and Vita: Parallels Between Renaissance Artistic and Literary Portraiture”; Paolo L. Rossi, “Parrem uno, e pur saremo dua”: The Genesis and Fate of Benvenuto Cellini’s Trattati”; and Margaret A. Gallucci, “Benvenuto Cellini as Pop Icon.”Google Scholar

Jean-Eudes, Girot, ed. Le poète et son œuvre de la composition à la publication: Actes du colloque de Valenciennes (20-21 mai 1999). . Geneva: Librairie Droz S. A., 2004. 384 pp. index. illus. tbls. €72. ISBN: 2-600-00928-0. Includes: Michel Simonin, “Ferrailles et farragines: vers en vrac à la Renaissance”; Perrine Galand-Hallyn and Fernand Hallyn, “‘Recueillir des brouillars’: éthique de la silve et poétique du manuscrit trouvé”; Jeanne Veyrin-Forrer, “François Rasse des Neux et ses tombeaux poétiques”; Amaury Flégès, “Enjeux politiques et littéraires d’un tombeau collectif: La célébration poétique de Christophe de Thou (1583)”; Silvia D’Amico, “Alterum amant oculi, doctis placet auribus alter: les poèmes de Germain Audebert”; Chiara Lastraioli, “Un collectioneur strasbour-geois à la Renaissance: Johannes Schenckbecher et son recueil de textes anonymes”; Frank Dobbins, “Recueils collectifs de musique et poésie”; Jean Vignes, “Les modes de diffusion du texte poétique dans la seconde moitié du XVIe siècle: essai de typologie”; Frank Lestringant, “André de La Vigne et Le Vergier d’honneur”; Mireille Huchon, “La fleur de poésie française dans la Rhetorique de Fouquelin: une autobiographie de Ronsard”; Jean Balsamo, “La composition des Sonnets spirituels de Desportes”; Anne-Bérangère Rothenburger, “L’églogue de la naissance de Jésus-Christ par Louis Dorléans: datation et filiation poétiques”; Rosanna Gorris Camos, “Diverses Meslanges poetiques ou la composition des re-cueils poétiques de Guy Le Fèvre de La Boderie: du Compas d’or à la Vierge au luth”; Jean Dupèbe, “L’Ægloga de Monarchia de Jacques Gohory (1543-1544)”; Line Amselem-Szende, “Le complexe du compilateur: Juan López de Úbeda Vergel de flores divinas (1582)”; and Jean-Eudes Girot, “Poésie et manuscrits.”Google Scholar

John, Headley, , Hillerbrand, Hans J., and, Papalas, Anthony J., eds. Confessionalization in Europe, 1555-1700: Essays in Honor and Memory of Bodo Nischan. Alder-shot and Burlington, VT: Ashgate Publishing Company, 2004. xxvi + 370 pp. index. bibl. $79.95. ISBN: 0-7546-3744-1. Includes: John M. Headley, “Introduction”; Anthony J. Papalas, “Tribute to Bodo Nischan”; “The Bibliography of Bodo Nischan”; Thomas A. Brady, Jr., “‘Confessionalization: The Career of a Concept’”; Heinz Schilling, “Confessionalization: Historical and Scholarly Perspectives of a Comparative and Interdisciplinary Paradigm”; Harm Klueting, “Problems of the Term and Concept ‘Second Reformation’: Memories of a 1980s Debate”; Markus Wriedt, “‘Founding a New Church. .’: The Early Ecclesiology of Martin Luther in the Light of the Debate about Confessionalization”; Robert Kolb, “The Braunschweig Resolution: The Corpus Doctrinae Prutenicum of Joachim Mörlin and Martin Chemnitz as an Interpretation of Wittenberg Theology”; Luther D. Peterson, “Johann Pfeffinger’s Treatises of 1550 in Defense of Adiaphora: ‘High Church’ Lutheranism and Confessionalization in Albertine Saxony”; Susan C. Karant-Nunn, “‘Christians’ Mourning and Lament Should not Be Like the Heathens’: The Suppression of Religious Emotion in the Reformation”; Robin B. Barnes, “Astrology and the Confessions in the Empire, c. 1550-1620”; Terence McIntosh, “Confessionalization and the Campaign against Prenuptial Coitus in Sixteenth-Century Germany”; Thomas Robisheaux, “‘The Queen of Evidence’: The Witchcraft Confession in the Age of Confessionalism”; Bruce Gordon, “‘The Second Bucer’: John Dury’s Mission to the Swiss Reformed Churches in 1654-55 and the Search for Confessional Unity”; Marc Forster, “Catholic Confessionalism in Germany after 1650”; Raymond A. Mentzer, “Fashioning Reformed Identity in Early Modern France”; Mack P. Holt, “Confessionalization beyond the Germanies: The Case of France”; Peter Iver Kaufman, “Reconstructing the Context for Confessionalization in Late Tudor England: Perceptions of Reception, Then and Now”; Lance Lazar, “The Formation of the Pious Soul: Trans-Alpine Demand for Jesuit Devotional Texts, 1548-1615”; Constantin Fasolt, “Political Unity and Religious Diversity: Hermann Conring’s Confessional Writings and the Preface to Aristotle’s Politics of 1637”; and John M. Headley, “Thomas More’s Horrific Vision: The Advent of Constituted Dissent.”Google Scholar

