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Nino Pirrotta, Music and Culture in Italy from the Middle Ages to the Baroque: a Collection of Essays. Cambridge, Massachusetts, Harvard University Press, 1984. xiv + 485 pp. - Nino Pirrotta, Musica tra Medioevo e Rinascimento. Turin, Giulio Einaudi, 1984. x + 279 pp.

Published online by Cambridge University Press:  05 December 2008

James Haar
James Haar
Affiliation:
University of North Carolina at Chapel Hill
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Reviews
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Early Music History , Volume 5 , October 1985 , pp. 269 - 274
Copyright
Copyright © Cambridge University Press 1985

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References

1 Vol. 10 (1975), ed. L. Bianconi, F. A. Gallo, A. Lanza, L. Lockwood and P. Petrobelli.

2 Il codice estense lat. 568 e la musica francese in Italia al principio del ’400 (Palermo, 1946)Google Scholar; ‘Il codice di Lucca’ [with Gotti, E. Li], Musica Disciplina, 3 (1949), pp. 119ff; 4 (1950), pp. 111ff; 5 (1951), pp. 115ffGoogle Scholar; Il Sacchetti e la technica musicale del trecento italiano [with Gotti, E. Li] (Florence, 1935).Google Scholar

3 Studies in the History of Music, a series of which the second volume, L. Lockwood, Music in Renaissance Ferrara, 1400–1505: the Creation of a Musical Center in the Fifteenth Century, also appeared in 1984. This will be reviewed in a future issue of Early Music History.

4 The translators are Vanni Bartolozzi, Lowell Lindgren, Harris Saunders and David Morgenstern.

5 Thus though there are two postscripts, dated 1971 and 1983, to ‘Zacara da Teramo’, neither takes into account the work of John Nadas on that figure, soon to be published – appropriately, in Studi Musicali, under Pirrotta's editorship.

6 Strunk, O., ‘A Letter from a Friend’, Rivista Italiana di Musicologia, 10 (1975), pp. 8–9.Google Scholar