At the close of the previous chapter, I highlighted how the increasing adoption of the World Wide Web both disrupted fan enterprise, but, at the same time, presented new opportunities for enterprise. The final two chapters of this book focus on European cult cinema fan enterprise taking place online. This chapter considers how fans have responded to declining commercial home video releases of gialli, by taking it upon themselves to archive, reappropriate, and distribute films via an invite only file-sharing community that I refer to as CineTorrent. Drawing on a virtual ethnography of this community, engagement with its members, and my own experiences, I consider how rules and regulations instigated by the moderators of the site both encourage and reward fan enterprise. I argue that this has led to the generation of a comprehensive archive of cult film, in which Italian cult cinema plays a significant role, but also the emergence of a specific group of members who make commercially unreleased gialli accessible to English-speaking audiences through a variety of DIY means. Their work demonstrates a high level of investment in both time and equipment, in some instances mirroring professional media practice. However, unlike those gainfully employed as media professionals, members of CineTorrent receive no obvious financial reward for their production, and display no clear intention to make money out of this fan pursuit; instead, their products are exchanged as gifts amongst the community.I discuss how CineTorrent operates as if it were a factory of fan production, where fans release Italian cult films on DVD by making them available for distribution on CineTorrent.