Dorothea, Heitsch, and, Vallée, Jean-François, eds. Printed Voices: The Renaissance Culture of Dialogue. Buffalo and Toronto: University of Toronto Press, 2004. xxiv + 292 pp. index. bibl. $65. ISBN: 0-8020-8706-X. Includes: François Rigolot, “Problematizing Renaissance Exemplarity: The Inward Turn of Dialogue from Petrarch to Montaigne”; Nina Chordas, “Dialogue, Utopia, and the Agencies of Fiction”; Jean-François Vallée, “The Fellowship of the Book: Printed Voices and Written Friendships in More’s Utopia”; J. Christopher Warner, “Thomas More’s Utopia and the Problem of Writing a Literary History of English Renaissance Dialogue”; Olga Zorzi Pugliese, “The Development of Dialogui in Il libro del cortegiano: From the Manuscript Drafts to the Definitive Version”; Robert Buranello, “Pietro Aretino between the locus mendacii and the locus veritatis”; Dorothea Heitsch, “From Dialogue to Conversation: The Place of Marie de Gournay”; Joseph Puterbaugh, “‘Truth Hath the Victory’: Dialogue and Disputation in John Foxe’s Actes and Monuments”; W. Scott Howard, “Milton’s ‘Hence’: Dialogue and the Shape of History in ‘L’Allegro’ and ‘Il Penseroso’”; Luc Borot, “Hobbes, Rhetoric, and the Art of the Dialogue”; Carole Collier Frick, “Francesco Barbaro’s De re uxoria: A Silent Dialogue for a Young Medici Bride”; Nicola McLelland, “Dialogue and German Language Learning in the Renaissance”; and Eva Kushner, “Renaissance Dialogue and Subjectivity.”Google Scholar

Ton, Hoenselaars, ed. Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad. Cambridge and New York: Cambridge University Press, 2004. xiv + 288 pp. index. illus. bibl. $80. ISBN: 0-521-82902-X. Includes: Dennis Kennedy, “Foreword: Histories and Nations”; Ton Hoenselaars, “Introduction: Shakespeare’s History Plays in Britain and Abroad”; “Introduction: Alienating Histories”; Andrew Murphy, “Ireland as Foreign and Familiar in Shakespeare’s Histories”; Lisa Hopkins, “Welshness in Shakespeare’s English Histories”; Jean-Michel Déprats, “A French History of Henry V”; Daniel Gallimore, “Shakespeare’s History Plays in Japan”; Ton Hoenselaars, “Introduction: The Appropriated Past”; Mariangela Tempera, “Rent-a-Past: Italian Responses to Shakespeare’s Histories (1800-1950)”; James N. Loehlin, “Brecht and the Rediscovery of Henry VI”; Edward Burns, “Shakespeare’s Histories in Cycles”; Alexander Shurbanov and Boika Sokolova, “Shakespeare’s History Plays in Bulgaria”; Ton Hoenselaars, “Introduction: Stage Adaptations of the Histories”; Manfred Draudt, “Shakespeare’s English Histories at the Vienna Burgtheater”; Keith Gregor, “The Spanish Premiere of Richard II”; Dominique Goy-Blanquet, “Shakespearean History at the Avignon Festival”; and Ton Hoenselaars, “Two Flemings at War with Shakespeare.”Google Scholar

