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A Social and Economic History of the Theatre to 300 BC
  • Volume 1, The Theatre Festivals of Athens: Documents with Translation and Commentary
  • Eric Csapo, Peter Wilson
  • Coming soon
  • Expected online publication date:
    December 2025
    Print publication:
    31 December 2025
  • This is the first volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on the theatre festivals in the city of Athens. It presents and discusses in detail all the documentary and material evidence for the Dionysia in the city of Athens, the Lenaea and the Anthesteria. It is the first comprehensive reappraisal of the Athenian theatre festivals undertaken in over seventy years and the first ever to attempt a history of the Athenian theatre as an institution which recognises the social and economic forces that underpinned it. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.

A Social and Economic History of the Theatre to 300 BC
  • Eric Csapo, Peter Wilson
  • Published online:
    20 May 2021
    Print publication:
    16 January 2020
  • This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.

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