We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
In recent years, literary critics have engaged in a variety of new approaches to Sylvia Plath’s work. Readers themselves are increasingly aware of the complex array of backgrounds and frameworks that shape Plath’s writing. Bringing together an exciting combination of established and emerging thinkers from a range of disciplines, Sylvia Plath in Context is an important new landmark in this ongoing project. Across thirty-four chapters, this volume reveals Plath’s complex responses to the writers she reads, her interventions in the literary techniques and forms she encounters, and the wide range of cultural, personal, artistic, political, historical and geographical influences that shaped her work.
In my own chapter, I discuss how Plath came into contact with the many common forms – literary and otherwise – in which we find the second person address. These include instructions such as user guides and recipes; questionnaires and interviews; advertising; letters; poems; and prose fiction. All of these second person functions are utilised by Plath at various points in her work. I provide key examples of these uses and establish the context for the kinds of sources she drew upon. Plath’s formulates a ‘you’ that is fluid and mobile, controlling the reader’s distance from and closeness to the narrators of her poems and fiction.
Sylvia Plath in Context brings together an exciting combination of established and emerging thinkers from a range of disciplines. The book reveals Plath's responses to the writers she reads, her interventions in the literary techniques and forms she encounters, and the wide range of cultural, personal, artistic, political, historical and geographical influences that shaped her work. Many of these essays confront the specific challenges for reading Sylvia Plath today. Others evaluate her legacy to the writers who followed her. Reaching well beyond any simple equation in which biographical cause results in literary effect, all of them argue for a body of work that emerges from Plath's deep involvement in the world she inhabits. Situating Plath's writing within a wide frame of references that reach beyond any single notion of self, this book will be a vital resource for students, scholars, instructors and researchers of Sylvia Plath.