The City of Birmingham Symphony Orchestra's conductor, Sakari Oramo, took up the cause of the long-neglected and little-regarded British composer John Foulds (1880–1939) in the late 1990s, as soon as he was appointed to his present post. This February saw his most high-profile push on Foulds's behalf so far, with performances of three Foulds works – one of them a UK and concert première, another a world première – in three Symphony Hall concerts, two of them broadcast on BBC Radio 3. This was followed by a CD recording for Warner Classics of these three pieces plus a fourth, Foulds's early elegy for violin and orchestra, Apotheosis. Intervening in one of the pre-concert talks, Oramo stated his conviction that after decades of misunderstanding during his lifetime, and half a century of neglect thereafter, ‘we owe it to this remarkable composer to play his music – and play it often’. It is difficult to think that any London orchestra would dare to programme anything so distant from their narrow core repertoire and so utterly contrary to contemporary fashions. Yet three near-capacity audiences were plainly both surprised and enthralled by the music, and many members of the public expressed a desire to hear more.