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Mountains, Hills, Vales

from PART III - Time and Place

Published online by Cambridge University Press:  05 June 2019

Todd Andrew Borlik
Affiliation:
University of Huddersfield
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Summary

The sublime is generally regarded as an eighteenth-century concept, formulated by the philosophers Immanuel Kant and Edmund Burke. Nevertheless, early modern writers and painters such as Roelant Savery had intimations of the “pleasing horror” that dramatic landscapes could inspire. The following poem appears within a collection of religious verse, which might invite an allegorical reading of the wilderness it depicts. As a Jesuit priest who travelled widely throughout the Continent and England, Southwell may have been better acquainted with actual wilderness than many of his contemporaries. In 1578, he walked from Paris to Rome and this poem is likely based on his crossing of the Alps.

Source: British Library Add MS 10422, 26v–28v; with emendations from Moenie (1595), 27–30.

A Vale there is enwrapped with dreadful shades,

Which thick ° of mourning pines shrouds from the sun,

Where hanging cliffs yield short and dumpish ° glades,

And snowy floods with broken streams do run;

Where eye-room ° is from rock to cloudy sky,

From thence to dales with stony ruins strawed, °

Then to the crushed water's frothy fry,

Which tumbleth from the tops where snow is thawed;

Where ears of other sound can have no choice,

But various blust'ring of the stubborn wind In trees,

in caves, in straits with diverse noise,

Which now doth hiss, now howl, now roar by kind;

Where waters wrestle with encount'ring stones,

That break their streams and turn them into foam,

The hollow clouds full fraught with thund'ring groans,

With hideous thumps discharge their pregnant womb.

And in the horror of this fearful ° choir

Consists the music of this doleful place;

All pleasant birds their tunes from thence retire,

Where none but heavy notes have any grace.

Resort there is of none but pilgrim wights,°

That pass with trembling foot and panting heart;

With terror cast in cold and shudd'ring frights,

They judge° the place to terror framed by art.

Yet nature's work it is, of art untouched,

So strait indeed, so vast unto the eye,

With such disordered order strangely couched,

And so with pleasing horror low and high,

Type
Chapter
Information
Literature and Nature in the English Renaissance
An Ecocritical Anthology
, pp. 292 - 306
Publisher: Cambridge University Press
Print publication year: 2019

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  • Mountains, Hills, Vales
  • Edited by Todd Andrew Borlik, University of Huddersfield
  • Book: Literature and Nature in the English Renaissance
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108224901.019
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  • Mountains, Hills, Vales
  • Edited by Todd Andrew Borlik, University of Huddersfield
  • Book: Literature and Nature in the English Renaissance
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108224901.019
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Mountains, Hills, Vales
  • Edited by Todd Andrew Borlik, University of Huddersfield
  • Book: Literature and Nature in the English Renaissance
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108224901.019
Available formats
×