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6 - Whitman and Wilde in Camden

Published online by Cambridge University Press:  30 April 2020

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Summary

On January 18, 1882, Oscar Wilde interrupted his exhausting lecture tour of America, donned his favorite brown felt suit and visited Walt Whitman at his home in Camden, New Jersey. There the future author of The Importance of Being Ernest and The Picture of Dorian Gray, who was at the time known chiefly for his pink buttonholes and his odd philosophy that every house should be made beautiful through the installation of imitation Renaissance statuary, managed a splendid self- abasement. He drank a milk punch prepared by Whitman's sister, quivered for a pleasant hour at the poet's feet, and rested the hand that was to pen The Ballad of Reading Gaol on the elderly American's withered knee. It is apparently the case that Wilde spent most of his one- hour attendance in Whitman's hushed study listening with vibrant awe. On the other hand, what he heard is unknown, as no trace of Whitman's monologue has survived. He was 63, and busy adding suitably touching details to his reputation as the grand old prophet, complete with tangly, biblical beard, of a new- world poetry. As for himself, the ex- journalist- turned- poet reported that he had experienced a “happy time” with England's genuine, manly, honest aesthete. Wilde seemed to him a splendid boy, and made a flattering impression by announcing that “We in England think there are only two [American poets]— Walt Whitman and Emerson.”

Puffery though it was, Wilde's remark did not quite hit home. It may have lacked sufficient reverence. The mention of Emerson, whom Whitman admired, may have touched a raw nerve. In a letter written just a week later, Whitman remarked that he had heard from Wilde, who was now off swanning about Niagara Falls, and who had sent him a photograph. “It is a photograph of himself,” scribbled America's prophet gleefully, “and is one fool tall— lifesize.” This spirited if somewhat ungrateful skewering of his recent visitor accompanied even more buoyant, if not boyish, self- congratulations, these blossoming forth in another letter, to Harry Stafford on January 25, in which he noted with satisfaction that “[Wilde] is a fine large handsome youngster— [and that he] had the good sense to take a great fancy to me.”

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Poetry and Freedom
Discoveries in Aesthetics, 1985–2018
, pp. 47 - 54
Publisher: Anthem Press
Print publication year: 2020

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