Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-05-10T18:45:36.060Z Has data issue: false hasContentIssue false

2 - Lutheranism and Calvinism

from Part I - Confessions, Identities, and Rhetorics of Power

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ameln, Konrad, ‘Das Klugsche Gesangbuch, Wittenberg 1529: Versuche einer Rekonstruktion’, Jahrbuch für Liturgik und Hymnologie 16 (1971), 159–62Google Scholar
Ameln, Konrad Leonhard Lechner, Lüdenscheid, 1957Google Scholar
Ameln, KonradLeonhard Lechner in his Time’, in Cantors at the Crossroads: Essays on Church Music in Honor of Walter E. Buszin, ed. Riedel, Johannes, St Louis, MO, 1967, 7586Google Scholar
Ameln, Konrad, ed., Das Babstsche Gesangbuch von 1545, Kassel, 1966Google Scholar
Ameln, Konrad Das Erfurter Enchiridion: gedruckt in der Permentergassen zum Ferbefaß 1524 und der Ergänzungsdruck Etliche Christliche Gesenge und psalmen, wilche vor bey dem Enchiridion nicht gewest synd (Erfurt) 1525, Kassel, 1983Google Scholar
Bellingham, Bruce A., ‘The Bicinium in the Lutheran Latin Schools during the Reformation Period’, Ph.D. diss., University of Toronto, 1971Google Scholar
Bente, Martin, Neue Wege der Quellenkritik und die Biographie Ludwig Senfls: Ein Beitrag zur Musikgeschichte der Reformationszeitalters, Wiesbaden, 1968Google Scholar
Bitzel, Alexander, ‘The Theology of the Sermon in the Eighteenth Century’, in Preaching, Sermon and Cultural Change in the Long Eighteenth Century, ed. van Eijnatten, Joris, Leiden, 2009, 5794Google Scholar
Blankenburg, Walter, ‘Church Music in Reformed Europe’, in Protestant Church Music, ed. Blume, Friedrich, trans. Hans Heinsheimer, London, 1975, 509–90Google Scholar
Blankenburg, Walter Johann Walter: Leben und Werk, ed. Brusniak, Friedhelm, Tutzing, 1991Google Scholar
Blankenburg, Walter ‘Überlieferung und Textgeschichte von Martin Luthers “Encomion musices”’, Lutherjahrbuch (1973), 80104Google Scholar
Blankenburg, Walter, ed., Das Geistliche Gesangbüchlein ‘Chorgesangbuch’, Kassel, 1979Google Scholar
Blankenburg, Walter, and Gottwald, Clytus, ‘Eccard, Johannes’, Grove Music OnlineGoogle Scholar
Blume, Friedrich, Protestant Church Music: A History, rev. Finscher, Ludwig, trans. F. Ellsworth Peterson, London, 1975Google Scholar
Bouwsma, William, ‘Renaissance and Reformation: An Essay on Their Affinities and Connections’, in A Usable Past: Essays in European Cultural History, Berkeley, CA, 1990, 225–46Google Scholar
Braun, Werner, ‘Walter [Walther], Johann [Johannes]’, Grove Music OnlineGoogle Scholar
Brown, Christopher Boyd, Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar
Bruinsma, Henry A., ‘The “Souterliedekens” and its Relation to Psalmody in the Netherlands’, Ph.D. diss., University of Michigan, 1949Google Scholar
Clive, H. P., ‘The Calvinist Attitude to Music and its Literary Aspects and Sources’, Bibliothèque d’Humanisme et Renaissance 19 (1957), 79107Google Scholar
Contzen, , Adam, S.J., Politicorum libri decem, Mainz, 1621Google Scholar
Crook, David, Orlando di Lasso’s Imitation Magnificats for Counter-Reformation Munich, Princeton, NJ, 1994CrossRefGoogle Scholar
Diefendorf, Barbara, ‘The Huguenot Psalter and the Faith of French Protestants in the Sixteenth Century’, in Culture and Identity in Early Modern Europe (1500–1800): Essays in Honor of Natalie Zemon Davis, ed. Diefendorf, Barbara B. and Hesse, Carla A., Ann Arbor, MI, 1993, 4163CrossRefGoogle Scholar
Dobbins, Frank, ‘Bourgeois, Loys’, Grove Music OnlineGoogle Scholar
Dollinger, Robert, ‘Erhalt uns Herr, bei deinem Wort!Zeitschrift für bayerische Kirchengeschichte 29 (1960), 3342Google Scholar
Duffy, Kathryn, ‘The Jena Choirbooks: The Music and Liturgy of Pre-Reformation Saxony’, Ph.D. diss., University of Chicago, 1994Google Scholar
Eitner, Robert, ‘Ein Nachtrag zu Heinrich Faber’, Monatshefte für Musikgeschichte 5 (1873), 189–90Google Scholar
Eitner, RobertMagister Heinrich Faber. Biographie’, Monatshefte für Musikgeschichte 2 (1870), 1730Google Scholar
Elders, Willem, et al., ‘Clemens non Papa, Jacobus [Clement, Jacob]’, Grove Music OnlineGoogle Scholar
Fisher, Alexander J., Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria, New York, 2014Google Scholar
