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3 - An Apperceptive Approach to the Transcendental Aesthetic
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- Intuition in Kant
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- 07 March 2024
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- 14 March 2024, pp 73-109
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Chapter 10 - The Rape of Time
- from Part I
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- The Christian Invention of Time
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- 13 January 2022
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- 03 February 2022, pp 206-220
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18 - Romanticism and Performance
- from Part IV - Practices
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- The Cambridge Companion to Music and Romanticism
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- 06 August 2021
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- 26 August 2021, pp 311-324
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Chapter 2 - The Presence of Speech in Writing: Speaking as Sparking
- from Part I - The Literary Vision
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- The Divine Vision of Dante's Paradiso
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- 26 August 2021
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- 19 August 2021, pp 55-86
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Excursus VI - Transcendentality of Language and the Language of the Other
- from Part II - Philosophical Reflections
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- The Divine Vision of Dante's Paradiso
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- 26 August 2021
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- 19 August 2021, pp 262-285
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20 - Ultimate Impact
- from Part III - The Science of Impact
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- The Science of Science
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- 07 February 2021
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- 25 March 2021, pp 209-220
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15 - Big Science
- from Part III - The Science of Impact
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- The Science of Science
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- 07 February 2021
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- 25 March 2021, pp 161-173
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7 - The Incommunicability of “Felt Qualities”
- from I - Early Papers
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- Book:
- On Philosophy and Philosophers
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- 10 October 2020
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- 15 October 2020, pp 115-122
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Chapter 10 - Fiction in the Age of Television
- from Part III - Literary Immediacy and Television
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 234-237
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Chapter 2 - “To Exalt the Present and the Real”: Walt Whitman’s Photographic Poetry
- from Part I - Literary Immediacy and Photography
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 69-88
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Chapter 3 - The Politics of Paying Attention: The Romantic Desire for Immediacy
- from Part I - Literary Immediacy and Photography
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 89-92
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Still in Pursuit
- from Part III - Literary Immediacy and Television
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 238-244
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Chapter 4 - “Living Moving Pictures”: The Thrills of Early Cinema
- from Part II - Literary Immediacy and the Cinema
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 95-115
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Chapter 9 - “Nothing Happens Until It Is Consumed”: The Remediation of TV Images in Don DeLillo’s Novel Mao II
- from Part III - Literary Immediacy and Television
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 211-233
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Chapter 6 - “A Novel Like a Documentary Film”: Cinematic Writing as Cultural Critique in John Dos Passos’s Manhattan Transfer
- from Part II - Literary Immediacy and the Cinema
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- American Literature and Immediacy
- Published online:
- 19 December 2019
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- 16 January 2020, pp 143-170
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Chapter 7 - Being There: Television’s Aesthetics of Immediacy
- from Part III - Literary Immediacy and Television
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 173-183
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Chapter 1 - The Poet as “Exact Reporter of the Essential Law”: Ralph Waldo Emerson’s Poetics in the Context of Early Photography
- from Part I - Literary Immediacy and Photography
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- American Literature and Immediacy
- Published online:
- 19 December 2019
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- 16 January 2020, pp 31-68
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Chapter 5 - “Making a Cinema of It”: Seriality and Presence in Gertrude Stein’s Early Literary Portraits
- from Part II - Literary Immediacy and the Cinema
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 116-142
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Chapter 8 - For Real? The Critique of TV Culture in the Short Fiction of Robert Coover and David Foster Wallace
- from Part III - Literary Immediacy and Television
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- American Literature and Immediacy
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- 19 December 2019
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- 16 January 2020, pp 184-210
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The Quest for Immediacy in American Literature and Media Culture
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- American Literature and Immediacy
- Published online:
- 19 December 2019
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- 16 January 2020, pp 1-28
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