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Epilogue: Dancing around the Black Sea: Xenophon, Pseudo-Scymnus and Lucian’s Bacchants
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- 28 November 2019, pp 470-489
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References
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- 28 November 2019, pp 490-541
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Frontispiece
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- 28 November 2019, pp ii-ii
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1 - Introduction: Embarking on a Voyage around Black Sea Theatre
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- 28 November 2019, pp 3-13
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Map
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Part II - Places
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- 28 November 2019, pp 43-222
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Black Sea Index
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- 28 November 2019, pp 542-552
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Figures
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- 28 November 2019, pp viii-xvii
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Notes on Contributors
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- 28 November 2019, pp xviii-xxiv
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Copyright page
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- 28 November 2019, pp iv-iv
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Preface
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- 28 November 2019, pp xxv-xxvii
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Part IV - Performative Presences
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- 28 November 2019, pp 329-469
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6 - Theatre and Performance in the Bosporan Kingdom
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- 28 November 2019, pp 82-105
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Part I - Approaches
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- 28 November 2019, pp 1-42
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17 - A New Mask and Musical Instruments from the Eastern Bosporus
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- 28 November 2019, pp 362-372
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Part III - Plays
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- 28 November 2019, pp 223-328
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20 - Historiography and Theatre: The Tragedy of Scythian King Skyles
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- 28 November 2019, pp 433-452
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Contents
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Abbreviations
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Ancient Theatre and Performance Culture Around the Black Sea
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- 28 November 2019