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Afterword: for(e)play

Published online by Cambridge University Press:  02 July 2009

Judith Haber
Affiliation:
Tufts University
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Summary

I expect my Playes will be found fault with, by reason I have not drawn the several persons presented in a Circular line, or to a Triangular point, making all the Actors to meet at the latter end upon the Stage in a flock together … But to plead in my Playes behalf, first, I do not perceive any reason why the several persons presented should all be of an acquaintance, or that there is a necessity to have them of one Fraternity, or to have a relation to each other, or linck'd in alliance as one Family, when as Playes are to present the general Follies, Vanities, Vices, Humours, Dispositions, Passions, Affections, Fashions, Customs, Manners, and practices of the whole World of Mankind, … and all these Varieties to be drawn at the latter end into one piece, as into one Company … shews neither Usual, Probable, nor Natural … I love ease so well, as I hate constraint even in my works; for I had rather have a dull easy life, than be forced to active gayeties, so I had rather my Playes should end dully than unnecessarily be forced into one Company, but some of my Playes are gathered into one sheaf or bundel in the latter end.

Margaret Cavendish, “To the Readers,” Playes, 1662

Conclusions are difficult, especially in a book that has spent much of its time questioning narrative closure.

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Publisher: Cambridge University Press
Print publication year: 2009

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  • Afterword: for(e)play
  • Judith Haber
  • Book: Desire and Dramatic Form in Early Modern England
  • Online publication: 02 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511576645.012
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  • Afterword: for(e)play
  • Judith Haber
  • Book: Desire and Dramatic Form in Early Modern England
  • Online publication: 02 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511576645.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Afterword: for(e)play
  • Judith Haber
  • Book: Desire and Dramatic Form in Early Modern England
  • Online publication: 02 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511576645.012
Available formats
×