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Performance Practice in the Music of Steve Reich
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    KAPUSTA, JOHN 2018. The Self-Actualization of John Adams. Journal of the Society for American Music, Vol. 12, Issue. 3, p. 317.

    Potter, Keith 2017. ‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s. Contemporary Music Review, Vol. 36, Issue. 5, p. 406.

    Huang, Aiyun 2017. La vie qui bat: Steve Reich’s Drumming and Dance Choreography. Circuit: Musiques contemporaines, Vol. 27, Issue. 2, p. 27.

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Book description

Performance Practice in the Music of Steve Reich provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music.

Reviews

'This excellent book celebrates composer Steve Reich with an 80th birthday gift of publication. … This reviewer gives an A+ to the publisher and author for offering this fine book on the subject. … this volume gives a welcome and expert guide to the subject. … highly recommended.'

Geary Larrick Source: Nacwpi Journal

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