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Chapter 5 - Documenting the revolution
- from PART TWO - PRIMARY VOICES – ‘THE ROOTS OF THE REVOLUTION’
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- By Gillian Godsell, Gillian Godsell studied at the universities of the Witwatersrand, Stellenbosch, Leiden and Pretoria. She has a PhD from Boston University. She has worked at the Council for Scientific and Industrial Research (CSIR), the Centre for Developing Business at Wits, the Faculty of Education at the University of Johannesburg and currently works at the Wits School of Governance., Refiloe Lepere, Refiloe Lepere is a postgraduate research coordinator teaching critical reflexive praxis in Drama for Life at the University of Witwatersrand. She is also a dramaturge at the South African State Theatre., Swankie Mafoko, Swankie Mafoko is an Honours student at Drama for Life at Wits, studying applied theatre. She is an actress and dancer with over six years of ballet experience, and has performed in a number of plays. Her work aims to educate and empower different communities., Ayabonga Nase, Ayabonga Nase is a candidate attorney at the Centre for Applied Legal Studies based at the University of the Witwatersrand. He holds an LLB degree from the University of Fort Hare and a certificate in advanced administrative law from the Mandela Institute at Wits. He is a Fellow of the Bertha Justice Initiative, a movement that supports organisations that practise public interest law.
- Edited by Susan Booysen
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- Book:
- Fees Must Fall
- Published by:
- Wits University Press
- Published online:
- 20 April 2018
- Print publication:
- 31 October 2016, pp 101-124
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- Chapter
- Export citation
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Summary
INTRODUCTION
‘A way of looking at the world that creates a space in which dialogue and contestation are truly possible, in which new ways are constantly explored and created, accepted and rejected, and in which change is unpredictable, but the idea of change is constant.’ This is how the former chief justice, Pius Langa (2006), described transformative constitutionalism. Such ideas of dialogue, change and contestation apply equally to transformation battles on university campuses, and this chapter will describe some of the different forms which the dialogue took, chiefly on the campus of the University of the Witwatersrand (Wits).
The three student authors of this chapter, Refiloe Lepere, Swankie Mafoko and Ayabonga Nase, were all involved in different ways in the 2015 protests at Wits: producing plays on the Wits Great Hall steps, marching, occupying and providing legal assistance to University of Johannesburg (UJ) workers and students. The chapter therefore offers a medley of voices, combining academic discussion of protest in South Africa and elsewhere with insider elucidation, viewpoints and theoretical references.
The emphasis is on documents, from the fleeting (such as a student play performed only once) to the permanent, such as the Memorandum of Understanding (MoU) signed between Wits management, workers and students (2015). Protests cannot be understood by relying on written documents alone. This is because so much communication takes place beyond the printed word, and because some crucial issues cannot be communicated in formal documents.
Students demanded decolonisation of all aspects of the university (see also Chapters 2 to 4 in this volume). Their protest sought change in tuition costs, university governance, curriculum and the character and content of teaching. The student challenge to the way universities in South Africa currently operate was not limited to university interactions with students, but included the wellbeing of the workers on campus, particularly outsourced workers.
As well as demanding social transformation, the students challenged the manner in which words and symbols become documents of protest, using new media, performances and other artefacts in making meaning of historical events such as the protest. ‘The mobilisation of words can actually change how people act collectively,’ argues Sidney Tarrow, who studies social movements.