Fisher, Alexander Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar
Fisher, AlexanderSong, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe’, JM 18 (2001), 616–57Google Scholar
Freedman, Richard, The Chansons of Orlando di Lasso: Music, Piety, and Print in Sixteenth-Century France, Rochester, NY, 2001Google Scholar
Gaillard, Paul-André, Loys Bourgeois, sa vie, son oeuvre comme pédagogue et compositeur, Lausanne, 1948Google Scholar
Garside, Charles, The Origins of Calvin’s Theology of Music, Philadelphia, PA, 1979Google Scholar
Garside, Charles Zwingli and the Arts, New Haven, CT, and London, 1966Google Scholar
Gerken, Robert E., ‘The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35’, Ph.D. diss., Indiana University, 1969Google Scholar
Giselbrecht, Elisabeth, and Elizabeth Upper, L., ‘Glittering Woodcuts and Moveable Music: Decoding the Elaborate Printing Techniques, Purpose, and Patronage of the Liber Selectarum Cantionum’, in Senfl-Studien 1, ed. Gasch, Stefan, Lodes, Birgit, and Tröster, Sonja, Tutzing, 2012, 1767Google Scholar
Grijp, Louis P., ‘The Souterliedekens by Gherardus Mes (1561): An Enigmatic Pupil of Clemens non Papa, and Popular Song of the Mid-Sixteenth Century’, in From Ciconia to Sweelinck: Donum natalicum Willem Elders, ed. Clement, Albert and Jas, Eric, Amsterdam, 1994, 245–54Google Scholar
Gurlitt, Wilibald, ‘Johannes Walter und die Musik der Reformationszeit’, Luther-Jahrbuch 15 (1933), 1112Google Scholar
Gurlitt, Wilibald Michael Praetorius (Creuzbergensis). Sein Leben und seine Werke nebst einer Biographie seines Vaters, des Predigers M. Schulteis, Leipzig, 1915Google Scholar
Heidrich, Jürgen, Die deutschen Chorbücher aus der Hofkapelle Friedrichs des Weisen: Ein Beitrag zur mitteldeutschen geistlichen Musikpraxis um 1500, Baden-Baden, 1993Google Scholar
Herl, Joseph, Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict, Oxford, 2004Google Scholar
Hoffmann, Lawrence A., and Walton, Janet R., eds., Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience, Notre Dame, IN, 1992Google Scholar
Irwin, Joyce, ‘Music and the Doctrine of Adiaphora in Orthodox Lutheran Theology’, SCJ 14 (1983), 157–72Google Scholar
Kantz, Caspar, Von der Evangelyschenn Mesß mitt schöne[n] Christlich[e]n gebeten vor un[d] nach der entpfachu[n]g des Sacraments, Nördlingen, 1522Google Scholar
Kempers, Bernet, ‘Die “Souterliedekens” des Jacobus Clemens non Papa’, Tijdschrift van de Vereniging voor Nederlandse muziekgeschiedenis 12 (1928), 261–8; 13 (1929), 2943, 126–51Google Scholar
Kümin, Beat, ‘Masses, Morris and Metrical Psalms: Music in the English Parish, c. 1400–1600’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 7081Google Scholar
Lawry, Eleanor, ‘Some Observations of Goudimel’s Psalm Settings’, in Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith, ed. Katz, Israel J, Stuyvesant, NY, 1991, 337–47Google Scholar
Le Huray, Peter, Music and the Reformation in England 1549–1660, London, 1967Google Scholar
Leaver, Robin, ‘Christian Liturgical Music in the Wake of the Protestant Reformation’, in Sacred Sound and Social Change: Liturgical Music in Jewish and Christian Experience, ed. Hoffmann, Lawrence A. and Walton, Janet R., Notre Dame, IN, 1992, 124–44Google Scholar
Leaver, RobinGenevan Psalm Tunes in the Lutheran Choral Tradition’, in Der Genfer Psalter und seine Rezeption in Deutschland, der Schweiz und den Niederlanden, ed. Grünewald, Eckhard et al., Tübingen, 2004, 145–66Google Scholar
Leaver, RobinGoostly Psalmes and Spirituell Songes’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535–1566. Oxford, 1991Google Scholar
Leaver, Robin Luther’s Liturgical Music: Principles and Implications, Grand Rapids, MI, 2007Google Scholar
Leaver, RobinLutheran Vespers as a Context for Music’, in Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany, ed. Walker, Paul, Ann Arbor, MI, 1990, 143–61Google Scholar
Leaver, RobinThe Reformation and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 371400Google Scholar
Luther, Martin, D. Martin Luthers Werke: Kritische Gesammtausgabe, Weimar, 1883–1929Google Scholar
Luther, Martin Luther’s Works: American Edition, ed. Pelikan, Jaroslav and Lehmann, Helmut T, St Louis, MI, 1955–86Google Scholar
