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Gesto o testo? The Crisis of the Milanese Avant-Garde in the Early 1980s

Published online by Cambridge University Press:  23 January 2009

T. A. Joscelyne
T. A. Joscelyne
Affiliation:
Trevor Joscelyne is Senior Lecturer and Course Tutor in English at the Polytechnic of North London.
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Type
Articles
Information
Theatre Research International , Volume 9 , Issue 1 , Spring 1984 , pp. 50 - 59
Copyright
Copyright © International Federation for Theatre Research 1984

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References

Notes

1. Valentini, Chiara, La storia di Dario Fo, Milan 1977, 7–17Google Scholar; Bisicchia, Andrea, Teatro a Milano 1968–1978, Milan 1979, 13–26.Google Scholar

2. Quadri, Franco. L'Avanguardia teatrale in Italia (Materiali 1960–1976), Turin 1977 (2 vols), 135–7Google Scholar, reproduces the appeal for a conference from Sipario, no. 247, November 1966, 2–3. He also reproduces, 138–48, the topics for discussion presented to the conference held at the Palazzo Canavese in Ivrea from 9 to 12 June 1967 and originally published in Teatro, no. 2, 1967–8, 18–25.

3. Bisicchia, 25.

4. Quadri, 140.

5. Quadri, 135 (my translation).

6. For a brief account of the Parma conference, see Scena, no. 1, January–February, 1976, 5–7.

7. Bisicchia, 98–105.

8. TQ 1, Supplemento al dialogo no. 8, November 1982 (my translation).

9. Bisicchia, 120–1.

10. See Joscelyne, Trevor, ‘Drag, dolls and dissent in Milan’, Drama: The Quarterly Theatre Review, Summer 1982, 15–6.Google Scholar

11. Teatro dell'Elfo, Comunicato Stampa, Milan 16 October 1982 (my translation).

12. See Sipario, no. 419, March 1983, 6–12.

13. For documentation of the theatre, see Bisicchia, 44–85 and his bibliography, 189–93.

14. Bisicchia, 118.