Nicholas, Howe, ed. Home and Homelessness in the Medieval and Renaissance World. Notre Dame: University of Notre Dame Press, 2004. x + 170 pp. index. illus. $40 (cl), $20 (pbk). ISBN: 0-268-03069-3 (cl), 0-268-03070-7 (pbk). Includes: Nicholas Howe, “Introduction”; Patricia Fortini Brown, “Not One But Many Separate Cities: Housing Diversity in Sixteenth-Century Venice”; Mary Elizabeth Perry, “Space of Resistance, Site of Betrayal: Morisco Homes in Sixteenth-Century Spain”; Sabine MacCormack, “Social Conscience and Social Practice: Poverty and Vagrancy in Spain and Early Colonial Peru”; William Ian Miller, “Home and Homelessness in the Middle of Nowhere”; and Nicholas Howe, “Looking for Home in Anglo-Saxon England.”Google Scholar

David, Jaffe, ed. Titian. . New Haven and London: Yale University Press, 2004. Reprint. 192 pp. index. illus. bibl. $25. ISBN: 1-85709-903-6. Includes: Matthew W. Barrett, “Sponsor’s Foreword”; Charles Saumarez Smith and Miguel Zugaza, “Directors’ Foreword”; Charles Hope, “Titian’s Life and Times”; Jennifer Fletcher, “Titian as a Painter of Portraits”; Jill Dunkerton, “Titian at Work”; “Titian’s Painting Technique”; and Miguel Falomir, “Titian’s Replicas and Variants.”Google Scholar

Arne, Karsten, and, Reinhardt, Volker. Kardinäle, Künstler, Kurtisanen: Wahre Geschichten aus dem päpstlichen Rom. Darmstadt: Primus Verlag, 2004. 208 pp. illus. tbls. map. bibl. €24.90. ISBN: 3-89678-511-7. Includes: Volker Reinhardt, “Schattenbeschwörung und Traumhilfe”; “Schreckliche Diplomaten, Politik der Illusionen: Auf dem Weg in den Sacco di Roma”; Arne Karsten, “Der Botschafter und der Mörder”; Volker Reinhardt, “Der Sanierer”; “Ein Mord, den jeder begangen haben könnte”; Arne Karsten, “Verkehrsprobleme, frühneuzeitlich”; “Maria Veralli”; Volker Reinhardt, “Fünf blutrote Hüte”; Arne Karsten, “Der Untergang des Hauses Cenci, oder: Vom Geiz als Wurzel allen Übels”; “Die Geschichten der Verlierer”; Volker Reinhardt, “Tod und Verschleppung”; “Abgeschlagene Köpfe und ein ausgestreckter Arm”; Arne Karsten, “Der Großtyrann und das Gerücht”; Volker Reinhardt, “Der Tage-Dieb”; “Fast eine Sternstunde: Ein Gespräch über die Welt und seine Folgen”; Arne Karsten, “Bilderkrieg im Vatikan, oder: Von den Gefahren der Gelehrsamkeit”; “Chaostage im barocken Rom”; “Delikatessen, oder: Die berühmten Würste aus Norcia”; and Volker Reinhardt, “Brot, Blut und Stein”; “Bilderkämpfe, Bilderstürme: Von der Unzerbrechlichkeit der Zeit am Tiber.”Google Scholar

Wolfgang, Lefèvre, ed. Picturing Machines 1400-1700. Cambridge, MA and London: The MIT Press, 2004. vi + 354 pp. index. append. illus. bibl. $40. ISBN: 0-262-12269-3. Includes: Wolfgang Lefèvre, “Introduction”; Marcus Popplow, “Why Draw Pictures of Machines? The Social Contexts of Early Modern Machine Drawings”; David McGee, “The Origins of Early Modern Machine Design”; Rainer Leng, “Social Character, Pictorial Style, and the Grammar of Technical Illustration in Craftsmen’s Manuscripts in the Late Middle Ages”; Pamela O. Long, “Picturing the Machine: Francesco di Giorgio and Leonardo da Vinci in the 1490s”; Mary Henninger-Voss, “Measures of Success: Military Engineering and the Architectonic Understanding of Design”; Filippo Camerota, “Renaissance Descriptive Geometry: The Codification of Drawing Methods”; Wolfgang Lefèvre, “The Emergence of Combined Orthographic Projections”; Jeanne Peiffer, “Projections Embodied in Technical Drawings: Dürer and His Followers”; and Michael S. Mahoney, “Drawing Mechanics.”Google Scholar

