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  • Cited by 10
Publisher:
Cambridge University Press
Online publication date:
October 2016
Print publication year:
2016
Online ISBN:
9781316584965

Book description

Performance Practice in the Music of Steve Reich provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music.

Reviews

'This excellent book celebrates composer Steve Reich with an 80th birthday gift of publication. … This reviewer gives an A+ to the publisher and author for offering this fine book on the subject. … this volume gives a welcome and expert guide to the subject. … highly recommended.'

Geary Larrick Source: Nacwpi Journal

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Contents

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Sankaran, Trichy The Art of Konnakol (Solkattu): Spoken Rhythms of South Indian Music (Toronto: Lalith Publishers, 2010).
Sankaran, Trichy Interview with author, Toronto, ON (August 20, 2014).
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Becker, Bob Interview with author, Toronto, ON (November 2, 1997).
Sawa, George Dimitri Rhythmic Theories and Practices in Arabic Writings to 339 AH/950 CE (Ottawa: The Institute of Mediaeval Music, 2009).
Schafer, R. Murray, The Soundscape: Our Sonic Environment and the Tuning of the World (Rochester: Destiny Books, 1994).
Schall, Gary Email correspondence (November 5, 2011).
Schall, Gary Email correspondence (May 16, 2015).
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Scherzinger, Martin, “Curious intersections, uncommon magic: Steve Reich’s It’s Gonna Rain,” in Current Musicology, vol. 78 and 79 (2005), 228–236.
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Schutz, Michael, Interview with author (December 9, 2014).
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Becker, Bob Accents and Rebounds for the Snare Drummer (Randolph, MA: George B. Stone & Son, Inc., 1961).
Storch, Laila, Marcel Tabuteau: How Do You Expect to Play the Oboe If You Can’t Peel a Mushroom? (Bloomington: Indiana University Press, 2008).
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Becker, Bob Minimalism: Origins (Bloomington: Indiana University Press, 1993).
Strogatz, Steven, Sync: The Emerging Science of Spontaneous Order (New York: Hyperion Books, 2003).
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Tenzer, Michael (ed.), Analytical Studies in World Music (London: Oxford University Press, 2006).
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Becker, Bob Culture and Value, Winch, P. (ed.) with Von Wright, G. H. in collaboration with Nyman, H. (Chicago: University of Chicago Press, 1980 [1977]).
Wittgenstein, Ludwig Philosophical Investigations, Anscombe, G. E. M. (trans.) (Malden: Blackwell Publishing Ltd., 2001 [1953]).
Woodley, Ronald, “Steve Reich’s Proverb, canon, and a little Wittgenstein,” in Canons and Canonic Techniques, 14th–16th Centuries: Theory, Practice, and Reception History, Schiltz, K., Blackburn, B. J. (eds.), Proceedings of the International Conference, Leuven, October 4–6, 2005.
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