Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-05-06T08:14:57.647Z Has data issue: false hasContentIssue false

Introduction

from Part Three - The Restless Dead

Published online by Cambridge University Press:  11 May 2017

Get access

Summary

The word ‘revenant’ can have both a precise and a general meaning, In French it is the common term for a ghost, with its derivation from the verb revenir, ‘to return’, carrying the notion of the unexpected interruption of a journey on which the spirit has embarked at death. But in the context of medieval accounts of ghostly occurrences, it would be useful to use the term in a more specific fashion, and to apply it to those corporeal ghosts of Scandinavian and Northern European legend whose return has an insistent, repetitive, threatening nature. In these stories, the basic theme is of a return, not merely from death, but from a place of alienation and exile. In some cases the monstrous revenants return to make their nightly assaults on dwelling-places which were once their homes, where their families and former friends still live. In this specific sense, therefore, revenants are dead people who come back in a recognisable physical form, but profoundly altered in that, for the most part, they are now enemies of the living.

The Icelandic term for such a ghost is draugr, and it was in Iceland, in the centuries that followed the country's conversion to Christianity in the year 1000, that heroic and family sagas were written down for the first time. These written accounts, compiled by Icelandic Christian authors raised in a tradition of literacy and pride in antiquarian research, drew heavily on the Germanic beliefs and legends which formed the basis of pre-Christian Scandinavian culture. In a number of the sagas, a draugr features prominently as an opponent of the hero of the narrative; its marauding activities provide scope for much dark detail on the part of the chroniclers, and the circumstances of its defeat allow for an affirmation of the physical strength and courage of the hero. But stories of such revenants are not confined to Icelandic literature and the period of the sagas. As we shall see from the extracts that follow, these corporeal ghosts are to be encountered looming out of the darkness in Britain and Denmark in Anglo-Saxon and Latin manuscripts dating from the tenth to the fourteenth centuries.

Type
Chapter
Information
Medieval Ghost Stories
An Anthology of Miracles, Marvels and Prodigies
, pp. 121 - 125
Publisher: Boydell & Brewer
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×