David, Loades, ed. John Foxe at Home and Abroad. Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xx + 298 pp. index. append. illus. bibl. $84.95. ISBN: 0-7546-3239-3. Includes: David Loades, “Introduction”; David Marcombe, “Spital Hospital: A Saga of the Reformation in John Foxe’s Lincolnshire”; Claire Cross, “Protestant Evangelism in Boston on the Accession of Elizabeth: The Ministry of Melchior Smith”; Magnus Williamson, “Evangelicalism at Boston, Oxford and Windsor under Henry VIII: John Foxe’s Narratives Recontextualized”; Victor Houliston, “The Martyr Tallies: Robert Persons and His Anonymous Respondent”; Brett Usher, “Essex Evangelicals under Edward VI: Richard Lord Rich, Richard Alvey and their Circle”; Elizabeth Evenden, “The Fleeing Dutchmen? The Influence of Dutch Immigrants upon the Print Shop of John Day”; Ramona Garcia, “‘Most wicked superstition and idolatry’: John Foxe, His Predecessors and the Development of an Anti-Catholic Polemic in the Sixteenth-Century Accounts of the Reign of Mary I”; Nicholas Havely, “Feeding the Flock with Wind: Protestant Uses of a Dantean Trope, from Foxe to Milton”; Francis J. Bremer, “Foxe in the Wilderness: The Book of Martyrs in Seventeenth-Century New England”; Anne Overell, “A Nicodemite in England and Italy: Edward Courtenay, 1548-56”; Paul Arblaster, “John Foxe in the Low Countries, 1566-1914”; Guido Latré, “Was van Haemstede a Direct Source for Foxe? On le Blas’s Pijnbanck and other Borrowings”; John S. Wade, “Thanksgiving from Germany in 1559: An Analysis of the Content, Sources and Style of John Foxe’s Germaniae ad Angliam Gratulatio”; Margaret Dean, “Stowe’s Vision of Martyrdom in Uncle Tom’s Cabin”; Deborah Greenberg, “‘Foxe’ as a Methodological Response to Epistemic Challenges: The Book of Martyrs Transported”; Mark Greengrass, Joy Lloyd, and Sue Smith, “Twenty-First-Century Foxe: The Online Variorum Edition of Foxe’s Actes and Monuments”; and Janice Devereux, “Appendix: The Internet Connection: Claiming John Foxe as Their Own. Foxe’s Book of Martyrs on the World Wide Web.”Google Scholar

Howard P., Louthan, and, Zachman, Randall C., eds. Conciliation and Confession: The Struggle for Unity in the Age of Reform, 1415-1648. Notre Dame: University of Notre Dame Press, 2004. vi + 298 pp. index. $60 (cl), $28 (pbk). ISBN: 0-268-03362-5 (cl), 0-268-03363-3 (pbk). Includes: Randall C. Zachman and Harold P. Louthan, “Introduction”; Karlfried Froehlich, “New Testament Models of Conflict Resolution: Observations on the Biblical Argument of Paris Conciliarists during the Great Schism”; Nicholas Constas, “‘Tongues of Fire Confounded’: Greeks and Latins at the Council of Florence (1438-1439)”; Erika Rummel, “Erasmus and the Restoration of Unity in the Church”; Euan Cameron, “The Possibilities and Limits of Conciliation: Philipp Melanchthon and Inter-Confessional Dialogue in the Sixteenth Century”; Randall C. Zachman, “The Conciliating Theology of John Calvin: Dialogue among Friends”; Irena Backus, “The Early Church as a Model of Religious Unity in the Sixteenth Century: Georg Cassander and Georg Witzel”; Karin Maag, “Conciliation and the French Huguenots, 1561-1610”; Graeme Murdock, “The Boundaries of Reformed Irenicism: Royal Hungary and the Transylvanian Principality”; Zdenek V. David, “Confessional Accommodation in Early Modern Bohemia: Shifting Relations between Catholics and Utraquists”; Howard P. Louthan, “From Rudolfine Prague to Vasa Poland: Valerian Magni and the Twilight of Irenicism in Central Europe”; and Howard Hotson, “Irenicism in the Confessional Age: The Holy Roman Empire, 1563-1648.”Google Scholar

