Book contents
- Frontmatter
- Dedication
- Table of Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Framed Boundaries: Conrad von Soest and Early Fifteenth-Century Westphalian Triptychs
- 2 Transparent Boundaries: Colour on the Exterior of German Fifteenth-Century Triptychs
- 3 Regional Boundaries : Rogier van der Weyden’s Columba Altarpiece and Cross-Influences Between the Netherlands and Cologne
- 4 Spiritual Boundaries : The Master of the St. Bartholomew Altarpiece and the Border between Reality and Eternity
- 5 Coda: The Triptych in the Age of Dürer
- Bibliography
- Index
- Frontmatter
- Dedication
- Table of Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Framed Boundaries: Conrad von Soest and Early Fifteenth-Century Westphalian Triptychs
- 2 Transparent Boundaries: Colour on the Exterior of German Fifteenth-Century Triptychs
- 3 Regional Boundaries : Rogier van der Weyden’s Columba Altarpiece and Cross-Influences Between the Netherlands and Cologne
- 4 Spiritual Boundaries : The Master of the St. Bartholomew Altarpiece and the Border between Reality and Eternity
- 5 Coda: The Triptych in the Age of Dürer
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- The Painted Triptychs of Fifteenth-Century GermanyCase Studies of Blurred Boundaries, pp. 285 - 300Publisher: Amsterdam University PressPrint publication year: 2022