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10 - Syndication

from II - Afterlife

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Summary

In the middle of May 1915, the Sketch published an article demonstrating to what extent, in the weeks and months following his death, awareness of Rupert Brooke – or more specifically the idea of Rupert Brooke that emerged out of the obituaries – and his War Sonnets proliferated. The article details a conversation (real or imagined) between two men in the heart of London on Regent Street, at what might be considered the intersection of its commercial and political districts, one already familiar with Brooke, the other not:

I was walking up Regent Street with a friend. Suddenly he said

– apropos of nothing that I can remember: ‘Do you know the

poems of Rupert Brooke?’

‘I don't think so,’ I replied.

‘Then you should be ashamed of yourself ‘.

‘I am. Tell me about him. Who is he?’

‘He's dead. He went out to the Dardanelles on active service,

and died there of sunstroke’.

‘Was he a real poet?’

‘In my opinion, one of the very few real poets we have ever had’.

‘Then he should have been looked after. A real poet is a precious thing. Why was he allowed to go at all?’

‘He would do. He was twenty-seven, and, as far as I know, unmarried. And he was an athlete. I suppose the call was irresistible’.

‘Perhaps it was destiny’.

‘He seems to have thought that himself. One of the finest things he ever wrote was a poem in which he seemed to expect death’.

‘What a pity’

‘Yes, a thundering pity … Hullo! There's my ‘bus!’

And so he rolled away, and the world of London rolled by, and the soul of the poet hovered over the England he so passionately adored.

The exchange neatly catalogues the themes asserted repeatedly in numerous obituaries, including The Times, the Pall Mall Gazette and the Globe, to name but three. Calling attention to the fact that Brooke was ‘twenty seven’, ‘unmarried’, ‘an athlete’, and perhaps seeking adventure introduces a new facet, and paints a more practical approach to enlistment than the fervid articles asserting ‘readiness to do his duty for his country’ being evidence of ‘a high religious joy’.

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Publisher: Liverpool University Press
Print publication year: 2018

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