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3 - Live Electronic Music

Published online by Cambridge University Press:  27 October 2017

By
Nicolas Collins
Edited by
Nick Collins  and
Julio d'Escrivan
Nick Collins
Affiliation:
University of Durham
Julio d'Escrivan
Affiliation:
University of Huddersfield
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The Cambridge Companion to Electronic Music , pp. 40 - 57
Publisher: Cambridge University Press
Print publication year: 2017

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References

Further reading

Brewster, Bill and Broughton, Frank (1999) Last Night a DJ Saved My Life – the History of the Disc Jockey. NewYork: GrovePressGoogle Scholar
Cage, John (1966) Silence. Cambridge, MA: MIT PressGoogle Scholar
Chadabe, Joel (1997) Electric Sound – The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice HallGoogle Scholar
Collins, Nicolas (2006) Handmade Electronic Music – The Art of Hardware Hacking. New York: RoutledgeGoogle Scholar
Collins, Nicolas (ed.) Leonardo Music Journal. Cambridge, MA: MIT PressGoogle Scholar
Duckworth, William (1995) Talking Music. NewYork: Schirmer BooksGoogle Scholar
Ghazala, Reed (2005) Circuit Bending: Build Your Own Alien Instruments. NewYork: Wiley PublicationsGoogle Scholar
Holmes, Thom (2002) Electronic and Experimental Music (2nd edition). New York: RoutledgeGoogle Scholar
Johnson, Tom (1989) The Voice of New Music – New York City 1972–1982 (a collection of articles originally published in The Village Voice). Eindhoven, The Netherlands: Het ApollohuisGoogle Scholar
Lucier, Alvin (1995) Reflections/Reflexionen. Cologne, Germany: MusikTexteGoogle Scholar
Nyman, Michael (1974) Experimental Music – Cage and Beyond. NewYork: Schirmer BooksGoogle Scholar
Oliveros, Pauline (1984) Software For People. Baltimore, MD: Smith PublicationsGoogle Scholar
Toop, David (2004) Haunted Weather – Music, Silence and Memory. London: Serpent’s TailGoogle Scholar

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