Beth, Luey, ed. Revising Your Dissertation: Advice from Leading Editors. Berkeley and Los Angeles: University of California Press, 2004. viii + 256 pp. index. illus. tbls. bibl. $16.95. ISBN: 0-520-24255-6. Includes: Beth Luey, “Introduction: Is the Publishable Dissertation an Oxymoron?”; William P. Sisler, “You’re the Author Now”; Beth Luey, “What Is Your Book About?”; Scott Norton, “Turning Your Dissertation Rightside Out”; “Bringing Your Own Voice to the Table”; Jenya Weinreb, “Time to Trim: Notes, Bibliographies, Tables, and Graphs”; Jennifer Crewe, “Caught in the Middle: The Humanities”; Peter J. Dougherty and Charles T. Myers, “Putting Passion into Social Science”; Trevor Lipscombe, “From Particles to Articles: The Inside Scoop on Scientific Publishing”; Judy Metro, “Illustrated Ideas: Publishing in the Arts”; Ann Regan, “A Sense of Place: Regional Books”; Johanna E. Vondeling, “Making a Difference: Professional Publishing”; and Beth Luey, “Conclusion: The Ticking Clock.”Google Scholar

Charles, Martindale, and, Taylor, A.B., eds. Shakespeare and the Classics. Cambridge and New York: Cambridge University Press, 2004. xii + 320 pp. index. bibl. $75. ISBN: 0-521-82345-5. Includes: A.B. Taylor and Charles Martindale, “Introduction”; Colin Burrow, “Shakespeare and Humanistic Culture”; Vanda Zajko, “Petruchio is ‘Kated’: The Taming of the Shrew and Ovid”; A.B. Taylor, “Ovid’s Myths and The Unsmooth Course of Love in A Midsummer Night’s Dream”; Heather James, “Shakespeare’s Learned Heroines in Ovid’s Schoolroom”; Charles Martindale, “Shakespeare and Virgil”; Wolfgang Riehle, “Shakespeare’s Reception of Plautus Reconsidered”; Raphael Lyne, “Shakespeare, Plautus, and the Discovery of New Comic Space”; Yves Peyré, “‘Confusion now hath made his masterpiece’: Senecan Resonances in Macbeth”; Erica Sheen, “‘These are the only men’: Seneca and Monopoly in Hamlet 2.2”; John Roe, “‘Character’ in Plutarch and Shakespeare: Brutus, Julius Caesar, and Marc Antony”; Gordon Braden, “Plutarch, Shakespeare, and the Alpha Males”; A.D. Nuttall, “Action at a Distance: Shakespeare and the Greeks”; Stuart Gillespie, “Shakespeare and Greek Romance: ‘Like an old tale still’”; Michael Silk, “Shakespeare and Greek Tragedy: Strange Relationship”; David Hopkins, “‘The English Homer’: Shakespeare, Longinus, and English ‘neoclassicism’”; and Sarah Annes Brown, “‘There is no end but addition’: The Later Reception of Shakespeare’s Classicism.”Google Scholar

Jean-Christophe, Mayer, ed. The Struggle for the Succession in Late Elizabethan England: Politics, Polemics and Cultural Representations. . Montpelier: Université Paul-Valéry Montpellier 3, 2004. xviii + 432 pp. illus. €17. ISBN: 2-84269-239-X. Includes: Jenny Wormald, “Preface”; Jean-Christophe Mayer, “Introduction”; Catherine Lisak, “George Puttenham’s Justificacion”; Nick Myers, “The Gossip of History: the Question of the Succession in the State Papers (Domestic and Foreign)”; Michèle Vignaux, “The Succession and Related Issues through the Correspondence of Elizabeth, James, and Robert Cecil”; Susan Doran, “Three Late-Elizabethan Succession Tracts”; Bernard Bourdin, “James VI and I — Divine Right, the Doctrine of the Two Kingdoms and the Legitimising of Royal Power”; Glenn Burgess, “Becoming English? Becoming British? The Political Thought of James VI and I Before and After 1603”; Luc Borot, “Is Father Robert Parson’s Memorial a Utopia? A Few Thoughts about the Question of Succession”; Sandra Jusdado, “The Appellant Priests and the Succession Issue”; Gerard Kilroy, “Sir John Harington’s Protesting Catholic Gifts”; Patrick Collinson, “The Religious Factor”; Margaret Jones-Davies, “Dr Richard Field and King James I: Politics in the Pulpit. A Commentary on A Learned Sermon”; Charles Whitworth, “Thomas Lodge, The Wounds of Civil War and the Elizabethan Succession Crisis”; Richard Hillman, “God-fathering Prince Henry”; Margaret Jones-Davies, “Beyond Political Opportunism: John Mair (1467-1550) and Shakespeare’s Involvement in the Succession Debate”; Catherine Lisak, “‘Succession’ versus ‘Usurpation’: Politics and Rhetoric in Shakespeare’s Richard II”; Jean-Christophe Mayer, “Late Elizabethan Theatre and the Succession”; Philippa Berry, “Vacating the Centre of Power: Cynthia’s Revels, the Property of State and the Accession Crisis”; and Christine Sukic, “The Earl of Essex: From One Reign to the Next.”Google Scholar

