Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-qxdb6 Total loading time: 0 Render date: 2024-04-30T03:10:04.674Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Lacanian Orlando

Katharine Swarbrick
Affiliation:
Edinburgh University
Get access

Summary

For many years the work of Virginia Woolf has attracted perceptive psychoanalytic interpretation from a variety of perspectives. When Makiko Minow-Pinkney first offers an in-depth account of the relationship between Woolf's texts and the preoccupations of continental psychoanalysis in 1987, the stage is set for radical insights and debate. Virginia Woolf and the Problem of the Subject remains a key text in terms of presenting the framework in which such insight and debate has unfolded. Woolf's aesthetic and feminist concerns entail the deconstruction of a hegemonic masculine discourse whose structure and effects are seen as represented, indeed endorsed, by Lacanian theory. Lacan's Symbolic order, the bedrock of language and culture, is supported by the signifier of the phallus, through which man, as bearer of the phallus, asserts a monosexual control of the Symbolic domain. Feminist writing is, of necessity, a protest against this domain, to which all subjects accede through their assumption of the Oedipus complex. As such feminism's attempt to recover and communicate what has been severed from the Symbolic register of ten involves a circumvention of Oedipus or a return to an earlier stage. Minow-Pinkney, as a feminist critic focusing Woolf's construction of a feminine perspective, highlights the importance of the work of Julia Kristeva who is central to her analysis of Woolf's novels. Kristeva forefronts the significance of a primary pre-Oedipal stage repressed by phallocentricity. The Imaginary and the maternal lie at the heart of Kristeva's semiotic modality and constitute a new means, for Minow-Pinkney, of understanding Woolf's feminist aesthetics.

A focal point in the discussions that follow is Woolf's endorsement of the writer's mind as androgynous. Woman is ideally placed in this respect being simultaneously both inside and outside the Symbolic domain. From this position she subverts the phallocentric ideology which, for critics of Lacan, structures his theories concerning speaking subjects. Minow-Pinkney reminds us that there are dangers in thinking of this androgyny as merely “difference.” She cites Stephen Heath who points out in The Sexual Fix that the idea of female androgyny can simply re-emerge as the term which designates the feminine as not man, not phallic, re-establishing the status quo.

Type
Chapter
Information
Contradictory Woolf , pp. 142 - 149
Publisher: Liverpool University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×