Among the various sites memorable from the greatness of the cities which once occupied them, there are few that equal in interest or surpass in historical associations that of Carthage. The myths respecting the foundation of that city, and the fate of its unhappy queen Dido, have received from the creative fancy of the poet such a semblance of truth as to make them assume a place in our recollections with the actual events of history. The extraordinary rise of Carthage and its equally extraordinary fall, the utter destruction of its records, the obscurity in which its language and art are enveloped, all concur to excite in us an interest and a curiosity in regard to everything connected with it, which is hardly awakened by the history, real or fabulous, of any other city of Pagan antiquity.