Timothy J., McGee, , Rigg, A.G., and, Klausner, David N., eds. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance. Bloomington: Indiana University Press, 2004. xvi + 300 pp. tbls. gloss. $34.95. ISBN: 0-253-21026-7. Includes: A.G. Rigg, “Introduction”; David N. Klausner, “Introduction: Phonetics”; “English”; “Sixteenth-Century Scots”; A.G. Rigg, “Anglo-Latin”; Robert Taylor, “Old French”; Harold Copeman, “French Latin”; Robert Taylor, “Occitan”; Beata Fitzpatrick, “Catalan”; James F. Burke, “Spanish (Castilian)”; Harold Copeman, “Spanish Latin”; Joseph T. Snow and James F. Burke, “Galician-Portuguese”; Harold Copeman, “Portuguese Latin”; Gianrenzo P. Clivio, “Italian”; Harold Copeman, “Italian Latin”; Peter Frenzel, “Middle High German”; “Late Medieval German and Early New High German”; Harold Copeman and Vera U.G. Scherr, “German Latin”; William Z. Shetter, “Flemish (Dutch)”; and Harold Copeman, “Netherlands Latin.”Google Scholar

Dieter, Mehl, , Stock, Angela, and, Zwierlein, Anne-Julia, eds. Plotting Early Modern London: New Essays on Jacobean City Comedy. Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xii + 236 pp. index. bibl. $79.95. ISBN: 0-7546-4097-3. Includes: Angela Stock and Anne-Julia Zwierlein, “Introduction”; Alan Brissenden, “Middletonian Families”; Matthias Bauer, “Doolittle’s Father(s): Master Merrythought in The Knight of the Burning Pestle”; Richard Waswo, “Crises of Credit: Monetary and Erotic Economies in the Jacobean Theatre”; Anne-Julia Zwierlein, “Shipwrecks in the City: Commercial Risk as Romance in Early Modern City Comedy”; David Crane, “Patterns of Audience Involvement at the Blackfriars Theatre in the Early Seventeenth Century: Some Moments in Marston’s The Dutch Courtesan”; Andrew Gurr, “‘Within the compass of the city walls’: Allegiances in Plays for and about the City”; Angela Stock, “‘Something done in honour of the city’: Ritual, Theatre and Satire in Jacobean Civic Pageantry”; Alizon Brunning, “‘Thou art damned for alt’ring thy religion’: The Double Coding of Conversion in City Comedy”; Dieter Mehl, “The London Prodigal as Jacobean Comedy”; Ruth Morse, “What City, Friends, is this?”; Robyn Bolam, “Rewriting City Comedy through Time and Cultures: The Taming of the Shrew — Padua to London to Padua U.S.”; and Deborah Cartmell, “Hamlet in 2000: Michael Almeryda’s City Comedy.”Google Scholar

John, Monfasani. Greeks and Latins in Renaissance Italy: Studies on Humanism and Philosophy in the 15th Century. . Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xii + 266 pp. index. illus. tbls. bibl. $111.95. ISBN: 0-86078-951-9. Includes: John Monfasani, “Disputationes Vallianae”; “Theodore Gaza as a Philosopher: A Preliminary Study”; “Greek and Latin Learning in Theodore Gaza’s Antirrheticon”; “The Theology of Lorenzo Valla”; “The Pseudo-Aristotelian Problemata and Aristotle’s De Animalibus in the Renaissance”; “Giovanni Gatti of Messina: A Profile and an Unedited Text”; “The Averroism of John Argyropoulos and His Quaestio utrum intellectus humanus sit perpetuus”; “Marsilio Ficino and the Plato-Aristotle Controversy”; “Nicholas of Cusa, the Byzantines, and the Greek Language”; “Greek Renaissance Migrations”; “L’insegnamento di Teodoro Gaza a Ferrarra”; and “Aristotelians, Platonists, and the Missing Ockhamists: Philosophical Liberty in Pre-Reformation Italy”;Google Scholar

