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Traditions in World Cinema
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Introduction: The Cultural Politics of Transnational Filmmaking
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5 - Revolutionary Road Movies: Walter Salles’ Diarios de motocicleta (Motorcycle Diaries 2004) and On the Road (2012)
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2 - ‘From Hollywood and Back’: Alfonso Cuarón’s Adventures in Genre
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Bibliography
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New Transnationalisms in Contemporary Latin American Cinemas
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4 - Fernando Meirelles as Transnational Auteur
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Frontmatter
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Mexico: Introduction
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Argentina: Introduction
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Acknowledgements
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Select Filmography
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List of Tables
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List of Figures
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1 - Alejandro González Iñárritu: Mexican Director Without Borders
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Index
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Epilogue: Gravity (Alfonso Cuarón 2013), Birdman (Alejandro G. Iñárritu 2014), The Revenant (G. Iñárritu 2015) and Crimson Peak (Guillermo del Toro 2015)
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Brazil: Introduction
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3 - Guillermo del Toro’s Transnational Political Horror: Cronos (1993), El espinazo del diablo (The Devil’s Backbone 2001) and El laberinto del fauno (Pan’s Labyrinth 2006)
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6 - Juan José Campanella: Historical Memory and Accountability in El secreto de sus ojos (The Secret in Their Eyes 2009)
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