Book contents
- American Literature in Transition, 1876–1910
- Nineteenth-Century American Literature in Transition
- American Literature in Transition, 1876–1910
- Copyright page
- Contents
- Contributors
- Series Preface
- Acknowledgments
- Chronology
- Introduction
- Part I Transitive States
- Chapter 1 Radical Pasts, Radical Futures
- Chapter 2 Unsettled Colonialisms
- Chapter 3 Secularism, Race, and Sex
- Chapter 4 Sex and the Suicide Plot
- Chapter 5 Virtual Subjects
- Part II Post-Reconstruction Aesthetics
- Part III Old Materialisms
- Part IV Immanent Techniques
- Index
Chapter 2 - Unsettled Colonialisms
from Part I - Transitive States
Published online by Cambridge University Press: 24 August 2022
- American Literature in Transition, 1876–1910
- Nineteenth-Century American Literature in Transition
- American Literature in Transition, 1876–1910
- Copyright page
- Contents
- Contributors
- Series Preface
- Acknowledgments
- Chronology
- Introduction
- Part I Transitive States
- Chapter 1 Radical Pasts, Radical Futures
- Chapter 2 Unsettled Colonialisms
- Chapter 3 Secularism, Race, and Sex
- Chapter 4 Sex and the Suicide Plot
- Chapter 5 Virtual Subjects
- Part II Post-Reconstruction Aesthetics
- Part III Old Materialisms
- Part IV Immanent Techniques
- Index
Summary
On December 29, 1890, US Colonel James Forsyth led five hundred soldiers to Wounded Knee Creek on the Lakota Pine Ridge Indian Reservation in South Dakota, where they confronted a camp of three hundred fifty Lakota men, women, and children. The soldiers held a misguided fear about the Ghost Dance, an Indigenous response to settler colonialism that had emerged out of the visions of Wovoka, a Paiute religious leader, and grown into a religious movement that spanned Indigenous tribes. The Ghost Dance was a ritualized performance intended to bring back life – ancestors, bison, land – and ways of life that settler colonialism had been violently eliminating. Settlers perceived this practice as threatening and indicative of an impending Indigenous uprising; this misunderstanding of the Ghost Dance motivated the US troops to disarm and open fire on the camp, killing nearly three hundred Lakota, many of whom were women and children.
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- Information
- American Literature in Transition, 1876–1910 , pp. 38 - 58Publisher: Cambridge University PressPrint publication year: 2022