Stephanie, Moss, and , Peterson, Kaara L., eds. Disease, Diagnosis, and Cure on the Early Modern Stage. . Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xviii + 218 pp. index. bibl. $79.95. ISBN: 0-7546-3791-3. Includes: Kaara L. Peterson, “Performing Arts: Hysterical Disease, Exorcism, and Shakespeare’s Theater”; Tanya Pollard, “‘No Faith in Physic’: Masquerades of Medicine Onstage and Off”; Barbara Howard Traister, “‘Note Her a Little Farther’: Doctors and Healers in the Drama of Shakespeare”; Carol Thomas Neely, “Hot Blood: Estranging Mediterranean Bodies in Early Modern Medical and Dramatic Texts”; Jonathan Gil Harris, “‘Some love that drew him oft from home’: Syphilis and International Commerce in The Comedy of Errors”; Imtiaz Habib, “Elizabethan Racial Medical Psychology, Popular Drama, and the Social Programming of the Late-Tudor Black: Sketching an Exploratory Postcolonial Hypothesis”; Catherine Belling, “Infectious Rape, Therapeutic Revenge: Bloodletting and the Health of Rome’s Body”; Louise Noble, “The Fille Vièrge as Pharmakon: The Therapeutic Value of Desdemona’s Corpse”; Stephanie Moss, “Transformation and Degeneration: The Paracelsan/Galenic Body in Othello”; and Lynette Hunter, “Cankers in Romeo and Juliet: Sixteenth-Century Medicine at a Figural/Literal Cusp.”Google Scholar

Helen M., Ostovich, and, Sauer, Elizabeth M., eds. Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700. New York and London: Routledge, 2004. xxiv + 520 pp. index. illus. bibl. $31.95. ISBN: 0-415-96646-9. Includes: Lena Cowen Orlin, “The Deposition of Margaret Christmas, ‘Suttill contra Suttill,’ Canterbury Consistory Court Deposition Book (1589-92)”; Nely Keinanen, “Elizabeth I, ‘Her Majesties most Princelie answere’ (1601)”; Randall Martin, “Elizabeth Caldwell, Letter from Prison”; Catherine Loomis, “Woodcut of the Execution of Elizabeth Abbott”; Loreen L. Giese, “The Evidence against Joane Waters, the Deposition of George Ireland, London Consistory Court (1609/10)”; Mary Blackstone, “The Star Chamber Deposition of Lady Elizabeth Vaux (1622)”; Martin Ingram, “The Information of Mary Hall, Westminster Sessions Roll (1626)”; Doreen Evenden, “The Original Will of Elizabeth Whipp, Midwife (1645/6)”; Laura Gowing, “The Examination of Anne Peace, Yorkshire Sessions (1659)”; Philip D. Collington, “Leticia Wigington”; Linda Vecchi, “Jane Anger, Jane Anger Her Protection for Women (1589)”; Matthew Steggle, “Ester Sowernam, Ester hath hang’d Haman (1617)”; “Constantia Munda, The Worming of a madde Dogge (1617)”; Christina Luckyj, “Rachel Speght, “To the Reader,” A Mouzell for Melastomus (1617)”; “Rachel Speght, A Mouzell for Melastomus (1617)”; Linda Vecchi, “Isabella Whitney, A Sweet Nosgay, or Pleasant Posye, with ‘Wyll and Testament’ (1573)”; Caroline Bowden, “Rachael Fane, Page of her School Notebook (c. 1628)”; Jennifer L. Anderssen, “Anna Maria van Schurman, The Learned Maid; or, Whether a Maid may be a Scholar?”; Sylvia Bowerbank, “Margaret Cavendish, Marchioness of Newcastle, The Worlds Olio (1655) and Philosophical and Physical Opinions (1655)”; Robert C. Evans, “Anonymous, ‘Verses made by a Maid under 14’ (c.1657-8)”; Mark Houlahan, “Bathsua Makin, An Essay to Revive the Antient Education of Gentlewomen (1673)”; Margaret Ezell, “Mary More, ‘The Womans Right’ (c. 1680)”; Heather Campbell, “Mary Astell, A Serious Proposal to the Ladies (1694)”; Anne Kelley, “Catherine Trotter (Cockburn), ‘To the Excellent Mr. Lock, A Defence of the Essay of Human Understanding (1702)”; Linda Vecchi, “Isabella Whitney, ‘A Modest Meane for Maids’ (1573)”; Roxanne Harde, “Elizabeth Grymeston, Miscelanea. Prayers. Meditations. Memoratives. (1604)”; “Dorothy Leigh, The Mothers Blessing (1618)”; Marjorie Rubright, “Elizabeth (Knyvet) Clinton, Countess of Lincoln, The Countesse of Lincolnes Nurserie (1622)”; Jean Ledrew Metcalfe, “Elizabeth Joscelin, ‘The Mothers Legacy to her Unborn Childe’ (1622)”; and Roxanne Harde, “M. R., The Mothers Counsell or, Live within Compasse. Being the Last Will and Testament to her dearest Daughter (c. 1630).”Google Scholar