Marshall, Robert J., and Leaver, Robin A, ‘Chorale’, Grove Music OnlineGoogle Scholar
Mathesius, Johann, Historien, Von des Ehrwirdigen inn Gott seligen theuren Manns Gottes, D. Martin Luthers. Nuremberg, 1566. Reprinted as Dr. Martin Luthers Leben, St Louis, MO, 1883–1929Google Scholar
Mattfeld, Victor H., ‘Rhau [Rhaw], Georg’, Grove Music OnlineGoogle Scholar
Miller, Clement A., ‘Erasmus on Music’, MQ 52 (1966), 332–49Google Scholar
Monson, Craig A., ‘The Council of Trent Revisited’, JAMS 55 (2002), 137Google Scholar
Müntzer, Thomas, Deutsche Evangelische Messe 1524, ed. Bräuer, Siegfried, Berlin, 1988Google Scholar
Noailly, Jean-Michel, ‘Claude Goudimel, Adrian Le Roy et les CL psaumes’, Ph.D. diss., Université de Saint-Étienne, 1988Google Scholar
Oettinger, Rebecca Wagner, Music as Propaganda in the German Reformation, Aldershot, 2001Google Scholar
Pidoux, Pierre, Le Psautier huguenot du XVIe siècle, 2 vols., Basel, 1962Google Scholar
Pidoux, PierreLes Psaumes d’Antoine de Mornable, Guillaume Morlaye et Pierre Certon (1546, 1554, 1555): étude comparative’, Annales musicologiques 5 (1957), 179–98Google Scholar
Pidoux, PierreLoys Bourgeois’ Anteil am Hugunotten-Psalter’, Jahrbuch für Liturgik und Hymnologie 15 (1970), 123–32Google Scholar
Pidoux, Pierre, ed., Les psaumes en vers français avec leurs mélodies: Clément Marot et Théodore de Bèze, Geneva, 1986Google Scholar
Quitslund, Beth, The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603, Aldershot, 2008Google Scholar
Rasch, Rudolf A., ‘Souterliedekens’, Grove Music OnlineGoogle Scholar
Reese, Gustave, Music of the Renaissance, revised edn, New York, 1959Google Scholar
Reid, W. Sanford, ‘The Battle Hymns of the Lord: Calvinist Psalmody of the Sixteenth Century’, SCJ 2 (1971), 3654Google Scholar
Robinson, Hastings, Zurich Letters 1558–1579, Cambridge, 1842Google Scholar
Rokseth, Yvonne, ‘Les premiers chants de l’Église calviniste’, RdM 36 (1954), 720Google Scholar
Rubsamen, Walter, ‘The International “Catholic” Repertoire of a Lutheran Church in Nürnberg (1574–1597)’, Annales musicologiques 5 (1957), 229327Google Scholar
Schalk, Carl, Luther on Music: Paradigms of Praise, St. Louis, MO, 1988Google Scholar
Scheurleer, Daniel François, Die Souterliedekens. Bijdrage tot de geschiedenis der oudste nederlandsche psalmberijming, Leiden, 1898Google Scholar
Schlagel, Stephanie, ‘The Liber selectarum cantionum and the “German Josquin Renaissance”’, JM 19 (2002), 564615Google Scholar
Schoenbaum, Camillo, and Gottwald, Clytus, ‘Bohemian Brethren’, Grove Music OnlineGoogle Scholar
Schuler, Louis Eugene, ‘Lucas Osiander and his Fünfftzig geistliche Lieder und Psalmen: The Development and Use of the First Cantional’, Ph.D. diss., Washington University, 1986Google Scholar
Smend, Julius, Die evangelischen deutschen Messen bis zu Luthers Deutscher Messe, Göttingen, 1896Google Scholar
Söhngen, Oskar, Theologie der Musik, Kassel, 1967Google Scholar
Spinks, Bryan, Luther’s Liturgical Criteria and His Reform of the Canon of the Mass, Bramcote, 1982Google Scholar
Strunk, Oliver, ed., The Renaissance: Source Readings in Music History, New York, 1965Google Scholar
Temperley, Nicholas, The Music of the English Parish Church, Cambridge, 1979Google Scholar
Temperley, Nicholas, Slenk, Howard, Luth, Jan R., Munck, Margaret, Barkley, John M., and Tosh, R, ‘Psalms, Metrical, III: England’, Grove Music OnlineGoogle Scholar
Tomlinson, Gary, ‘Renaissance Humanism and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 119Google Scholar
van Orden, Kate, Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar
Veit, Patrice, Das Kirchenlied in der Reformation Martin Luthers: eine thematische und semantische Untersuchung, Wiesbaden, 1986Google Scholar
Weeda, Robert, Itinéraires du Psautier huguenot à la Renaissance, Turnhout, 2009Google Scholar
Willis, Jonathan, Church Music and Protestantism in Post-Reformation England, Aldershot, 2010Google Scholar
Wissemann-Garbe, Daniela, ‘Neue Weisen zu alten Liedern: die Ersatzmelodien im Klugschen Gesangbuch von 1533’, Jahrbuch für Liturgik und Hymnologie 37 (1998), 118–38Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×