WORKING IN NEW YORK CITY 1925-26

The years between his arrival stateside in late October 1925 and his marriage in early 1927 were challenging but exciting for Thompson. First he had to find work and establish an American reputation, cultivate a number of impor¬tant musicians upon whom he could rely, and learn about the business aspects of his profession.

Once back, Thompson stayed briefly with his parents in Boston, where his father was headmaster of the Roxbury Latin School, before renting an apartment in New York's Greenwich Village in a four-story 1899 building at 180 Sullivan Street and taking up residence there. Looking back years later he recalled:

He returned to a country in the middle of Prohibition (1920-1933), and a city, that was reported to have had more than 30,000 speakeasies to “ease the pain.” Moreover, 1926 was the year that saw the death of Claude Monet in France, the first use of 16 mm film in the United States, the publication of Hemingway's novel The Sun Also Rises, the opening of Martha Graham's first dance studio, and the impressive debut of the canine Rin Tin Tin as the biggest box office draw.

In spite of pecuniary angst, he returned with a growing group of in¬fluential friends: Howard Hanson was now Director of the Eastman School of Music in Rochester, New York and a prominent conductor; Leopold Mannes's parents headed the Mannes School of Music; Elizabeth Sprague Coolidge continued to support composers and performers in the States and abroad; Elwell and Sowerby were gaining prominence as composers; and Malipiero would give him sage advice concerning his Second Symphony in the early 1930s. Contact had been established with BSO conductor Serge Koussevitzky, and New York City boasted numerous influential Harvard alumni including Daniel Gregory Mason who congregated at places such as the Harvard Club and the Century Association where Thompson became a member.