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16 - Writing the American story, 1945–1952

from PART II - AFRICAN AMERICAN LITERATURE IN THE TWENTIETH CENTURY

Published online by Cambridge University Press:  28 May 2011

Maryemma Graham
Affiliation:
University of Kansas
Jerry W. Ward, Jr
Affiliation:
Dillard University, New Orleans
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Summary

Any consideration of the period 1945–52 in African American letters must take as its starting poRichard Wright, whose masterful autobiography, Black Boy (1945), is arguably the most important life story from the culture since Booker T. Washington's Up From Slavery, which in many ways it contradicted. Ushering in the postwar era, it was an angry, bitter book, despite the fact that it focuses on Wright's personal experiences from age four to his flight from the South in 1927 at nineteen. It spoke eloquently for the rage that motivated African Americans in the days after the Second World War, a conflict that they had helped win, in terms of both the heroism of black servicemen and the stateside employment of black workers in war factories. Veterans who had been welcomed abroad as liberating heroes were unwilling to return to submissive places in American society, which meant back seats on buses, restrictive covenants that kept blacks out of white neighborhoods, segregated and inferior schools, and voting restrictions in Southern states. While many African Americans therefore continued the “Great Migration” to Northern cities after the war, those remaining or returning to the South increasingly began to join resistance organizations, which ultimately led to the powerful influence of the Brotherhood of Sleeping Car Porters and the Congress of Racial Equality (founded 1942), the redefinition of the long-existing National Association for the Advancement of Colored People, and, perhaps most importantly, the creation in 1957 of the Southern Christian Leadership Council.

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Publisher: Cambridge University Press
Print publication year: 2011

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References

Ellison, Ralph. “Harlem Is Nowhere.” In Shadow and Act. 1964. New York: Vintage, 1995..Google Scholar
Ellison, Ralph. Invisible Man. New York9: Random House, 1952.Google Scholar
Jarrett, Gene Andrew (ed.). African American Literature beyond Race. New York: New York University Press, 2006.Google Scholar
Jones, Sharon Lynette. Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West. Westport, CT: Greenwood Press, 2002.Google Scholar
Kaplan, Carla (ed.). Zora Neale Hurston: A Life in Letters. New York: Doubleday, 2002.Google Scholar
O'Meally, Robert (ed.). New Essays on Invisible Man. Cambridge: Cambridge University Press, 1988.CrossRefGoogle Scholar
Rampersad, Arnold. Ralph Ellison: A Biography. New York: Knopf, 2007.Google Scholar
Washington, Booker T.Up From Slavery. 1901. Three Negro Classics. Introduction by Franklin, John Hope. New York: Avon Books, 1965.Google Scholar

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