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3 - Life Becomes History: Memories and Monuments in Wartime

from PART I - MAKING MEMORY IN WARTIME

Published online by Cambridge University Press:  27 July 2009

Lisa A. Kirschenbaum
Affiliation:
West Chester University, Pennsylvania
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Summary

We felt that the fate of the motherland was in our hands, and we conducted ourselves in accordance with that idea, feeling ourselves to be citizens in the full and authentic sense of the word. … For our generation, the war was the most essential event of our lives, the most essential.

Viacheslav Kondrat'ev

From the moment that the war with Nazi Germany began, the Soviet media represented it as history in the making – history made by brave, steadfast, and self-sacrificing Soviet people. Just two days after the German army crossed the border, Smena, the newspaper of the Leningrad Komsomol (Young Communist League), reported that efforts to chronicle the war and to place it in the narrative of Russian and Soviet history had already begun. The Leningrad movie studio Lenfilm announced plans to produce short war documentaries and promised that the first five or six films would be released in ten or twelve days. Meanwhile, workers at the State Public Library planned an exhibition on the war against Napoleon – the original Fatherland War – that would also include material on the German invasion during the Civil War. In December 1942, an exhibit on “The Komsomol in the Fatherland War” commemorated the ongoing conflict in which “life becomes history.” The display of family photographs, diaries, letters, commendations, and blood-soaked Komsomol cards attested to the epochal importance of the war and to the historic significance of everyday life in wartime.

Type
Chapter
Information
The Legacy of the Siege of Leningrad, 1941–1995
Myth, Memories, and Monuments
, pp. 77 - 110
Publisher: Cambridge University Press
Print publication year: 2006

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