Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Abbreviations
- Note to the Reader
- Opening Statement
- Exhibit A Recent Appraisals of the “Requiem” Text
- 1 Interpretive Principles
- Exhibit B The “Requiem” Text
- 2 Biblical Contexts
- Exhibit C A Biblically Informed Gloss
- 3 Contemporaneous Assessments
- Exhibit D An Evangelical Review
- 4 Early Performances
- Exhibit E The Reinthaler Letter
- 5 Musical Traditions
- Exhibit F A Collated Musical Guide
- Closing Statement
- Appendix: Performances of Ein deutsches Requiem, 1867–82
- Notes
- Bibliography
- Index
Appendix: Performances of Ein deutsches Requiem, 1867–82
Published online by Cambridge University Press: 23 October 2020
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Abbreviations
- Note to the Reader
- Opening Statement
- Exhibit A Recent Appraisals of the “Requiem” Text
- 1 Interpretive Principles
- Exhibit B The “Requiem” Text
- 2 Biblical Contexts
- Exhibit C A Biblically Informed Gloss
- 3 Contemporaneous Assessments
- Exhibit D An Evangelical Review
- 4 Early Performances
- Exhibit E The Reinthaler Letter
- 5 Musical Traditions
- Exhibit F A Collated Musical Guide
- Closing Statement
- Appendix: Performances of Ein deutsches Requiem, 1867–82
- Notes
- Bibliography
- Index
Summary
The following compilation lists public performances of Ein deutsches Requiem from 1867 to 1882 that included at least three movements from the work. When a specific date for a performance is not supplied in the sources consulted here, only the year is given, and the performance appears either at the beginning of the year in which it occurred or, if the information is from a review, in chronological order according to the date of the review. Cities in German-speaking areas are listed generally by their German name at the time of the performance, with the exception of standard anglicized names of well-known cities (for example, Cologne, Munich, Vienna). A dagger (†) indicates a performance in a church, although not all performance venues have been identified. An asterisk (*) indicates a performance conducted by Brahms. Excerpts are listed when the performance was incomplete. More details are available in the online supplement D, including modern place names, venues, information on benefit and memorial performances, names of performing organizations and conductors, supplementary repertoire, and sources.
- Type
- Chapter
- Information
- Brahms's A German RequiemReconsidering Its Biblical, Historical, and Musical Contexts, pp. 333 - 342Publisher: Boydell & BrewerPrint publication year: 2020