Book contents
- Frontmatter
- Introduction
- 1 The rules of baseball
- 2 Baseball in literature, baseball as literature
- 3 Babe Ruth, sabermetrics, and baseball’s politics of greatness
- 4 Not the major leagues: Japanese and Mexican Americans and the national pastime
- 5 Baseball and the color line: from the Negro Leagues to the major leagues
- 6 Baseball and war
- 7 Baseball and the American city
- 8 Baseball at the movies
- 9 The baseball fan
- 10 Baseball and material culture
- 11 Global baseball: Japan and East Asia
- 12 Global baseball: Latin America
- 13 Cheating in baseball
- 14 Baseball’s economic development
- 15 Baseball and mass media
- A guide to further reading
- Index
2 - Baseball in literature, baseball as literature
Published online by Cambridge University Press: 28 July 2011
- Frontmatter
- Introduction
- 1 The rules of baseball
- 2 Baseball in literature, baseball as literature
- 3 Babe Ruth, sabermetrics, and baseball’s politics of greatness
- 4 Not the major leagues: Japanese and Mexican Americans and the national pastime
- 5 Baseball and the color line: from the Negro Leagues to the major leagues
- 6 Baseball and war
- 7 Baseball and the American city
- 8 Baseball at the movies
- 9 The baseball fan
- 10 Baseball and material culture
- 11 Global baseball: Japan and East Asia
- 12 Global baseball: Latin America
- 13 Cheating in baseball
- 14 Baseball’s economic development
- 15 Baseball and mass media
- A guide to further reading
- Index
Summary
It's hard to read an American classic without finding some mention of baseball. The most famous reference is in The Great Gatsby (1925), where Nick Carraway marvels at how Gatsby's associate Meyer Wolfshiem fixed the 1919 World Series “with the single-mindedness of a burglar blowing a safe.” In the great novel of the American Dream, it seems inevitable that Nick Carraway's musings on innocence and disillusionment should encompass baseball. Allusions to baseball range from a mention of Arnold Rothstein – the real-life model for Fitzgerald's Wolfshiem – in Dashiell Hammett's The Maltese Falcon (1930), to a chapter relating a rowdy game at the Polo Grounds in E. L. Doctorow 's Ragtime (1975). Marianne Moore and Robert Pinsky, among many others, have written poetry about baseball, and a leading character in one of August Wilson 's most important plays, Fences (1983), is a former player in the Negro Leagues. A rich tradition of American nonfiction about baseball includes work by Donald Hall and John Updike.
While baseball allusions and work in other genres offer rewarding venues for criticism, this chapter focuses specifically on fiction devoted to the game. It will introduce the most accomplished examples from the relatively small canon of literary fiction about baseball, but will suggest that these can best be understood in relationship to a much larger body of juvenile, pulp, and genre fiction about baseball. Baseball writing existed largely in the realm of the popular in the first half of the twentieth century, but after World War ii there evolved a recognizable high-art tradition as well.
- Type
- Chapter
- Information
- The Cambridge Companion to Baseball , pp. 21 - 32Publisher: Cambridge University PressPrint publication year: 2011