Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-06-05T08:20:02.740Z Has data issue: false hasContentIssue false

Chapter 15 - Metamorphosis of the Green Man and the Wild Man in Portuguese Medieval Art

Published online by Cambridge University Press:  20 November 2020

Get access

Summary

IN A WORLD closely dependent on nature, the Wild Man and the Green Man played important yet seemingly opposite roles in the art, literature, and imagination of the Middle Ages. The irrationality and violence of animal force, destructive when untamed, collides with and complements the supposedly benevolent and joyous presence of vegetable life, passive and quiet. What are, then, the real differences and similarities between these two figures, both the offspring of nature and of the medieval mind, and what is their importance?

Working in the context of the present historiographical concerns with marginalization and margins, this chapter opens with a discussion about the conceptual and visual relation between the Wild Man and the Green Man, from a broader, European context, and then moves to the specific circumstances of some Portuguese examples.

I often talk here of the Middle Ages as if it were a single block of cultural history, mainly for practical purposes. This doesn't mean, however, that one should forget the huge discrepancies caused by distances of place and time in a period that lasted a thousand years, assuming different shapes in different territories of the Old Continent. Also, the subliminal differences between what one may call the Romanesque and the Gothic Middle Ages must always be considered, especially while referring to mental attitudes towards nature in each of the cultural contexts. But, since the differences and changes operated in the human imaginary and the material realms are as interesting as its similarities and continuities, I choose to open the chronological spectrum to the all-encompassing nature of medieval art and culture.

Setting the Stage: Nature, Wilderness, and Wildness

The long period historiographically identified with the Middle Ages is, interestingly enough, marked by two dramatically opposed climatic phases. The first one, commonly known as the “little optimum” or medieval warm period, occurred between the eleventh and the fourteenth centuries. During this time, nature was often kind, allowing bountiful harvests and providing the ideal background for huge population growth, both in rural and urban areas.

Type
Chapter
Information
Ideology in the Middle Ages
Approaches from Southwestern Europe
, pp. 333 - 358
Publisher: Amsterdam University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×