Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-4hhp2 Total loading time: 0 Render date: 2024-06-01T03:02:36.715Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

11 - ‘Moral Witnessing?’ An Israeli Perspective on Jonathan Littell's Les Bienveillantes

from III - The Second World War and Vichy: Present Perspectives

Sidra Dekoven Ezrahi
Affiliation:
Professor Emerita of Comparative Literature at the Hebrew University of Jerusalem
Get access

Summary

Les Bienveillantes as Necessary

Les Bienveillantes, published in France in 2006, is the first novel of Jonathan Littell, an American-born, French-educated son of a writer and grandson of Jews from Russia. The 900+-page novel has been translated into several languages and garnered many adherents and adversaries. Along with colleagues such as Julia Kristeva and Daniel Mendelsohn, Susan Suleiman appeared in a number of public forums and published several articles on the novel in both popular and academic venues, expressing qualified admiration and subjecting it to the most penetrating lines of inquiry. As summarized by Suleiman, the novel is groundbreaking in

giv[ing] us a comprehensive and historically accurate account of the Nazi genocide of the Jews, starting in June 1941 on the Eastern front and ending with the January 1945 death marches from Auschwitz … [It] is narrated exclusively from the point of view, and in the voice, of a former SS officer who witnessed it all [and actively participated in many of the crimes]. Critics have pointed out that this ubiquity makes the narrator a kind of Zelig or Forrest Gump, implausible by realist criteria. The important question … is not that of verisimilitude but rather: What kind of point of view and what kind of voice does Littell's narrator Maximilien Aue represent, and how are we to respond to him as readers?

My initial reaction to this question is that, as a reader, I remain in a kind of limbo, not quite able to make up my mind whether, to quote Suleiman again, I ‘love or hate’ the book—or, in Kristeva's language, whether as a ‘naïve’ reader I am ‘convinced or disgusted’ (‘le lecteur naïf, le frère du narrateur Aue, en sort-il convaincu ou écoeuré’)—though I tend to throw in my hat with the latter. But as Suleiman demonstrates in more than one essay, and as Kristeva argues, the real work of the novel lies beyond the text itself, in the discussions and debates it generates. Kristeva likens its effect to that of a ‘colossal virus’ that contaminates the reader, bit by bit.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×