Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-06-10T23:18:45.912Z Has data issue: false hasContentIssue false

In the Beginning There Was Red

Published online by Cambridge University Press:  25 January 2021

Get access

Summary

Red: Symbolic Meaning

Red is one of the oldest colours used by man. Already in prehistoric times, some 35,000 years ago, red earth was used in European cave paintings. Also, the 71 pieces of red ochre that were recently discovered in the ca. 100,000 year old Qafzeh cave in Israel were, judging by the anatomically modern humans living there, Homo sapiens sapiens – clearly chosen for their red colour. Researchers say that the red ochre found in the cave supports the controversial theory that symbolic thinking, a hallmark of modern-day human thought, arose deep in the Stone Age. The pieces of red ochre pigment were found together with ochre-stained tools, near several of Qafzeh's oldest graves. The association with burial was a strong indication of symbolic thought: early modern man had made the mental leap of associating the red colour with death. Prior to the find of red ochre in Qafzeh cave, the oldest undisputed indication for symbolic culture was a 72,000- year-old piece of – again – red ochre, with a scratched-in line pattern, found in Blombos cave in South Africa.

Red had since early times also been symbolic for the divine. Red represented fire and light, the colour of the sun. The colour red was since ancient times the symbol of might and status of dignitaries. There is a long tradition in the preference for red in matters of importance. John Gage lists many special occasions where red was used: in ancient Greece to sanctify weddings and funerals; as a military colour in both Greece and Rome to strike awe into the enemy. Before the fifth century, Greek stelae (upright funerary stone slabs or columns) were painted red. So were the interiors of some temples. The list is sheer endless: walls of shrines in India, the walls of the temple of Isis in Pompeii, statues of Roman gods, etc. In the Middle Ages, especially in Northern Europe, red also became the colour of justice, signified by the red church door. In antiquity and early medieval times, red also had a particular affinity with gold. The tradition of assigning a symbolic meaning to red and the affinity of red with gold – an affinity that affected the working methods in painting – continued for a long time, even in unexpected places, as will be shown in this article.

Type
Chapter
Information
The Learned Eye
Regarding Art, Theory, and the Artist’s Reputation
, pp. 18 - 27
Publisher: Amsterdam University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×