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II - The monuments of the Athenian Akropolis

Published online by Cambridge University Press:  05 June 2012

Louise Bruit Zaidman
Affiliation:
Université de Paris VII (Denis Diderot)
Pauline Schmitt Pantel
Affiliation:
Université de Picardie Jules Verne, Amiens
Paul Cartledge
Affiliation:
University of Cambridge
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Summary

THE PERIKLEAN BUILDING PROGRAMME

After about 450 the Athenians stopped fighting the Persians, and from 445 they were for over a decade at peace also with their major Greek rival, Sparta. It was during this quite exceptional pacific interlude that the great Akropolis building programme was launched. Its chief political architect was Perikles, who also served on the board of building commissioners (epistatai). The rebuilt Akropolis conveyed different messages to different groups of worshippers and other visitors. Here is how it struck one cultural pilgrim in the second century ce:

The Akropolis has a single entrance; it offers no other because the whole rock is abrupt and strongly-walled. The Propylaia has a roof of white marble, which down to my day is still without peer for the size and beauty of the stone. I cannot say for certain whether the equestrian statues represent the children of Xenophon, or were simply made for decorative effect. To the right of the Propylaia is the temple of Nikē Apteros (‘Wingless Victory’). From here you can see the sea clearly, and they say this is where Aigeus plunged to his death … To the left of the Propylaia is a building containing paintings … At the actual entrance to the Akropolis are statues of Hermes Propylaios and the Graces, said to be by Socrates son of Sophroniskos … [Pausanias now describes everything he passes on his way up to the Parthenon, including numerous statues whose legendary associations he relates.]

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Publisher: Cambridge University Press
Print publication year: 1992

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