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10 - “CUTTING OFF THE COMMUNICATION”: fixations and falls for the walled-in self – Holmes in dialogue with Sterne, Dickens, and Melville

Published online by Cambridge University Press:  22 September 2009

Peter Gibian
Affiliation:
McGill University, Montréal
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Summary

Wemmick's house was a little wooden cottage in the midst of plots of garden, and the top of it was cut out and painted like a battery mounted with guns.

“That's a real flagstaff, you see,” said Wemmick, “and on Sundays I run up a real flag. Then look here. After I have crossed this bridge, I hoist it up – so – and cut off the communication.”

Charles Dickens, Great Expectations

Holmes' vision of this fundamental process of dialogic alternations between impulses of “house-keeping” and “house-breaking” did not arise solely out of his private preoccupations and personal history; on the contrary, it was developed quite self-consciously as a pointed elaboration upon habits of thought widely shared in mid-century culture. Indeed, the Doctor's interest in the wall-breaking powers of levity can be seen to have emerged out of and been shaped by his desire to open up a dialogue with the works of a line of English comic writers – most notably Sterne and Dickens – who had explored in classic, caricatural form the implications of the contemporary urge to “fortification” of the self or of the domestic sphere.

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Publisher: Cambridge University Press
Print publication year: 2001

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