Giancarla, Periti, ed. Drawing Relationships in Northern Italian Renaissance Art: Patronage and Theories of Invention. Aldershot and Burlington, VT: Ashgate Publishing Company, 2004. xvi + 236 pp. index. illus. bibl. $99.95. ISBN: 0-7546-0658-9. Includes: Charles Dempsey, “Introduction”; Stanko Kokole, “The Tomb of the Ancestors in the Tempio Malatestiano and the Temple of Fame in the Poetry of Basinio da Parma”; Giovanna Perini, “Emilian Seicento Art Literature and the Transition from Fifteenth- to Sixteenth-Century Art”; Marzia Faietti, “Amico’s Friends: Aspertini and the Confraternita del Buon Gesù in Bologna”; Alessandra Galizzi Kroegel, “A Misunderstood Iconography: Girolamo Genga’s Altarpiece for S. Agostino in Cesena”; Carolyn Smyth, “Pordenone’s ‘Passion’ Frescoes in Cremona Cathedral: An Incitement to Piety”; Alessandra Sarchi, “The studiolo of Alberto Pio da Carpi”; Giancarla Periti, “Enigmatic Beauty: Correggio’s Camera di San Paolo”; and Mary Vaccaro, “Reconsidering Parmigianino’s Camerino for Paola Gonzaga at Fontanellato.”Google Scholar

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Carl B., Strehlke, ed. Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence. Philadelphia: Philadelphia Museum of Art, 2004. xv + 174 pp. index. illus. tbls. gloss. $50 (cl), $34 (pbk). ISBN: 0-87633-180-0 (cl), 0-87633-181-9 (pbk). Includes: Joseph J. Rishel and Anne D’Harnoncourt, “Foreword”; Carl Brandon Strehlke, “Pontormo and Bronzino, for and against the Medici”; Elizabeth Cropper, “Pontormo and Bronzino in Philadelphia: A Double Portrait”; and Mark S. Tucker, Irma Passeri, Ken Sutherland, and Beth A. Price, “Technique and Pontormo’s Portrait of Alessandro de’ Medici.”Google Scholar

David J.B., Trim, and, Balderstone, Peter J., eds. Cross, Crown & Community: Religion, Government and Culture in Early Modern England 1400-1800. Bern and Berlin: Peter Lang, 2004. xxii + 350 pp. index. append. illus. tbls. bibl. $69.95. ISBN: 3-03910-016-5. Includes: Michael and Helen Pearson, “Harry Leonard — A Tribute”; D.J.B. Trim and Peter J. Balderstone, “Introduction: Church, State, Society, and English Culture in the Fifteenth to Eighteenth Centuries”; Richard K. Emmerson, “Visualising the Apocalypse in Late Medieval England: The York Minster Great East Window”; D.J.B. Trim, “‘Knights of Christ’? Chivalric Culture in England, c.1400–c.1550”; Ralph A. Houlbrooke, “Magic and Witchcraft in the Diocese of Winchester, 1491-1570”; Robert Surridge, “‘An English Laodicea’: The Influence of Revelation 3:14-22 on Mid-Seventeenth-Century England”; William Lamont, “The Religious Origins of the English Civil War: Two False Witnesses”; Willy Maley, “Divorced from Reality or in the Spirit of the Letter? Manipulation and Metaphor in Milton’s ‘Charitable’ Readings of Scripture”; John F. Cox, “Shakespeare Reworked: Davenant’s The Law Against Lovers and the Cultural Politics of the Restoration”; Mary Trim, “‘Awe upon my heart’: Children of Dissent, 1660-1688”; Keith A. Francis, “‘An Absurd, a Cruel, a Scandalous, and a Wicked [Bill]’: The Church of England and the (Clandestine) Marriage Act of 1753”; and Penny Mahon, “Awakening the Horror: Anna Letitia Barbauld and the Anti-War Movement in Late Eighteenth-Century England.”Google Scholar

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