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At first glance, the burial beds and couches in many Etruscan tombs look very similar to those found in Lydia, Phrygia, and other parts of Anatolia. Closer inspection reveals striking correspondence of formal details like carved headrests while at the same time highlighting essential differences of arrangement and usage. Iconographic evidence for beds and couches in Etruscan funerary art (tomb paintings and relief cippi) also shows a distinctive Etruscan approach to covering these furnishings with textiles. While the formal similarities do indicate that Etruscan and Anatolian elites knew and used shared furniture styles, they cannot be used to support theories of migration or cultural influence from Anatolia to Etruria since most of the Etruscan examples are earlier than the Anatolian parallels. Key differences in usage further remind us that even with a shared vocabulary of form, distinct cultural dialects can persist.
A comprehensive examination of material connections and artistic exchange between Etruria and Anatolia has never been the focus of an in-depth and heuristic study. Remarkable connections in Etruscan and Anatolian material culture show a growing body of fascinating evidence for various forms of contact and exchange between these two regions. This book establishes a new framework for discussing such similarities, and it invites new conversations about materiality, connectivity, and exchange among two regions separated (literally) by Greece. It examines recurring threads of a rich and varied Etruscan and Anatolian fabric of material networks surfacing in a wide variety of artistic styles and narratives. The traditional ways of looking at the ancient Mediterranean, within strict disciplinary boundaries, can no longer be useful when it comes to this type of cultural, artistic, and ideological query. The time has come to decolonize the ancient Mediterranean framework regarding how peoples and cultures have long been viewed, examined, and packaged. This volume offers a wide range of remarkable connections between Etruria and Anatolia, opening up new ways for examining the ancient Mediterranean.
Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800 – 300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.
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